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Produktbild: Aesthetic Mind

Aesthetic Mind Philosophy and Psychology

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.04.2012

Herausgeber

Schellekens Elisabeth + weitere

Verlag

Oxford Academic

Seitenzahl

470

Maße (L/B/H)

24/16,1/3 cm

Gewicht

869 g

Sprache

Englisch

ISBN

978-0-19-969151-7

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.04.2012

Herausgeber

Verlag

Oxford Academic

Seitenzahl

470

Maße (L/B/H)

24/16,1/3 cm

Gewicht

869 g

Sprache

Englisch

ISBN

978-0-19-969151-7

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Aesthetic Mind

    • Introduction

    • PART 1: The PSYCHOLOGY OF THE AESTHETIC

    • 1: Gregory Currie: The Master of the Masek Beds: Handaxes, Art and the Minds of Early Humans

    • 2: Matthew Kieran: The Fragility of Aesthetic Knowledge: Aesthetic Psychology and Appreciative Virtues

    • 3: Dahlia W. Zaidel: Neuroscience, Biology, and Brain Evolution in Visual Art

    • 4: Roman Frigg and Catherine Howard: Fact and Fiction in the Neuropsychology of Art

    • PART 2: EMOTION IN AESTHETIC EXPERIENCE

    • 5: Jesse Prinz: Emotion and Aesthetic Value

    • 6: Roddy Cowie: Beauty is Felt, not Calculated; and it Does Not fit in Boxes

    • 7: Peter Goldie: The Ethics of Aesthetic Bootstrapping

    • 8: Edmund Rolls: The Origins of Aesthetics: A Neurobiological Basis for Affective Feelings and Aesthetics

    • PART 3: BEAUTY AND UNIVERSALITY

    • 9: I. C. McManus: Beauty is Instinctive Feeling: Experimenting on Aesthetics and Art

    • 10: Jerrold Levinson: Beauty Is Not One: The Irreducible Variety of Visual Beauty

    • 11: Robert Layton: Aesthetics: The Approach from Social Anthropology

    • 12: Elisabeth Schellekens: Experiencing the Aesthetic: Kantian Autonomy or Evolutionary Biology?

    • PART 4: IMAGINATION AND MAKE-BELIEVE

    • 13: Aaron Meskin and Jonathan Weinberg: Imagination Unblocked

    • 14: Dorothy and Jerome Singer: An Attitude Towards the Possible: The Contributions of Pretend Play to Later Adult Consciousness

    • 15: Kathleen Stock: Unpacking the Boxes: The Cognitive Theory of Imagination and Aesthetics

    • PART 5: FICTION AND EMPATHY

    • 16: David Miall: Enacting the Other: Towards an Aesthetics of Feeling in Literary Reading

    • 17: Peter Lamarque: On Keeping Psychology Out of Literary Criticism

    • 18: Zanna Clay and Marco Iacoboni: Mirroring Fictional Others

    • PART 6: MUSIC, DANCE, AND EXPRESSIVITY

    • 19: Noël Carroll and Margaret Moore: Moving in Concert: Dance and Music

    • 20: David Davies: 'I'll Be Your Mirror'?: Embodied Agency, Dance, and Neuroscience

    • 21: William Forde Thompson and Lena Quinto: Music and Emotion: Psychological Considerations

    • 22: Stephen Davies: Cross-cultural Musical Expressiveness: Theory and the Empirical Programme

    • PART 7: PICTORIAL REPRESENTATION AND APPRECIATION

    • 23: Mark Rollins: Neurology and the New Riddle of Pictorial Style

    • 24: Norman H. Freeman: Varieties of Pictorial Judgement: A Functional Account

    • 25: Derek Matravers: Pictorial Representation and Psychology

    • Index