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Produktbild: The Reception of Blake in the Orient

The Reception of Blake in the Orient

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.02.2009

Herausgeber

Steve Clark + weitere

Verlag

Bloomsbury Academic

Seitenzahl

364

Maße (L/B/H)

23,4/15,6/2 cm

Gewicht

553 g

Sprache

Englisch

ISBN

978-0-8264-3805-8

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.02.2009

Herausgeber

Verlag

Bloomsbury Academic

Seitenzahl

364

Maße (L/B/H)

23,4/15,6/2 cm

Gewicht

553 g

Sprache

Englisch

ISBN

978-0-8264-3805-8

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Reception of Blake in the Orient


  • List of Illustrations

    Notes on Contributors

    1 Introduction, Steve Clark (University of Tokyo) and Masashi Suzuki (Kyoto University)

    Part I: The Orient in Blake: The Global Eighteenth Century
    2 Thel in Africa: William Blake and the Post-colonial, Post-Swedenborgian Female Subject, David Worrall (Nottingham Trent University)

    3 'Typhon, the lower nature': Blake and Egypt as the Orient, Kazuya Okada (Okayama University)

    4 Rebekah Bliss: Collector of William Blake and Oriental Books, Keri Davies (The Blake Society)

    5 Blake and the Chinamen, Mei-Ying Sung (Nottingham Trent University)

    6 Colour Printing in the West and East: William Blake and Ukiyo-e, Minne Tanaka

    7 Representing Race: The Meaning of Colour and Line in William Blake's 1790s Bodies, Sibylle Erle (Bishop Grosseteste University)

    8 Africa and Utopia: Refusing a 'local habitation', Susan Matthews (University of Roehampton)

    9 An Empire of Exotic Nature: Blake's Botanical and Zoomorphic Imagery, Ashton Nichols (Dickinson College)

    10 Blake, Hayley and India: On
    Designs to a Series of Ballads (1802), Hikari Sato (Tokyo University)

    11 The Authority of the Ancients: Blake and Wilkins' translation of the
    Bhagvat-Gita, Tristanne J. Connolly (St. Jerome's University, Waterloo)

    Part II: Blake in the Orient: Early-Twentieth-Century Japanese Reception

    12 Blake's Oriental Heterodoxy: Yanagi's Perception of Blake, Ayako Wada (Tottori University)

    13 Self-Annihilation in
    Milton, Hatsuko Niimi (Japan Women's University)

    14 An Ideological Map of (Mis)reading: William Blake and Yanagi Muneyoshi in Early Twentieth-century Japan, Kazuyoshi Oishi (University of the Air)

    15 The Female Voice in Blake Studies in Japan, 1910s-1930s, Yoko Ima-Izumi (University of Tsukuba)

    16 Blake as Inspiration toYanagi and Jugaku, Shinsuke Tsurumi

    17 Individuality and Expression: The
    Shirakaba Group and the Early Reception of Blake's Visual Art Works in Japan, Yumiko Goto (Kyoto Municipal Museum of Art)

    Part III: Blake in the Orient: Later Responses

    18 Blake's Night: Tanizaki's Shadows, Jeremy Tambling

    19 Oe Kenzaburo's Reading of Blake: An Anglophone Perspective, Barnard Turner (National University of Singapore)

    20 Nebuchadnezzar's Sublime Torments: William Blake, Arthur Boyd and the East, Peter Otto (University of Melbourne)

    21 William Blake in Taiwan, Ching-erh Chang (National Taiwan University)

    22 'Walking thro' Eternity': Blake's Psychogeography and other Pedestrian Practices, Jason Whittaker (University College Falmouth)

    23 Blake's Question (from the Orient), John Phillips (National University of Singapore)

    Bibliography

    Index