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  • Produktbild: OHB CONTEM BRIT IRISH POET OHBK C
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OHB CONTEM BRIT IRISH POET OHBK C

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

26.09.2013

Herausgeber

Peter Robinson

Verlag

Oxford University Press

Seitenzahl

782

Maße (L/B/H)

25/17,5/4,6 cm

Gewicht

1503 g

Sprache

Englisch

ISBN

978-0-19-959680-5

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

26.09.2013

Herausgeber

Peter Robinson

Verlag

Oxford University Press

Seitenzahl

782

Maße (L/B/H)

25/17,5/4,6 cm

Gewicht

1503 g

Sprache

Englisch

ISBN

978-0-19-959680-5

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: OHB CONTEM BRIT IRISH POET OHBK C
  • Produktbild: OHB CONTEM BRIT IRISH POET OHBK C


    • Introduction: The Limits and Openness of the Contemporary


    • I. Movements over Time


    • 1: Edward Larrissy: Modernist Survivors


    • 2: Michael O'Neill: The Thirties Bequest


    • 3: Leo Mellor: The Unburied Past: Walking with Ghosts of the 1940s


    • 4: William May: 'Obscure and Doubtful': Stevie Smith, F. T. Prince, and Legacy


    • 5: Martin Dodsworth: The Movement: Never and Always


    • 6: Jeremy Noel-Tod: 'In different voices': Modernism since the 1960s


    • 7: Helen Bailey: Two Poetries?: A Re-examination of the 'Poetry Divide' in 1970s Britain


    • 8: Deryn Rees-Jones: A Dog's Own Chance: The Evolution of Women's Poetry 1979-2010


    • 9: Richard Price: CAT-scanning the Little Magazine


    • 10: Matthew Sperling: Books and the Market: Trade Publishers, State Subsidies, and Small Presses


    • II. Senses of Form and Technique


    • 11: Jeffrey Wainwright: 'Space available': A Poet's Decisions


    • 12: Adam Piette: Contemporary Poetry and Close Reading


    • 13: Simon Dentith: . 'All livin language is sacred': Poetry and Varieties of English in these Islands


    • 14: Zoë Skoulding: Misremembered Lyric and Orphaned Music


    • 15: Conor Carville: 'The degree of power exercized': Recent Ekphrasis


    • 16: Sophie Mayer: Cinema Mon Amour: How British Poetry Fell in Love with Film


    • 17: Peter Carpenter: Singing Schools and Beyond: The Roles of Creative Writing


    • III. Poetry in Places


    • 18: Heather O'Donoghue: Historical and Archaeological: The Poetry of Recovery and Memory


    • 19: John Kerrigan: London, Albion


    • 20: Peter Middleton: The 'London Cut': Science and Language


    • 21: David Wheatley: 'Dafter than we care to own': Some Poets of the North


    • 22: John Redmond: Auden in Ireland


    • 23: Maria Johnston: 'Other Modes of Being': Nuala Ní Dhomhnaill and Translation


    • 24: Alice Entwistle: Writing [w]here: Gender and Cultural Positioning in Ireland and Wales


    • 25: Rod Mengham: The Altered Sublime: Raworth, Crozier, Prynne


    • IV. Border Crossings


    • 26: David Herd: Dislocating Country: Post-War English Poetry and the Politics of Movement


    • 27: Omaar Hena: Multi-ethnic British Poetries


    • 28: Stephen Romer: European Affinities


    • 29: Iain Galbraith: Scottish Poetry in the Wider World


    • 30: Romana Huk: The View from the U. S. A.


    • 31: Anna Smaill: Audience and Awkwardness: Personal Poetry in Britain and New Zealand


    • V. Responsibilities and Values


    • 32: Max de Gaynesforde: Speech Acts, Responsibility, and Commitment in Poetry


    • 33: Natalie Pollard: 'Is a chat with me your fancy?: Address in Contemporary British Poetry


    • 34: Peter Robinson: . 'There Again': Composition, Revision, and Repair


    • 35: Piers Pennington: Reparation, Atonement, and Redress


    • 36: Michael Symmons Roberts: Contemporary Poetry and Belief


    • 37: Andrea Brady: The Loneliness of the Long-Distance Poet


    • 38: Peter Robinson: Contemporary Poetry and Value