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Produktbild: OXF CRIT CULT HIS MODERN MAG V2 OCCHMM C

OXF CRIT CULT HIS MODERN MAG V2 OCCHMM C

Aus der Reihe Oxford Critical Cultural Histo

435,99 €

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

05.07.2012

Abbildungen

w. numerous b&w halftones

Herausgeber

Peter Brooker + weitere

Verlag

Oxford University Press

Seitenzahl

1112

Maße (L/B/H)

25/17,5/6,3 cm

Gewicht

2053 g

Sprache

Englisch

ISBN

978-0-19-954581-0

Beschreibung

Rezension

masses of literary-historical and bibliographical information compiled ... [the] introductions to the various sections are crisp and informative. Fiona Green, Times Literary Supplement

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

05.07.2012

Abbildungen

w. numerous b&w halftones

Herausgeber

Verlag

Oxford University Press

Seitenzahl

1112

Maße (L/B/H)

25/17,5/6,3 cm

Gewicht

2053 g

Sprache

Englisch

ISBN

978-0-19-954581-0

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: OXF CRIT CULT HIS MODERN MAG V2 OCCHMM C


    • List of Illustrations and Tables


    • List of Contributors


    • General Introduction: 'Magazines, magazines, magazines!'


    • Part I Tradition and Experiment


    • Orientations


    • 1: Helen Carr: Poetry: a Magazine of Verse (1912-36), 'biggest of little magazines'


    • 2: Alan Golding: The Little Review (1914-29)


    • 3: Christina Britzolakis: The Dial (1920-9)


    • 4: Rachel Farebrother: The Crisis (1910-34)


    • Precursors, Mainstream, and Margins


    • 5: Brad Evans: 'Ephemeral Bibelots' in the 1890s


    • 6: Giles Bergel: The Chap-Book (1894-8)


    • 7: Faye Hammill and Karen Leick: Modernism and the Quality Magazines: Vanity Fair (1914-36); American Mercury (1924- ); New Yorker (1925- ); Esquire (1933 - )


    • 8: David Earle: Pulp Magazines and the Popular Press


    • An American Art


    • 9: Sharon Hamilton: American Manners: The Smart Set (1900-29); American Parade (1926)


    • 10: Eric White: In the American Grain: Contact (1920-3; 1932) and Pagany. A Native Quarterly (1930-3)


    • 11: Caroline Blinden: Through an American Lens: Camera Work (1903-17) and 291 (1915-6); Manuscripts


    • The Free Verse Controversy


    • 12: Suzanne W. Churchill and Ethan Jaffee: The New Poetry: Glebe (1913-14), Others (1915-19); The Poetry Review of America (1916-17)


    • 13: Andrew Thacker: Poetry in Perspective: the Mélange of the 1920s: The Measure (1921-26), Rhythmus (1923-4), and Palms (1923-30)


    • 14: Alex Howard: Into the 1930s: ound and Horn (1927-34) Troubadour (1928-32), Blues (1929-30), Smoke (1931-37), and Furioso (1939-53)


    • Drama and the Critical Arts


    • 15: Dorothy Chansky and Terry Brino-Dean: A New Theatre: Theatre Arts Magazine (1916-64); Drama (1911-31)


    • 16: Victoria Kingham: 'Audacious Modernity': The Seven Arts (1916-17), The Soil (1916-17), and The Trend (1911-15)


    • 17: Michael Faherty: Hound and Horn (1927-34)


    • Part II The Metropolis, Regionalism, Canada, and Europe


    • Greenwich Village


    • 18: Stephen Rogers: Bruno's Bohemia: Greenwich Village (1915); Bruno's Chap Books (1915-16); Bruno's Weekly (1915-16); Bruno's (1917); Bruno's Bohemia (1918); Bruno's Review (1919); Bruno's Review of Two Worlds (1920-22)


    • 19: Deborah Longworth: The Avant-Garde in the Village: Rogue (1915)


    • 20: Stephen Rogers: Village Voices: The Ink-Pot (1916); Open Vistas (1925); The New Cow (1927); The Village Magazine (1910, 1920, 1925); The Greenwich Villager (1921-2; 33-4)


