• Produktbild: The SAGE Handbook of Popular Music
  • Produktbild: The SAGE Handbook of Popular Music

The SAGE Handbook of Popular Music

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

03.03.2015

Herausgeber

Bennett Andy + weitere

Verlag

Sage Publications

Seitenzahl

664

Maße (L/B/H)

25/17,5/4 cm

Gewicht

1360 g

Sprache

Englisch

ISBN

978-1-4462-1085-7

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

03.03.2015

Herausgeber

Verlag

Sage Publications

Seitenzahl

664

Maße (L/B/H)

25/17,5/4 cm

Gewicht

1360 g

Sprache

Englisch

ISBN

978-1-4462-1085-7

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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  • Produktbild: The SAGE Handbook of Popular Music
  • Produktbild: The SAGE Handbook of Popular Music
  • Introduction - Andy Bennett and Steve Waksman
    SECTION 1: Theory and Method - Introduction by Andy Bennett
    The Many Worlds of Popular Music: Ethnomusicological - Kevin Dawe
    Notes on Sociological Theory and Popular Music Studies - Motti Regev
    Waiting for the Great Leap Forwards: Mixing Pop, Politics - Gilbert B. Rodman
    (Re)Generations of Popular Musicology - Serge Lacasse
    Archival Research and the Expansion of Popular Music - Christine Feldman-Barratt
    SECTION 2: The Business of Popular Music - Introduction by Steve Waksman
    Power, Production and the Pop Process - Reebee Garofalo
    Intermediaries and Intermediation - Devon Powers
    Popular Musical Labor in North America - Matt Stahl
    Music in Advertising in the U.S.: History and Issues - Timothy D. Taylor
    SECTION 3: Popular Music History - Introduction by Steve Waksman
    Grinding out Hits at the Song Factory - Keir Keightley
    Popular Music Genres: Aesthetics, Commerce and Identity - David Brackett
    Live Music History - Matt Brennan
    SECTION 4: The Global and the Local - Introduction by Andy Bennett
    Observations on African, African-American, Middle Eastern - Tony Mitchell
    Electronic Dance Music Cultures, Ritualization and the Case - Graham St. John
    "Everything Louder than Everyone Else': The Origins and Persistence of Heavy Metal and Its Global Cultural Impact - Andy Brown
    Punk Rock Globalization - Ross Haenfler
    SECTION 5: The Star System - Introduction by Steve Waksman
    Rock Stars as Icons - David Shumway
    Everybody's in Show Biz: Performing Star Identity in Popular Music - Philip Auslander
    Midnight Ramblers and Material Girls: Gender and Stardom in Rock and Pop - Jacqueline Warwick
    Dark Cosmos: Making Race, Shaping Stardom - C. Riley Snorton
    SECTION 6: Body and Identity - Introduction by Andy Bennett
    Blurred lines, gender and Popular Music - Sheila Whiteley
    Popular Music, Race and Identity - Jon Stratton
    Dancing the Popular: The Expressive Interface of Bodies, Sound and Motion - Sherril Dodds
    Shaping the Past of Popular music: Memory, Forgetting and Documenting - Catherine Strong
    SECTION 7: Media - Introduction by Andy Bennett
    In Print and On Screen: The Changing Character of Popular Music Journalism - Simon Warner
    Sight and Sound in Concert? The Interrelationship Between Music and Television - Tim Wall and Paul Long
    Viewing with Your Ears, Listening With Your Eyes: Synching Popular Music and Cinema - Scott Henderson
    Beyond Napster: Popular Music and the 'Normal' Internet - Nick Prior
    SECTION 8: Technology - Introduction by Steve Waksman
    Phonography and the 'Recording' in Popular Music - Patrick Feaster
    Ghosts of Electricity: Amplification - Peter Doyle
    Ubiquitous Musics: Technology, Listening, and Subjectivity - Anahid Kassabian
    SECTION 9: Digital Economies - Introduction by Steve Waksman
    Modes of Production: The Value of Modal Analysis for Popular Music Studies - Tim Anderson
    Music, Copies and Essences - Joanna Demers
    Authorship, Ownership, and Musical Appropriation - Kembrew McLeod
    Music Cartels and the Dematerialization of Power - Aram Sinnreich