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Produktbild: Encyclopedia of Aesthetics

Encyclopedia of Aesthetics Best Print Reference 2014 from Library Journal

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

02.07.2014

Herausgeber

Michael Kelly

Verlag

Oxford University Press

Seitenzahl

3288

Maße (L/B/H)

29,4/26,6/24,3 cm

Gewicht

11267 g

Auflage

2nd Revised edition

Sprache

Englisch

ISBN

978-0-19-974710-8

Beschreibung

Rezension

Kelly's second edition attempts to make these happier times for aesthetics, in all its senses, surveyable. It contains 815 articles (the first edition contained 600) by an impressive range of contributors, typically 3,000-4,000 words apiece and made available online through the Oxford University Press reference engine ... The coverage of historical figures is also markedly widened, and the list of contemporary aestheticians has been brought up to date. Times Literary Supplement

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

02.07.2014

Herausgeber

Michael Kelly

Verlag

Oxford University Press

Seitenzahl

3288

Maße (L/B/H)

29,4/26,6/24,3 cm

Gewicht

11267 g

Auflage

2nd Revised edition

Sprache

Englisch

ISBN

978-0-19-974710-8

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Encyclopedia of Aesthetics
  • Abhinavagupta ; Abject ; Abstract Expressionism ; Abstraction ; Philosophical Perspective ; Contemporary Perspective ; Acoustics ; Addison, Joseph ; Adorno, Theodor Wiesengrund ; Survey of Thought ; Adorno's Dialectic of Appearance ; Adorno and Mimesis ; Adorno's Philosophy of Music ; Adorno and Kant ; Aestheticism ; Overview ; Philosophical Critique ; African Aesthetics ; Agamben, Giorgio ; Alberti, Leon Battista ; Aleatoric Processes ; Alembert, Jean Le Rond d' ; Alienation, Aesthetic ; Alison, Archibald ; Allegory ; Animal Aesthetics ; Animism ; Anthropology ; Anti-Aesthetic ; Anti-Art ; Appreciation ; Appropriation ; Overview ; Appropriation Art and Copyright Law ; Aquinas, Thomas ; Arab Aesthetics ; Architecture ; Early Greek Aesthetics ; Medieval Architecture ; Italian Renaissance Aesthetics ; Enlightenment Architecture ; Modern Overview ; Modernism to Postmodernism ; Computer-Assisted Design ; Architecture and Collectivity ; Arendt, Hannah ; Aristotle ; Survey of Thought ; Aristotle on Mimesis ; Aristotle on Form and Unity ; Reception of Aristotle in Antiquity ; Reception of Aristotle in Modernity ; Arnheim, Rudolf ; Survey of Thought ; Dynamics of Art ; Arnold, Matthew ; Art for Art's Sake ; Artifact ; Artificial Intelligence ; Artist ; History of the Concept of the Artist ; Sociology of the Artist ; Art Market ; Art World ; Assyro-Babylonian Aesthetics ; Attitude ; Aesthetic Attitude ; Pictorial Attitude ; Auerbach, Erich ; Augmented Reality ; Augustine ; Authenticity ; Author ; Autonomy ; Overview ; Critique of Autonomy ; Autonomy and Its Feminist Critics ; Autonomy and Architecture ; Avant-Garde ; Bachelard, Gaston ; Badiou, Alain ; Bakhtin, Mikhail Mikhailovich ; Baroque Aesthetics ; Barthes, Roland ; Overview ; Photography ; Bataille, Georges ; Baudelaire, Charles ; Survey of Thought ; Baudelaire and Art ; Baudrillard, Jean ; Bauhaus ; Baumgarten, Alexander Gottlieb ; Baxandall, Michael ; Bazin, Andre ; Bearden, Romare ; Beardsley, Monroe C. ; Beattie, James ; Beauty ; Overview ; Classical Concepts ; Medieval Concepts ; Beauty and Love ; Beckett, Samuel ; Bell, Arthur Clive Howard ; Benjamin, Walter ; Survey of Thought ; Benjamin and Surrealism ; Benjamin's Writing Style ; Berenson, Bernard ; Bergson, Henri-Louis ; Berkeley, George ; Beuys, Joseph ; Black Aesthetics ; Overview ; Black Aesthetics and the Black Arts Movement ; Black Mountain College ; Blair, Hugh ; Blanchot, Maurice ; Bloch, Ernst ; Bloomsbury Group ; Blumenberg, Hans ; Body ; Boileau-Despreaux, Nicolas ; Borges, Jorge Luis ; Bosanquet, Bernard ; Botticher, Karl Gottlieb Wilhelm ; Boulez, Pierre ; Bourdieu, Pierre ; Survey of Thought ; Artistic Field ; Bourgeois, Louise ; Brecht, Bertolt ; Breton, Andre ; Buddhist Aesthetics ; Bullough, Edward ; Burckhardt, Jacob ; Burke, Edmund ; Byzantine Aesthetics ; Cage, John ; Camp ; Canon ; Overview ; Whither the Art Historical Canon? ; Caribbean Aesthetics ; Caricature ; Cartography ; Cassirer, Ernst ; Cavell, Stanley ; Survey of Thought ; Cavell and Film ; Children's Art ; Chinese Aesthetics ; Overview ; Painting Theory and Criticism ; Aesthetics in Contemporary China ; Cixous, Helene ; Classicism ; Cochin, Charles-Nicolas ; Cognitive Science ; Coleridge, Samuel Taylor ; Collage ; Overview ; Collage and Poetry ; "The Pasted-Paper Revolution" Revisited ; Collectivism ; Collingwood, Robin George ; Color ; Color in the Arts ; Color Science ; Comedy ; Comics ; Commodity ; Comparative Aesthetics ; Computer Art ; Computing, Aesthetic ; Conceptual Art ; Overview ; History of the Unformed ; Images and Desire ; Conceptual Art and Philosophy ; Conceptualism ; Overview ; Latin American Conceptualism ; Moscow Conceptualism ; Condillac, Etienne Bonnot de ; Constructivism ; Contemporary Art ; Postmodern Transformation of Art ; Aesthetics of Contemporary Art ; Ontology ; Coomaraswamy, Ananda Kentish ; Cooper, Anthony Ashley ; Copyright ; Cousin, Victor ; Craft ; Craig, Edward Gordon ; Creativity ; Overview ; Explaining Creativity ; Psychological and Psychiatric Investigation ; Criticism ; Ancient Criticism ; Art Criticism ; Cultural Criticism ; Dance Criticism ; Literary Criticism ; Formalism in Art Criticism ; Croce, Benedetto ; Cubism ; Cultural Studies ; Cunningham, Merce ; Curating ; Overview ; New Media ; Intercultural Curating ; Cyberspace ; Dadaism ; Dahlhaus, Carl ; Damisch, Hubert ; Dance ; Overview ; Contemporary Thought ; Dance Studies ; Authenticity in Dance ; Dance and Film ; Contemporary Dance ; Da??in ; Danto, Arthur Coleman ; Survey of Thought ; Danto's End of Art Thesis ; Daoist Aesthetics ; Data Visualization ; Death ; Decadence ; Decolonizing Aesthetics ; Decorative Arts ; Definition of Art ; Delacroix, Ferdinand-Victor-Eugene ; Deleuze, Gilles ; Overview ; Deleuze and Film ; Depiction ; Depression ; Derrida, Jacques ; Survey of Thought ; Derrida and Deconstruction ; Derrida and Literature ; Derrida and Kant ; Design ; Overview ; History and Theory ; Destruction of Art ; Dewey, John ; Survey of Thought ; Theory of Expression ; Experience and the Organic Unity of Artworks ; Dewey and Art ; Dialogical Art ; Diaspora Criticism ; Dickie, George ; Diderot, Denis ; Survey of Thought ; Diderot and the Salon ; Difficulty, Aesthetics of ; Digital Media ; Digitization ; Dilthey, Wilhelm ; Disability Aesthetics ; Discourse ; Disgust ; Disinterestedness ; Drawing ; Dryden, John ; Du Bos, Jean-Baptiste ; Duchamp, Marcel ; Survey of Art ; En-Gendering of the Artistic Subject ; Dufrenne, Mikel ; Durand, Jean-Nicolas-Louis ; Eco, Umberto ; Eco-Art and Criticism ; Ecphrasis ; Education, Aesthetic ; Einstein, Carl ; Eisenstein, Sergei Mikhailovich ; Electronic Arts ; Electronic Music ; Visual Arts ; Embodiment ; Overview ; Embodied Interaction ; Emerson, Ralph Waldo ; Emotions ; Overview ; Emotions and Literature ; Empathy ; Empirical Aesthetics ; Environmental Aesthetics ; Overview ; Contemporary ; Epistemology ; Essentialism ; Overview ; Anti-Essentialism ; Ethnomusicology ; Evaluation ; Aesthetic Evaluation ; Cultural Evaluation ; Everyday Aesthetics ; Evolution ; Exhibition ; Experimentalism ; Music ; Film and Video ; Expressionism ; Expression Theory of Art ; Fanon, Frantz ; Farabi, Muhammad al- ; Fashion ; Dress in the World ; La Haute Couture ; Fashion as Art ; Fashion and Philosophy ; Fechner, Gustav Theodor ; Feeling ; Feminism ; Feminisms and Tradition ; Critique of Feminist Aesthetics ; Feminist Art History ; Fiction ; Overview ; Modern Literary Account of the Fictive ; Film ; Motion Pictures ; Visual Literacy ; Film and Documentary ; Film Noir ; Film Theory ; Film and Ideology ; Fluxus ; Folk Art ; Food ; Forgery ; Formalism ; Overview ; Formalism in Analytic Aesthetics ; Formalism as Art History ; Foucault, Michel ; French Aesthetics ; Eighteenth-Century French Aesthetics ; Contemporary Painting Theory ; Freud, Sigmund ; Survey of Thought ; Pathography ; Freud and Literature ; Freud and Music ; Fry, Roger Eliot ; Frye, Northrop ; Futurism ; Gadamer, Hans-Georg ; Survey of Thought ; Gadamer and Aesthetics ; Gadamer and the Truth of Art ; Gardens ; Overview ; Gardens as Art ; Gay Aesthetics ; Gaze ; Gell, Alfred ; Genius ; Overview ; Genius and Feminism ; Gentile, Giovanni ; Geoaesthetics ; Geography ; Gerard, Alexander ; Gesamtkunstwerk ; Giedion, Sigfried ; Gift ; Glass ; Glass Art ; Aesthetics of Glass ; Globalization ; Goethe, Johann Wolfgang von ; Gombrich, Ernst Hans Josef ; Goodman, Nelson ; Survey of Thought ; Art in Action ; Contemporary Legacy ; Gothic Aesthetics ; Gottsched, Johann Christoph ; Gramsci, Antonio ; Graphic Design ; Graphic Novel ; Greenberg, Clement ; Grotesque ; Guattari, Felix ; Gurney, Edmund ; Habermas, Jurgen ; Habit ; Haiku ; Hamann, Johann Georg ; Hanslick, Eduard ; Haptic Aesthetics ; Harlem Renaissance ; Hauser, Arnold ; Hegel, Georg Wilhelm Friedrich ; Survey of Thought ; Hegel on the Historicity of Art ; Hegel's Conception of the End of Art ; Heidegger, Martin ; Survey of Thought ; "The Origin of the Work of Art" and Its Legacy ; Heidegger's Confrontation with Aesthetics ; Heidegger's Displacement of the Concept of Art ; Philosophical Heritage in Heidegger's Concept of Art ; Heidegger and Holderlin ; Hellenistic Aesthetics ; Visual Arts ; Philosophers and Literary Critics ; Helmholtz, Hermann von ; Herder, Johann Gottfried ; Hermeneutics ; Herz, Marcus ; Heydenreich, Karl Heinrich ; Historicism ; Historicism and Philosophy ; New Historicism in Literary Theory ; Historicism in Art History ; Historicism and Architecture ; Hogarth, William ; Holderlin, Johann Christian Friedrich ; Holocaust ; Home, Henry ; Hubsch, Heinrich ; Hume, David ; Survey of Thought ; "Of the Standard of Taste" ; Theory of Beauty ; Humor ; Husserl, Edmund Gustav Albrecht ; Hutcheson, Francis ; Hypertext ; Ibn Rushd ; Ibn Sina ; Icon ; Iconoclasm ; Iconoclasm and Iconophobia ; Iconoclasm in Early Modern Britain and Colonial New England ; Iconography and Iconology ; Ideas, Aesthetic ; Ideology ; Imagery ; Visual Imagery in Reading ; Reading Images ; Image Theory ; Imagination ; The Imaginary ; Contemporary Thought ; Phenomenological Accounts ; Impressionism ; Improvisation ; Overview ; Jazz Improvisation ; Experimental Music ; Indian Aesthetics ; Overview ; Indian Theories of Interpretation ; Indifference ; Indigenous Aesthetics ; Ineffability ; Information Theory ; Ingarden, Roman Witold ; Insane, Art of the ; Installation Art ; Institutional Theory of Art ; Intention ; Overview ; Intentional Fallacy ; Interpretation ; Interpretation in Art ; Analytic Interpretation ; Social Space of Interpretation ; Irigaray, Luce ; Irony ; Isenberg, Arnold ; Islamic Aesthetics ; Overview ; Islamic Music ; Visual Experience in Islamic Culture ; Modern and Contemporary Architecture in West Asia and North Africa ; Islamic Art History ; Jameson, Fredric ; Japanese Aesthetics ; Overview ; Kire and Iki ; Jazz ; Jokes ; Judd, Donald ; Kahn, Louis Isadore ; Kandinsky, Wassily ; Kant, Immanuel ; Survey of Thought ; Kant on Beauty ; Kant on the Sublime ; Kant on Nature and Art ; History of Kantian Aesthetics ; Kant and Art History ; Kant and Hermeneutics ; Feminism and Kantian Aesthetics ; Kant, Duchamp, and Judgment ; Katharsis ; Kierkegaard, Soren Aabye ; Kinaesthesia ; Kitsch ; Klein, Melanie ; Knight, Richard Payne ; Konig, Johann Ulrich von ; Kracauer, Siegfried ; Kristeva, Julia ; Lacan, Jacques Marie ; Survey of Thought ; Visual and Literary Arts ; Landscape ; Landscape from the Ancients to the Seventeenth Century ; Landscape from the Eighteenth Century to the Present ; Landscape Architecture ; Landscape Assessment ; Langer, Susanne Knauth ; Latin American Aesthetics ; Latin American Aesthetics and Modernity ; Twentieth-Century Latin American Aesthetics ; Contemporary Latin American Aesthetics ; Contemporary Cuban Aesthetics ; Lavater, Johann Caspar ; Law and Art ; Overview ; Cultural Property ; Government-Funded Art and the First Amendment ; Censorship ; Trademarks and Art ; Law and Literature ; Aesthetic Judgment in Law ; Intellectual Property ; Leavis, Frank Raymond ; Le Corbusier ; Lee, Vernon ; Leonardo da Vinci ; Lesbian Aesthetics ; Lessing, Gotthold Ephraim ; Levinas, Emmanuel ; Literature ; Literary Aesthetics ; What is Literature? ; Literature and Cognition ; Locke, Alain Leroy ; Longinus ; Lotze, Rudolph Hermann ; Luhmann, Niklas ; Lukacs, Gyorgy ; Lyotard, Jean-Francois ; Magic ; Mallarme, Stephane ; Malraux, Andre ; Mannheim, Karl ; Marcuse, Herbert ; Margolis, Joseph ; Marin, Louis ; Maritain, Jacques ; Marx, Karl Heinrich ; Marxism ; Overview ; Marxism and Materialism ; Masculinity ; Mass Art ; Mathematics ; Mattheson, Johann ; McLuhan, Marshall ; Meaning ; Medieval Aesthetics ; Medium ; Meier, Georg Friedrich ; Melancholy ; Mendelssohn, Moses ; Merleau-Ponty, Maurice ; Overview ; Contemporary Art ; Meta-Aesthetics ; Metaphor ; Overview ; Metaphor and Philosophy of Language ; Metaphor and Nonverbal Arts ; Metaphor and Art History ; Derrida and de Man on Metaphor ; Metaphor in Criticism and Aesthetic Description ; Metonymy ; Mies van der Rohe, Ludwig ; Migratory Aesthetics ; Mimesis ; Minimal Art ; Models, Artists' ; Modernism ; Overview ; Modernity and Tradition in Architecture ; Modern Music ; Modern Dance ; Modern Literature ; Africa ; China ; India ; Mondrian, Piet ; Monuments ; Overview ; Twentieth-Century Countermonuments ; Morality ; Moral Rights of Art ; Overview ; Moral Rights Laws ; Moritz, Karl Philipp ; Morris, William ; Multimedia ; Museums ; Museums and Aesthetics ; Museology ; Sociological Perspectives on Museums ; Music ; Musil, Robert ; Nancy, Jean-Luc ; Narrative ; Internal Narratives of Art History ; Narrative and the Visual and Literary Arts ; National Endowment for the Arts ; Overview ; Controversies ; Nature ; Nature and Artistic Creation ; Japanese Aesthetic Appreciation of Nature ; Contemporary Thought ; Negritude ; Neuroaesthetics ; Neuroscience ; Art ; New Criticism ; Newman, Barnett ; Nietzsche, Friedrich Wilhelm ; Survey of Thought ; Nietzcsche, Schopenhauer, and Disinterestedness ; Nietzsche's Literary Style ; Nietzsche and Visuality ; Nietzsche on Tragedy ; Noise ; Notation ; Musical Notation ; Dance Notation ; Novalis ; Novel ; Obscenity ; Aesthetics in Obscenity Law ; Obscenity in Art ; Ontology of Art ; Historical Ontology ; Analytic Ontology ; Ontology of Dance ; Ontology of Architecture ; Opera ; Originality ; Originality in the Visual Arts ; Originality in Literature ; Origins of Aesthetics ; Overview ; History of Aisth?sis ; Theological Origins of Aesthetics ; Ornament ; Outsider Art ; Panofsky, Erwin ; Pareyson, Luigi ; Parody ; Participatory Art ; Pastiche ; Pater, Walter Horatio ; Paul, Jean ; Peirce, Charles Sanders ; Pepper, Stephen ; Perception ; Aesthetics of Perception ; Picture Perception ; Music Perception ; Performance ; Performance Art ; Overview ; Feminist Performance Art ; Performativity ; Personification of Art ; Perspective ; Overview ; Psychology of Perspective ; Phenomenology ; Photography ; Overview ; Daguerreotype ; Photography and Technology ; Catachresis ; Chance ; Documentary Photography ; Picasso, Pablo ; Picturesque ; Piles, Roger de ; Plato ; Plato and the Arts ; Plato on Mim?sis ; Plato's Use of Poetry ; Plato on the Effects of Art ; Plato and Modern Aesthetics ; Play ; Pleasure ; Plotinus ; Poetics ; Overview ; Avant-Garde ; Poetry ; Politics ; Overview ; Politicized Art ; Aestheticized Politics ; AIDS, Aesthetics, and Activism ; Pop Art ; Pope, Alexander ; Popular Culture ; Pornography ; Portraiture ; History ; Contemporary Portraiture ; Postcolonialism ; Postdramatic Theater ; Postmodernism ; Overview ; Postmodern Dance ; Postmodern American Poetry ; Poststructuralism ; Poussin, Nicolas ; Poverty ; Pragmatism ; Prague School ; Pre-Columbian Aesthetics ; Preservation ; Pretty ; Price, Uvedale ; Priestley, Joseph ; Primitivism ; Proust, Marcel ; Psychology of Art ; Public Art ; Qualities, Aesthetic ; Race ; Ranciere, Jaques ; Raphael, Max ; Rasa ; Realism ; Realism