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Produktbild: A Corpus of Rembrandt Paintings
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A Corpus of Rembrandt Paintings 1625–1631

Aus der Reihe Rembrandt Research Project Foundation
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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

30.11.1982

Verlag

Springer Netherland

Seitenzahl

728

Maße (L/B/H)

40,4/31,5/11,2 cm

Gewicht

4354 g

Auflage

1982. Corr. 3rd Printing 2013 edition

Übersetzt von

D. Cook-Radmore

Sprache

Englisch

ISBN

978-90-247-2614-1

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

30.11.1982

Verlag

Springer Netherland

Seitenzahl

728

Maße (L/B/H)

40,4/31,5/11,2 cm

Gewicht

4354 g

Auflage

1982. Corr. 3rd Printing 2013 edition

Übersetzt von

D. Cook-Radmore

Sprache

Englisch

ISBN

978-90-247-2614-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: A Corpus of Rembrandt Paintings
  • I The Stylistic Development.- II Painting Materials and Working Methods.- III The Documentary Value of Early Graphic Reproductions.- IV A Descriptive Survey of the Signatures.- Biographical Information.- Catalogue.- Paintings by Rembrandt.- A1 The stoning of S. Stephen, 1625. Lyon, Musée des Beaux-Arts.- A2 Balaam and the ass, 1626. Paris, Musée Cognacq-Jay.- A3 Tobit and Anna with the kid, 1626. Amsterdam, Rijksmuseum.- A4 Christ driving the moneychangers from the Temple, 1626. Moscow, Pushkin Museum of Fine Arts.- A5 The baptism of the eunuch, 1626. Utrecht, Rijksmuseum Het Catharijneconvent.- A6 History painting (subject unidentified), 1626. Leiden, Stedelijk Museum de Lakenhal.- A7 Musical allegory, 1626. Amsterdam, Rijksmuseum.- A8 Bust of a man in a gorget and cap, [1626/1627]. Whereabouts unknown.- A9 David with the head of Goliath before Saul, 1627. Basle, Oeffentliche Kunstsammlung Basel.- A10 The rich man from the parable, 1627. Berlin (West), Staatliche Museen Preussischer Kulturbesitz, Gemäldegalerie.- A11 S. Paul in prison, 1627. Stuttgart, Staatsgalerie.- A12 Simeon in the Temple, [1627/1628]. Hamburg, Hamburger Kunsthalle.- A13 Two old men disputing, probably S. Peter and S. Paul, [1628]. Melbourne, National Gallery of Victoria.- A14 Self-portrait, [1628]. Amsterdam, Rijksmuseum.- A15 Judas, repentant, returning the pieces of silver, 1629. England, private collection.- A16 The supper at Emmaus, [1629]. Paris, Musée Jacquemart-André.- A17 An old man asleep by the fire, perhaps typifying Sloth, 1629. Turin, Galleria Sabauda.- A18 The artist in his studio, [1629]. Boston, Mass., Museum of Fine Arts.- A19 Self-portrait, 1629. Munich, Bayerische Staatsgemäldesammlungen, Alte Pinakothek.- A20 Self-portrait, 1629. Boston, Mass., The Isabella Stewart Gardner Museum.- A21 Self-portrait, [1629]. The Hague, Koninklijk Kabinet van Schilderijen, Mauritshuis.- A22 Self-portrait in a cap, with the mouth open, [1629]. Japan, MOA Museum.- A23 Bust of a young man, [1629]. Cleveland, Ohio, The Cleveland Museum of Art.- A24 Samson betrayed by Delilah, [1629/1630]. Berlin (West), Staatliche Museen Preussischer Kulturbesitz, Gemäldegalerie.- A25 David playing the harp to Saul, [1629/1630]. Frankfurt am Main, Städelsches Kunstinstitut.- A26 S. Paul at his writing-desk, [1629/1630]. Nuremberg, Germanisches Nationalmuseum.- A27 An old woman at prayer (commonly called Rembrandt’s mother), [1629/1630]. Salzburg, Salzburger Landessammlungen-Residenzgalerie.- A28 Jeremiah lamenting the destruction of Jerusalem, 1630. Amsterdam, Rijksmuseum.- A29 Bust of an old man in a fur cap (commonly called Rembrandt’s father), 1630. Innsbruck, Tiroler Landesmuseum Ferdinandeum.- A30 The raising of Lazarus, [1630/1631]. Los Angeles, Cal., Los Angeles County Museum of Art.- A31 Andromeda, [1630/1631]. The Hague, Koninklijk Kabinet van Schilderijen, Mauritshuis.- A32 Bust of an old woman (commonly called Rembrandt’s mother), [1630/1631]. Windsor Castle, H. M. Queen Elizabeth II.- A33 Self-portrait, [1630/1631]. Liverpool, Walker Art Gallery.- A34 Simeon in the Temple, 1631. The Hague, Koninklijk Kabinet van Schilderijen, Mauritshuis.- A35 Christ on the cross, 1631. Le Mas d’Agenais, Lot et Garonne, parish church.- A36 S. Peter in prison, [1631]. Belgium, private collection.- A37 An old woman reading, probably the prophetess Anna (commonly called Rembrandt’s mother), 1631. Amsterdam, Rijksmuseum.- A38 Minerva in her study, [1631]. Berlin (West), Staatliche Museen Preussischer Kulturbesitz, Gemäldegalerie.- A39 The abduction of Proserpina, [1631]. Berlin (West), Staatliche Museen Preussischer Kulturbesitz, Gemäldegalerie.- A40 The artist in oriental costume, with a poodle at his feet, 1631. Paris, Musée du Petit Palais.- A41 Bust of a young man in a plumed cap, 1631. Toledo, Ohio, The Toledo Museum of Art.