New Documentary A Critical Introduction
-
- Hardcover
- Taschenbuch ausgewählt
- eBook
-
Sprache:Englisch
49,99 €
UVP
67,70 €
inkl. gesetzl. MwSt.,
Beschreibung
Produktdetails
Einband
Taschenbuch
Erscheinungsdatum
29.06.2006
Abbildungen
7 schwarzweisse Fotos
Verlag
Taylor & FrancisSeitenzahl
288
Maße (L/B/H)
23,4/15,6/1,6 cm
Gewicht
320 g
Auflage
2. Auflage
Sprache
Englisch
ISBN
978-0-415-38524-4
Praise for New Documentary:
'It's refreshing to find a book that cuts through the tired old debates that have surrounded documentary film and television. It heralds a welcome new approach.'
Sight and Sound
'Documentary practice changes so fast that books on the subject are often out of date before they are published. Bruzzi's achievement is to have understood the genre as an activity based on performance rather than observation. This is a fresh perspective which illuminates the fundamental shifts that will continue to take place in the genre as it enters its second century.'
John Ellis, Professor of Media Arts, Royal Holloway, University of London
New Documentary provides a contemporary look at documentary and fresh and challenging ways of theorising the non-fiction film. As engaging as the original, this second edition features thorough updates to the existing chapters, as well as a brand new chapter on contemporary cinema release documentaries.
This new edition includes:
- Contemporary films such as Capturing the Friedmans, Être et avoir, Farenheit 9/11, The Fog of War and Touching the Void as well as more canonical texts such as Hoop Dreams and Shoah
Additional interviews with influential practitioners, such as director Michael Apted and producer Stephen Lambert
- A comprehensively revised discussion of modern observational documentary, including docusoaps, reality television and formatted documentaries
- The work of documentary filmmakers such as Nicholas Barker, Errol Morris, Nick Broomfield, Molly Dineen and Michael Moore and the work of Avant-Garde filmmakers such as Chris Marker and Patrick Keiller
- Gender identity, queer theory, performance, race and spectatorship.
Bruzzi shows how theories of documentary filmmaking can be applied to contemporary texts and genres, and discusses the relationship between recent, innovative examples of the genre and the more established canon of documentary.
Noch keine Bewertungen vorhanden
Verfassen Sie die erste Bewertung zu diesem Artikel
Helfen Sie anderen Kundinnen und Kunden durch Ihre Meinung.
Kurze Frage zu unserer Seite
Vielen Dank für Ihr Feedback
Wir nutzen Ihr Feedback, um unsere Produktseiten zu verbessern. Bitte haben Sie Verständnis, dass wir Ihnen keine Rückmeldung geben können. Falls Sie Kontakt mit uns aufnehmen möchten, können Sie sich aber gerne an unseren Kund*innenservice wenden.
zum Kundenservice