Produktbild: Quentin Tarantino's Django Unchained

Quentin Tarantino's Django Unchained The Continuation of Metacinema

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

31.07.2014

Herausgeber

Oliver C. Speck

Verlag

Bloomsbury Academic

Seitenzahl

328

Maße (L/B/H)

21,6/14/1,8 cm

Gewicht

417 g

Sprache

Englisch

ISBN

978-1-62892-660-6

Beschreibung

Rezension

This collection, the first to focus exclusively on the successful and controversial movie Django Unchained from the equally successful and controversial Quentin Tarantino, covers an impressively wide array of subjects and represents a variety of interdisciplinary perspectives of the film-from questions about race to the representation of violence. Quentin Tarantino's Django Unchained is an obvious choice for film scholars and students interested in Tarantino. Timothy Corrigan, Professor of English, Cinema Studies, and History of Art, University of Pennsylvania, USA, and author of The Essay Film: From Montaigne, After Marker

Portrait

Oliver C. Speck is Associate Professor of Film Studies at Virginia Commonwealth University, USA. His scholarly writing focuses on the representation of memory and history in French, German and other European cinema.

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

31.07.2014

Herausgeber

Oliver C. Speck

Verlag

Bloomsbury Academic

Seitenzahl

328

Maße (L/B/H)

21,6/14/1,8 cm

Gewicht

417 g

Sprache

Englisch

ISBN

978-1-62892-660-6

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Quentin Tarantino's Django Unchained
  • 0. Introduction: A Southern State of Exception Oliver C. Speck, Virginia Commonwealth University, USA

    Part I. Cultural Roots and Intertexts: Germany, France, US 20

    1. Dr. 'King' Schultz as Ideologue and Emblem: The German Enlightenment and the Legacy of the 1848 Revolutions in Django Unchained
    Robert von Dassanowsky, University of Colorado, Colorado Springs, USA

    2. Franco-faux-ne : Django's jive
    Margaret Ozierski, Virginia Commonwealth University, USA

    3. Of Handshakes and Dragons: Django's German Cousins
    Dana Weber, Florida State University, USA

    4. Django and Lincoln: The Suffering Slave and the Law of Slavery
    Gregory L. Kaster, Gustavus Adolphus College, USA

    Part II. Philosophy Unchained: Ethics, Body Space and Evil

    5. Bodies in and out of Place: Django Unchained and Body-Spaces
    Alexander D. Ornella, University of Hull, UK

    6. The "D" is Silent, but Human Rights Are Not: Django Unchained as Human Rights Discourse
    Kate E. Temoney, Florida State University, USA

    7. Hark, Hark, the (dis)Enchanted Kantian Or: Tarantino's 'Evil' and its Anti-Cathartic Resonance
    Dara Waldron, Limerick Institute of Technology, UK

    8. Value and Violence in Django Unchained
    William Brown, University of Roehampton, UK

    Part III. Questions of Race and Representation: What is a "Black Film"?

    9. "Thirteen Ways of Looking at a Black Film": "What does it mean to be a black film in twenty-first century America?"
    Heather Ashley Hayes, Whitman College, USA, and Gilbert B. Rodman, University of Minnesota, USA

    10. Chained To It: The Recurrence of the Frontier Hero in the Films of Quentin Tarantino
    Samuel P. Perry

    11. "Crowdsourcing" "The Bad-Ass Slave": A critique of Quentin Tarantino's Django Unchained
    Reynaldo Anderson, Harris-Stowe State University, USA, D.L. Stephenson, Western Connecticut State University, USA and Chante Anderson, Texas Southern University, USA

    12. Guess Who's Coming to Get Her: Stereotypes, Mythification, and White Redemption
    Ryan J. Weaver and Nichole K. Kathol, University of Wisconsin-Barron County, USA

    13. Django Blues: Whiteness and Hollywood's continued failures
    David J. Leonard, Washington State University, USA

    Works Cited

    Notes on Contributors

    Index