Produktbild: Gestures of Music Theater

Gestures of Music Theater

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

05.02.2019

Abbildungen

33 images

Verlag

Oxford Academic

Seitenzahl

336

Maße (L/B/H)

24/16,1/2,3 cm

Gewicht

669 g

Sprache

Englisch

ISBN

978-0-19-999715-2

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

05.02.2019

Abbildungen

33 images

Verlag

Oxford Academic

Seitenzahl

336

Maße (L/B/H)

24/16,1/2,3 cm

Gewicht

669 g

Sprache

Englisch

ISBN

978-0-19-999715-2

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Gestures of Music Theater
    • Introduction: Singing the Dance, Dancing the Song

    • Chapter 1: The Song's the Thing: Capturing the "Sung" to Make it "Song"

    • Chapter 2: The (Un)Pleasure of Song: On the Enjoyment of Listening to Opera

    • Performativity as Dramaturgy

    • Chapter 3: Relocating the Song: Julie Taymor's Jukebox Musical Across the Universe (2007)

    • Chapter 4: Dynamic shape: the Dramaturgy of Song and Dance in Lloyd Webber's Cats (1981)

    • Performativity as Transition

    • Chapter 5: Dance Breaks and Dream Ballets: Transitional Moments in Musical Theater

    • Chapter 6: "Love Let Me Sing you": The Liminality of Song and Dance in La Chiusa's Bernarda Alba (2006)

    • Performativity as Identity

    • Chapter 7: Tapping the Ivories: Jazz and Tap Dance in Jelly's Last Jam (1992).

    • Chapter 8: Everything's Coming up Kurt: the Broadway Song in Glee

    • Chapter 9: Angry Dance: Postmodern Innovation, Masculinities and Gender Subversion

    • Performativity as Context

    • Chapter 10: Deconstructing the Singer: the Concerts of Laurie Anderson

    • Chapter 11: Singing and a Song: The "Intimate Difference" in Susan Philipsz's Lowlands (2010)

    • Chapter 12: Acting Operatically: Body, Voice and the Actress in Beckett's Theater

    • Performativity as Practice

    • Chapter 13: Vox Elettronica: Song, Dance and Live Electronics in the Practice of Sound Theater

    • Chapter 14: From Ear to Foot: How Choreographers Interpret Music

    • Chapter 15: Singing from Stones: Physiovocality and Gardzienice's Theater of Musicality

    • Performativity as Community

    • Chapter 16: Singing the Community: the Musical Theater Chorus as Character

    • Chapter 17: Singing and Dancing Ourselves: The Politics of the Ensemble in A Chorus Line (1975)

    • Performativity as Writing

    • Bibliography

    • Index

    • Bibliography