and Aesthetics ; Pictorial Realism ; Reception Aesthetics ; Reid, Thomas ; Reinhardt, Ad ; Relational Aesthetics ; Relativism ; Religion ; Overview ; Religion and Art ; Art of the Reformation ; Renaissance Italian Aesthetics ; Representation ; Reynolds, Joshua ; Rhetoric ; Overview ; Exemplarity ; Richards, Ivor Armstrong ; Ricoeur, Paul ; Riegl, Alois ; Ritual ; Robotics ; Rock Music ; Roman Aesthetics ; Romanticism ; Philosophy and Literature ; Visual Arts ; Music ; Rossetti, Dante Gabriel ; Rousseau, Jean-Jacques ; Ruins ; Ruskin, John ; Russian Aesthetics ; Religious Aesthetics ; Russian Formalism ; Socialist Realism ; Sanskrit Aesthetics ; Santayana, George ; Sartre, Jean-Paul ; Schaeffer, Pierre Henri Marie ; Schapiro, Meyer ; Schelling, Friedrich Wilhelm Joseph von ; Schenker, Heinrich ; Schiller, Johann Christoph Friedrich von ; Schinkel, Karl Friedrich ; Schlegel, August Wilhelm von ; Schlegel, Karl Wilhelm Friedrich von ; Schmarsow, August ; Schoenberg, Arnold Franz Walter ; Schopenhauer, Arthur ; Survey of Thought ; Tragedy and the Sublime ; Science ; Overview ; Contemporary Thought ; Sculpture ; Overview ; Classical Sculpture ; Modern Sculpture ; Sculpture since 1960 ; Semiotics ; Semiotics as a Theory of Art ; Semiology of Music ; Semiotics and Architecture ; Semper, Gottfried ; Sensation ; Sensibilite ; Sentimental ; Sexuality ; Shelley, Percy ; Sibley, Frank ; Sidney, Philip ; Silence ; Simmel, Georg ; Situationist Aesthetics ; Smith, Adam ; Smithson, Robert ; Sociology of Art ; Solger, Karl Wilhelm Ferdinand ; Sontag, Susan ; Sorel, Charles ; Sound ; Sound Art ; Spectacle ; Sports ; Stein, Gertrude ; Steinberg, Leo ; Stokes, Adrian Durham ; Stravinsky, Igor Fedorovich ; Street Art and Graffiti ; Structuralism ; Style ; Sublime ; The Sublime from Longinus to Montesquieu ; The Sublime from Burke to the Present ; Feminine Sublime ; Sublime and the Visual Arts ; Suger ; Sulzer, Johann Georg ; Suprematism ; Surrealism ; Surrealism and the Visual Arts ; Surrealism and Literature ; Sustainability ; Symbolism ; French Symbolism ; Russian Symbolism ; Synaesthesia ; Systems Theory ; Taine, Hippolyte Adolphe ; Taste ; Early History ; Modern and Recent History ; Television ; Text ; Textile ; Theater ; Theological Aesthetics ; Theories of Art ; Theory, History of ; Thing ; Tolstoy, Leo Nikolaevich ; Tragedy ; Greek Tragedy ; Freud on Tragedy ; Modern and Contemporary Tragedy ; Transdisciplinary Aesthetics ; Trauma ; Trilling, Lionel ; Truth ; Ugliness ; Unconscious ; Universals ; Utopia ; Ut Pictura Poesis ; Valery, Ambroise-Paul-Toussaint-Jules ; Value ; Vasari, Giorgio ; Venturi, Robert, and Denise Scott Brown ; Vico, Giovanni Battista ; Video ; Video Games ; Virtual Reality ; Visual Culture ; Visual Studies ; Wackenroder, Wilhelm Heinrich ; Wagner, Richard ; Walton, Kendall ; War ; Warburg, Aby Moritz ; Warhol, Andy ; Wartofsky, Marx W. ; Weitz, Morris ; Wilde, Oscar ; Williams, Raymond ; Winckelmann, Johann Joachim ; Wine ; Winnicott, Donald Woods ; Wittgenstein, Ludwig Josef Johann ; Survey of Thought ; Reception of Wittgenstein ; Wittgenstein and Literary Theory ; Wittkower, Rudolf ; Wolfflin, Heinrich ; Wollheim, Richard ; Wordsworth, William ; World Art ; Worringer, Wilhelm ; Wright, Frank Lloyd