Produktbild: Jane Campion

Jane Campion Authorship and Personal Cinema

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

28.03.2011

Verlag

Indiana University Press

Seitenzahl

288

Maße (L/B/H)

22,7/15/1,7 cm

Gewicht

449 g

Sprache

Englisch

ISBN

978-0-253-22301-2

Beschreibung

Rezension

"In his book, Alistair Fox finds and illuminates the relations between diegetic worlds and the life of a "New Zealand Australian", Jane Campion."-25fps.cz
"This is easily the best, most comprehensive book now available on Campion and her work. . . . Highly recommended.September 2011"-Choice
"Alistair Fox offers an impressively rich and thoroughly documented reading of Jane Campion's films. . . . [He] persuasively interprets them as working through the traumas of the artist's life. . . . Fox succeeds in resuscitating the biological author, giving us Jane Campion without the qualification of quotation marks around her name."-Barry Keith Grant, Brock University

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

28.03.2011

Verlag

Indiana University Press

Seitenzahl

288

Maße (L/B/H)

22,7/15/1,7 cm

Gewicht

449 g

Sprache

Englisch

ISBN

978-0-253-22301-2

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Jane Campion
  • Contents
    Acknowledgments
    Introduction: Authorship, Creativity, and Personal Cinema
    1. Origins of a Problematic: The Campion Family
    2. The "Tragic Underbelly" of the Family: Fantasies of Transgression in the Early Films
    3. Living in the Shadow of the Family Tree: Sweetie
    4. "How painful it is to have a family member with a problem like that": Authorship as Creative Adaptation in An Angel at My Table
    5. Traumas of Separation and the Encounter with the Phallic Other: The Piano
    6. The Misfortunes of an Heiress: The Portrait of a Lady
    7. Exacting Revenge on "Cunt Men": Holy Smoke as Sexual Fantasy
    8. "That which terrifies and attracts simultaneously": Killing Daddy in In the Cut
    9. Lighting a Lamp: Loss, Art, and Transcendence in The Water Diary and Bright Star
    Conclusion: Theorizing the Personal Component of Authorship
    Notes
    Works Cited
    Filmography
    Index