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Produktbild: Indie Reframed

Indie Reframed Women's Filmmaking and Contemporary American Independent Cinema

51,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

18.10.2016

Abbildungen

30 black and white illustrations

Herausgeber

Linda Badley + weitere

Verlag

Edinburgh University Press

Seitenzahl

320

Maße (L/B/H)

23,3/15,6/2,2 cm

Gewicht

549 g

Sprache

Englisch

ISBN

978-1-4744-0394-8

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

18.10.2016

Abbildungen

30 black and white illustrations

Herausgeber

Verlag

Edinburgh University Press

Seitenzahl

320

Maße (L/B/H)

23,3/15,6/2,2 cm

Gewicht

549 g

Sprache

Englisch

ISBN

978-1-4744-0394-8

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Indie Reframed

  • Acknowledgements
    Notes on Contributors
    Introduction, Linda Badley, Claire Perkins and Michele Schreiber

    Part 1: Production and Distribution Contexts
    1: Women Make Movies: Gamechanger Films, Chicken and Egg Pictures and the Future of Female Independent Filmmaking, Sarah Sinwell
    2: Killer Feminism, Patricia White
    3: 'A Woman with an Endgame': Megan Ellison, Annapurna Pictures, and American Independent Film Production, James Lyons
    4: That's My Story and I'm Sticking to It: Pioneering Practices in the Frontier of Micro-budget Filmmaking, Christina Lane
    5: 'I'm Absolutely the Right Person for this Job': Allison Anders and Mary Harron on Lifetime Television, Michele Schreiber

    Part II: Genres and Modalities
    1: Gender, Genre and More General Indie Dimensions in Megan Griffiths' The Off Hours and Eden, Geoff King
    2: Down to the Bone: Neo-neorealism and Genre in Contemporary Women's Indies, Linda Badley
    3: My Effortless Brilliance: Women's Mumblecore, Claire Perkins
    4: Black Women, Romance, and the Indiewood Rom Coms of Saana Hamri, Shelley Cobb

    Part III: Identities
    1: From Documentary to Fictional Realism: Mira Nair's Documentary Roots, Fictional Home, and Production Politics, Sarah Projansky and Kent Ono
    2: Having Its Cake and Eating It Too: Contemporary American 'Indie' cinema and My Big Fat Greek Wedding Reframed, Yannis Tzioumakis and Lydia Papadimitriou
    3: Not Just Indie: A Look at Films by Dee Rees, Ava DuVernay and Kasi Lemmons, Cynthia Baron
    4: Sexual In-betweener/Industry In-betweener: The Career and Films of Lisa Cholodenko, Maria San Filippo
    5: Miranda July and the New 21st Century Indie, Kathleen McHugh

    Part IV: Collaborations
    1: Mutual Muses in American Independent Film: Nicole Holofcener and Catherine Keener, Kelly Reichardt and Michelle Williams, Chris Holmlund
    2: The Feminist Politics of Collaboration in Lena Dunham's Tiny Furniture, Corinn Columpar
    3: The Director as Facilitator: Collaboration, Cooperation, and the Gender Politics of the Set, John Alberti
    4: Beyond the Screen: On Contemporary Feminist Media Re-Articulations, Claudia Costa Pederson and Patricia R. Zimmermann