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Produktbild: OXF CRIT CULT HIS MODERN MAG V1 OCCHMM C

OXF CRIT CULT HIS MODERN MAG V1 OCCHMM C

365,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

26.03.2009

Abbildungen

102 halftones, 2 tables

Herausgeber

Peter Brooker + weitere

Verlag

Oxford Academic

Seitenzahl

974

Maße (L/B/H)

25/17,5/5,6 cm

Gewicht

1823 g

Sprache

Englisch

ISBN

978-0-19-921115-9

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

26.03.2009

Abbildungen

102 halftones, 2 tables

Herausgeber

Verlag

Oxford Academic

Seitenzahl

974

Maße (L/B/H)

25/17,5/5,6 cm

Gewicht

1823 g

Sprache

Englisch

ISBN

978-0-19-921115-9

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: OXF CRIT CULT HIS MODERN MAG V1 OCCHMM C


    • General Introduction


    • Part One VICTORIAN PRECURSORS


    • Introduction


    • 1: John Plunkett and Kyriaki Hadjiafxendi: The Pre-History of the 'Little Magazine'


    • 2: Marysa Demoor: In the Beginning There Was the Germ: The Pre-Raphaelites and 'Little Magazines'


    • Part Two FIN-DE-SIÈCLE VENTURES (1884-1905)


    • Introduction


    • 3: Laurel Brake: Aestheticism and Decadence: the Yellow Book (1894-97); the Chameleon (1894); and the Savoy (1896)


    • 4: David Peters Corbett: Symbolism in British 'Little Magazines': the Dial (1889-1897); the Pageant (1896-7); and the Dome (1897-1900)


    • 5: Imogen Hart: 'The Arts and Crafts Movement': the Century Guild Hobby Horse (1884-94); the Studio (1893- ); the Evergreen (1895-6); and the Acorn (1905)


    • Part Three EARLY STATEMENTS (1899-1915)


    • Introduction


    • 6: Alex Davis: Yeats and the Celtic Revival: Beltaine (1899-1900); Samhain (1901-1908); DanaArrow (1906-9)


    • 7: Dominic Hibberd: The New Poetry, Georgians and Others: the Open Window (1910-11); the Poetry Review (1912-15); Poetry and Drama (1913-14); and New Numbers (1914)


    • Part Four TRANSITIONS


    • Introduction


    • 8: Ann L. Ardis: Democracy and Modernism: the New Age under A. R. Orage (1907-1922)


    • 9: Cliff Wulfman: Ford Madox Ford and the English Review (1908-37)


    • 10: Matthew Huculak: The London Mercury (1919-1939) and Other Moderns


    • Part Five INTERVENTIONS (1911-19)


    • Introduction


    • 11: Jean-Michel Rabaté: Gender and Modernism: the Freewoman (1913); the New Freewoman (1911-12); and the Egoist (1914-19)


    • 12: Andrzej Gasiorek: The 'Little Magazine' as Weapon: BLAST (1914-15)


    • 13: Peter Brooker: Harmony, Discord, and Difference: Rhythm (1911-13); the Blue Review (1913); and the Signature (1915)


    • Part Six EDITORS AND PROGRAMMES


    • Introduction


    • 14: Jason Harding: The Idea of a Literary Review: T. S. Eliot and the Criterion (1922-39)


    • 15: Michael Whitworth: Enemies of Cant: the Athenaeum and the Adelphi (1923-48)


    • 16: John Lucas: Standards of Criticism: the Calendar of Modern Letters (1925-7)


    • 17: Mark Morrisson: The Cause of Poetry: Thomas Moult and Voices (1919-21); Harold Monro and the Monthly Chapbook (1919-25)


    • 18: Jane Goldman: Desmond MacCarthy, Life and Letters (1928-35), and Bloomsbury Modernism


    • Part Seven INTO THE 1920s: DISPERSAL AND DIFFERENCE


    • Introduction


    • 19: Andrew Thacker: Aftermath of War: Coterie (1919-21); New Coterie (1925-27); Robert Graves and the Owl (1919-23)


    • 20: Rebecca Beasley: Literature and the Visual Arts: Art and Letters (1917-20) and the Apple (1920-22)


    • 21: Laura Marcus: Cinema and Visual Culture: Close Up (1927-33)


    • 22: Jane Dowson: Interventions in the Public Sphere: Time and Tide (1920-30) and the Bermondsey Book (1923-1930)


    • 23: Paul Edwards: Cultural Criticism at the Margins: Wyndham Lewis, the Tyro (1920-21), and the Enemy (1927-29)


    • 24: Stephen Rogers: Nostalgia and Reaction: Austin O. Spare and Form (1916-17; 1921-22); the Golden Hind (1922-24); and the Decachord (1924-31)


    • Part Eight COMMITMENT TO THE NEW: THE 1930s


    • Introduction


    • 25: Scott McCracken: Cambridge Magazines and Unfinished Business: Experiment (1928-30); the Venture (1928-30); and Cambridge Left (1933-34)


    • 26: Peter Marks: Art and Politics in the 1930s: the European Quarterly (1934-35); Left Review (1934-38); and Poetry and the People (1938-40)


    • 27: Stan Smith: Poetry Then: Geoffrey Grigson and New Verse (1933-39); Julian Symons and Twentieth Century Verse (1937-9)


    • 28: Françoise Bort: A New Prose: John Lehmann and New Writing (1936-40)


    • 29: Rod Mengham: 'National papers please reprint'. Surrealist Magazines in Britain: Contemporary Poetry and Prose (1936-7); London Bulletin (1938-40); and Arson: An Ardent Review (1942)


    • Part Nine BEYOND THE METROPOLIS: NATIONAL AND MIGRANT VOICES IN THE 1930s AND 1940s


    • Introduction


    • 30: Chris Hopkins: Wales (1937-39); the Welsh Review (1939-)


    • 31: Frank Shovlin: From Revolution to Republic: Magazines, Modernism, and Modernity in Ireland: the Klaxon (1923); the Irish Statesman (1923-30); the Dublin Magazine (1923-58); To-Morrow (1924); Ireland To-Day (1936-38); and the Bell (1940-54)


    • 32: Cairns Craig: Modernism and National Identity in Scottish Magazines: the Evergreen (1895-97); the Northern Review (1924); the Modern Scot (1930-36); Scottish Art and Letters (1944-1950); the Scottish Chapbook (1922-3); Outlook (1936-1937); and the Voice of Scotland (1938-39; 1945; 1955)


    • 33: Olga Taxidou: A New 'Art of the Theatre': Gordon Craig's the Mask (1908-28) and the Marionette (1918-19)


    • 34: Mark Jacobs: Modernism as 'Uninfected Discourse': Laura Riding, Epilogue (1935-38) and Focus (1935)


    • Part Ten THE CALL TO CRITICISM AND MODERNIST DESTINIES


    • Introduction


    • 35: Sean Matthews: 'Say not the struggle naught availeth': F. R. Leavis and Scrutiny (1932-53)


    • 36: Sean Latham: Cyril Connolly's Horizon (1940-50) and the End of Modernism


    • 37: James Keery: Poetry London (1939-1951) and Indian Writing (1940-42): the Apocalyptic Poets, 'New Modernism', and 'The Progressive View of Art'


    • Bibliography