Produktbild: Be a Great Stand-up

Be a Great Stand-up How to master the art of stand up comedy and making people laugh

Aus der Reihe Teach Yourself - General

18,99 €

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

25.06.2010

Verlag

John Murray Press

Seitenzahl

288

Maße (L/B/H)

19,8/12,8/2,5 cm

Gewicht

236 g

Sprache

Englisch

ISBN

978-1-4441-0726-5

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

25.06.2010

Verlag

John Murray Press

Seitenzahl

288

Maße (L/B/H)

19,8/12,8/2,5 cm

Gewicht

236 g

Sprache

Englisch

ISBN

978-1-4441-0726-5

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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Die Leseprobe wird geladen.
  • Produktbild: Be a Great Stand-up
    • : introduction
    • : part one: theory
    • 01: where do jokes come from?
      • : do we create funny ideas or do they come
      • : and find us?
      • : practical creative games
      • : some modern theories of humour
      • : what is a joke?
      • : attitude, the comedian’s secret weapon
      • : attitude games
    • 02: building a joke
      • : extreme attitudes to specific points can
      • : lead to humour
      • : always ask yourself: ‘what is the comedian’s
      • : answer to this particular problem?’
      • : finding the joke
      • : afterthoughts
      • : afterthought games
    • 03: comedy ground rules
      • : style or content?
      • : kill little Mr/Ms social control in your head
      • : stupid name game
      • : what’s your attitude to the subject?
      • : more attitude games
      • : be specific
      • : games to develop specific thinking
      • : be concise
      • : the longer the set up, the funnier the
      • : punchline had better be!
      • : if it doesn’t add, it detracts
      • : detracting the audience verbally
      • : detracting the audience with your body
      • : language
      • : avoid the temptation of burying your
      • : routines in the past
      • : always remember: start with your best stuff;
      • : finish with your best stuff; let the middle
      • : take care of itself
    • 04: what sort of comic are you?
      • : your persona
      • : comedic flaws and how to use them
      • : comic archetypes
      • : mixing and matching
      • : games to uncover comedic flaws
    • : part two: practical sessions
    • 05: unlocking your creativity
      • : don’t worry about the result: just write!
      • : writing activities
    • 06: a word about emotional exaggeration
      • : breaking the habits of a lifetime: be bigger,
      • : be broader!
      • : reasons why comics start exaggerating
      • : their emotional responses…
      • : reasons why new comedians might
      • : overlook their emotional performance…
      • : why comedians need to be more extreme…
      • : activities to encourage emotional
      • : exaggeration
    • 07: creating material
      • : workshop 1: the thank you list
      • : workshop 2: building routines
      • : workshop 3: putting your set together
      • : pruning your material
      • : ‘less is more’ activities
      • : workshop 4: the hate list
      • : workshop 5: creating your own lists
      • : workshop 6: joke forms
      • : workshop 7: finding different voices
      • : stereotype activities
      • : creating a character act
    • 08: stagecraft
      • : think about your attitude to your audience
      • : treat the audience exactly how you would
      • : treat your friends
      • : force yourself to look at the audience
      • : try to ‘read’ the crowd
      • : slow down!
      • : speeding through your set means that
      • : inevitably your timing will be off
      • : how to deal with nerves
    • 09: microphone technique
      • : microphone mistakes
    • 10: hecklers and crowd control
      • : why a gig can go bad
      • : how to make a gig better
      • : hecklers
      • : crowd control exercises
    • 11: what other comics think
      • : Milton Jones
      • : Richard Herring
      • : Steve Hall
      • : Sarah Kendal
      • : Pat Condell
      • : Katy Bagshaw
      • : Marek Larwood
      • : Mark Maier
      • : Robin Ince
      • : Greg Davies
    • 12: business
      • : how to get started
      • : learn to market yourself
      • : publicity
      • : phoning for work
      • : etiquette
      • : do your time on stage
      • : building your set
      • : compèring
      • : beyond stand-up
      • : competitions
      • : festivals
      • : agents and managers
    • 13: your first gig
      • : booking the gig
      • : three or four days before the gig
      • : the day before the gig
      • : on the day of the gig
      • : on the evening of the gig
      • : on stage
      • : after the gig
    • 14: the future
    • : appendix 1: group games
    • : appendix 2: the fall and rise of stand-up comedy
    • : taking it further
    • : index
    • : acknowledgements