    • The South and West


    • 21: Michael Kreyling: Fugitive Voices: The Reviewer (1921-25); The Lyric (1921- ); The Fugitive (1922-5)


    • 22: Craig Monk: Negotiating the Margins of the American South: The Double Dealer (1921-9)


    • 23: Mark S. Morrisson: The Call of the Southwest: The Texas Review (1915-24), Southwest Review (1924-), and The Morada (1929-30)


    • 24: Jeffrey C. Swenson: Middling Modernism and the Midwestern Little Magazine: The Midland (1915-33) and Prairie Schooner (1927-)


    • 25: Sarah A. Fedirka: 'Our Own Authentic Wonderland': The Modernist Geographical Imagination and 'Little Magazines' of the American West: Laughing Horse (1921-39), Westward (1927-34), Troubadour (1928-32), Gyroscope (1929-30), New Mexico Quarterly (1931-69), and Intermountain Review (1937-65)


    • Canada


    • 26: Dean Irvine: 'Little magazines' in English Canada


    • Cross-Currents: America and Europe


    • 27: Peter Nicholls: Destinations: Broom (1921-4) and Secession (1922-4)


    • 28: Peter Brooker: 'Growth through disagreement': S4N (1919-25)


    • 29: Gregory Baptista: Between Worlds: Gargoyle (1921-2); This Quarter (1925-32); and Tambour (1929-1930)


    • 30: Andrzej Gasiorek: Exiles: the transatlantic review (1924-5) and The Exile (1927-8)


    • 31: Céline Mansanti: Between Modernisms: transition (1927-1938)


    • 32: Christopher Bains: Critics Abroad: The Early Years of The Paris Review (1953-65)


    • 33: Stamatina Dimakopoulou: Europe in America: Remapping Broken Cultural Lines: View (1940-7) and VVV (1942-4)


    • Part III The Radical Decades


    • The Harlem Renaissance


    • 34: George Hutchinson: Organisational Voices: The Messenger (1917-28) and Opportunity (1923-49)


    • 35: Martha Nadell: 'Devoted to younger negro artists': Fire!! (1926) and Harlem (1928)


    • A Revolutionary Message


    • 36: Benoît Tadié: The Masses Speak: The Masses (1911-17); The Liberator (1918-24); New Masses (1926-48); and Masses and Mainstream (1948-63)


    • 37: Peter Marks: The Left in the Twenties: Good Morning (1919-22), The Freeman (1920-4), The Modern Quarterly (1923-9)


    • 38: Peter Marks: The Left in the Thirties: The Modern Quarterly (1929-33; became The Modern Monthly, 1933-40), Blast: A Magazine of Proletarian Short Stories (1933-4), and The Windsor Quarterly (1933-5)


    • 39: Michael Rozendal: Rebel Poets and Critics: The Rebel Poet (1931-2), The Anvil (1933-5), Dynamo (1934-5), and Partisan Review (1934-2003)


    • The Critical 1940s


    • 40: John N. Duvall: New Criticism's Major Journals: The Southern Review (1935-42); The Kenyon Review (1939-70); and The Sewanee Review (1892- )


    • 41: Tim Woods: Academic Magazines: The Morningside (1815-1932); Yale Review (1819- ); The Columbia Review (1932- ); The Wake (1944-6; 1948-53); Chicago Review (1946- ); The Georgia Review (1947- ), Epoch (1947- ); The Beloit Poetry Journal (1950-); TriQuarterly (1958-); and The Big Table (1959-60)


    • In the Modernist Grain


    • 42: Tim Woods: Black Mountain and Associates: Origin (1951-2007) and The Black Mountain Review (1954-7)


    • 43: Ian Patterson: New York Poets: Folder (1953-6); Neon (1956-60); and Yugen (1958-62)


    • 44: R. J. Ellis: 'little... only with some qualification': the Beats and Beat 'little magazines': Neurotica (1948-52); The Ark (1947); Ark II Moby I (1956); Ark III (1957); Black Mountain Review (1957); Evergreen Review (1957-9); Chicago Review (1958); Big Table (1959-65); Kulchur (1960-5); and Yugen (1958-62)


    • Select Bibliography