- A42 Half-length figure of an old man in a gorget and black cap, [1631]. Chicago, I11., The Art Institute of Chicago.- Paintings Rembrandt’s authorship of which cannot be positively either accepted or rejected.- B1 Three singers (Hearing). The Hague, Cramer Gallery.- B2 The operation (Touch). The Hague, Cramer Gallery.- B3 The spectacles-pedlar (Sight). S. Peter Port, Guernsey, coll. D. H. Cevat.- B4 A man in a gorget and plumed cap. Malibu, Cal., J. Paul Getty Museum.- B5 The artist in a cap and pleated shirt. Stockholm, Nationalmuseum.- B6 Bust of a laughing man in a gorget. The Hague, Koninklijk Kabinet van Schilderijen, Mauritshuis.- B7 Bust of an old man in a cap (commonly called Rembrandt’s father). The Hague, Koninklijk Kabinet van Schilderijen, Mauritshuis.- Paintings Rembrandt’ s authorship of which cannot be accepted.- C1 Samson betrayed by Delilah. Amsterdam, Rijksmuseum.- C2 Esther’s feast. Raleigh, N. C., The North Carolina Museum of Art.- C3 Tobit and Anna. London, The National Gallery.- C4 Tobit at his son’s return. New York, N.Y., coll. J. William Middendorf II.- C5 The flight into Egypt. Tours, Musée des Beaux-Arts.- C6 The rest on the flight into Egypt. Formerly Ludlow, Downton Castle, coll. D. Lennox.- C7 The tribute money. Ottawa, The National Gallery of Canada.- C8 Christ at the column. Belgium, private collection.- C9 Minerva in her study. Denver, Col., The Denver Art Museum.- C10 A biblical or historical nocturnal scene (fragment). Tokyo, Bridgestone Museum of Art.- C11 The foot operation. Switzerland, private collection.- C12 Travellers resting. The Hague, Koninklijk Kabinet van Schilderijen, Mauritshuis.- C13 Two old men disputing. The Hague, Cramer Gallery.- C14 A man reading in a lofty room. London, The National Gallery.- C15 A scholar reading. Braunschweig, Herzog Anton Ulrich-Museum.- C16 A hermit reading. Paris, Musée du Louvre.- C17 A Christian scholar in a vaulted room. Stockholm, Nationalmuseum.- C18 A man writing by candlelight. Milwaukee, Wisc., coll. Dr. A. Bader.- C19 An old woman reading. Salisbury, Wilts., Wilton House, coll. Earl of Pembroke.- C20 An old man with his arms crossed over his chest. Boston, Mass., Museum of Fine Arts.- C21 Half-length figure of a man in a turban. Philadelphia, Penn., Philadelphia Museum of Art.- C22 Head of an old man. Milwaukee, Wisc., coll. Dr. A. Bader.- C23 Bust of a man in a plumed cap. USA, private collection.- C24 Bust of an old man with a bald head. Kassel, Staatliche Kunstsammlungen Kassel, Schloss Wilhelmshöhe.- C25 Bust of an old man. Leipzig DDR, Museum der bildenden Künste.- C26 Bust of an old man wearing a cross. Kassel, Staatliche Kunstsammlungen Kassel, Schloss Wilhelmshöhe.- C27 Bust of an old man looking downwards. Copenhagen, Statens Museum for Kunst.- C28 Bust of an old man in a gorget and cap (commonly called Rembrandt’s father). Leningrad, The Hermitage Museum.- C29 Bust of a man in a cap (commonly called Rembrandt’s father). Cambridge, Mass., The Fogg Art Museum.- C30 Bust of a man in a cap (commonly called Rembrandt’s father). Kassel, Staatliche Kunstsammlungen Kassel, Schloss Wilhelmshöhe.- C31 Bust of a man looking downwards. Oxford, Ashmolean Museum.- C32 Bust of a man wearing a gold chain. Leiden, Stedelijk Museum de Lakenhal.- C33 Bust of a laughing man (commonly called a Self-portrait of Rembrandt). Coll. Baron Edmond de Rothschild.- C34 Bust of a young man laughing. Amsterdam, Rijksmuseum.- C35 Bust of a young man (commonly called a Self-portrait of Rembrandt). Cambridge, Mass., The Fogg Art Museum.- C36 Bust of Rembrandt. Private collection.- C37 Bust of Rembrandt. Private collection.- C38 Bust of a young man (commonly called a Self-portrait of Rembrandt). New York, N.Y., The Metropolitan Museum of Art.- C39 Bust of a young man (commonly called a Self-portrait of Rembrandt). Private collection.- C40 Bust of a young man (commonly called a Self-portrait of Rembrandt). Sweden, private collection.- C41 Bust of an old woman (commonly called Rembrandt’s mother). The Hague, Koninklijk Kabinet van Schilderijen, Mauritshuis.- C42 Bust of an old woman (commonly called Rembrandt’s mother). Essen, coll. H. von Bohlen und Halbach.- C43 Bust of an old woman (commonly called Rembrandt’s mother). Basle, private collection.- C44 Bust of a young girl. Helsinki, Sinebrychoff Art Museum, The Fine Arts Academy of Finland.- Tables and Indexes.- Table of Technical Reference Material.- Table of Dendrochronological Data.- Index of Paintings Catalogued in Volume I.- Present owners.- Previous owners.- Engravers.- Subjects.- Indexes of Comparative Material and Literary Sources.- Drawings and etchings by (or attributed to) Rembrandt.- Works by artists other than Rembrandt.- Literary sources.- Concordance.