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Structures of Feeling in Seventeenth-Century Cultural Expression

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

04.03.2013

Verlag

University of Toronto Press

Seitenzahl

400

Maße (L/B/H)

22,9/15,2/2,5 cm

Gewicht

738 g

Sprache

Englisch

ISBN

978-1-4426-4062-7

Beschreibung

Rezension

'There is much to be gained from reading the work of a distinguished group of scholars working at the top of their game, drawing broadly on literary, musical, art historical, and colonial histories to particularize what McClary, borrowing a term from Raymond Williams, calls ''the structures of feeling'' of early modernity.' - Gail Kern Paster (Renaissance Quarterly vol 66:04:2013)

'In a series of provocative essays on an array of topics in seventeenth-century studies, Structures of Feeling in Seventeenth-Century Cultural Expressions contributes to our understanding of the messiness of thought in early modern Europe.'

- Rebecca Cypess (H-France vol 15:53:2015)

'The essays in this collection demonstrate smart approaches to thinking about fleeting feeling in the widely diverse cultures of seventeenth-century Europe... These essays will be useful to scholars of art, music, culture, history, and literary works.'

- Aleksondra Hultquist (Francia-Recensio -Perspectiva.net August 2015)

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

04.03.2013

Verlag

University of Toronto Press

Seitenzahl

400

Maße (L/B/H)

22,9/15,2/2,5 cm

Gewicht

738 g

Sprache

Englisch

ISBN

978-1-4426-4062-7

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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  • Produktbild: Structures of Feeling in Seventeenth-Century Cultural Expression
  • Acknowledgments viii
    List of Illustrations ix
    Notes on Contributors xi

    Introduction: On Bodies, Affects, and Cultural Identities in the Seventeenth Century 1
    SUSAN McCLARY (University of California Los Angeles, Musicology)

    I  The Science of Affect

    1 Disciplining Feeling: The Seventeenth-Century Idea of a Mathematical Theory of the Emotions
    DANIEL GARBER (Princeton University, Philosophy)

    2 Clockwork or Musical Instrument? Some English Theories of Mind-Body Interaction Before and After Descartes
    PENELOPE GOUK (University of Manchester, History)

    3 The Sound World of Father Mersenne
    THOMAS CHRISTENSEN (University of Chicago, Music)

    II  Colonial Extensions

    4 Transforming Amerindian “Savages” into Civilized French Catholics: The Art of “Voluntary Subjugation” as the French Colonial Ideal
    SARA MELZER (University of California Los Angeles, French and Francophone Studies)

    5 Fear of Singing
    GARY TOMLINSON (Yale University, Music)

    6 The Illicit Voice of Prophecy
    OLIVIA BLOECHL (University of California Los Angeles, Musicology)

    III  The Politics of Opera

    7 Daphne’s Dilemma: Desire as Metamorphosis in Early Modern Opera
    WENDY HELLER (Princeton University, Music)

    8. A Viceroy Behind the Scenes: Opera, Production, Politics, and Financing in 1680s Naples
    LOUISE STEIN (University of Michigan, Musicology)

    IV  Baroque Bodies

    9 Crashaw and the Metaphysical Shudder; Or, How to Do Things with Tears
    RICHARD RAMBUSS (Emory University, English)

    10 Cutting, Branding, Whipping, Burning: The Performance of Judicial Wounding in Early Modern England
    SARAH COVINGTON (Queens College of the City University of New York, History)

    11 Excursions to See Monsters: Odd Bodies and Itineraries of Knowledge in the Seventeenth Century
    KATHRYN HOFFMAN (Northwestern University, Anthropology)

    V  Toward a History of Time and Subjectivity

    12 Temporality and Ideology: Qualities of Motion in Seventeenth-Century French Music
    SUSAN McCLARY (University of California Los Angeles, Musicology)

    13  Temporal Interventions: Music, Modernity and the Presentation of the Self
    RICHARD LEPPERT (University of Minnesota, Cultural Studies and Comparative Literature)

    Index