Sundance Kids How the Mavericks Took Back Hollywood
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Form:Einzelkauf Download
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Sprache:Englisch
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Produktdetails
Format
ePUB
Kopierschutz
Nein
Family Sharing
Ja
Text-to-Speech
Ja
Erscheinungsdatum
03.02.2011
Verlag
Faber & FaberSeitenzahl
200 (Printausgabe)
Dateigröße
4219 KB
Sprache
Englisch
EAN
9780571261499
A formidable new generation of American film-makers are currently in their prime: Paul Thomas Anderson, Alexander Payne, Sofia Coppola, David Fincher, Spike Jonze, Wes Anderson, to name but six. Call them 'The Sundance Kids'. . .
A conspicuous number of these talents first kick-started their careers in the workshops of Robert Redford's Sundance Institute in Utah, or made the big time after screening their work at the Sundance Film Festival. Nowadays, acclaimed movies such as Payne's Sideways, Jonze's Being John Malkovich and Coppola's Lost in Translation have reminded people of that great period in the 1970s spearheaded by Scorsese, Altman, and Sofia Coppola's father, Francis.
In this comprehensive study, James Mottram traces the roots of this new generation to Steven Soderbergh's Sex, Lies and Videotape - a low-budget tour de force that premièred at Sundance en route to conquering Cannes which persuaded some of the 'Sundance Kids' to first pick up a camera. Mottram proceeds to analyse each director and their oeuvre, placing each carefully within the context of the ever-changing landscape of American cinema over the last fifteen years.
And Mottram poses the question - are we witnessing a new Golden Age of film-making?
A conspicuous number of these talents first kick-started their careers in the workshops of Robert Redford's Sundance Institute in Utah, or made the big time after screening their work at the Sundance Film Festival. Nowadays, acclaimed movies such as Payne's Sideways, Jonze's Being John Malkovich and Coppola's Lost in Translation have reminded people of that great period in the 1970s spearheaded by Scorsese, Altman, and Sofia Coppola's father, Francis.
In this comprehensive study, James Mottram traces the roots of this new generation to Steven Soderbergh's Sex, Lies and Videotape - a low-budget tour de force that premièred at Sundance en route to conquering Cannes which persuaded some of the 'Sundance Kids' to first pick up a camera. Mottram proceeds to analyse each director and their oeuvre, placing each carefully within the context of the ever-changing landscape of American cinema over the last fifteen years.
And Mottram poses the question - are we witnessing a new Golden Age of film-making?
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