Produktbild: Critical Reading Across the Curriculum, Volume 1

Critical Reading Across the Curriculum, Volume 1 Humanities

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.05.2017

Verlag

Wiley

Seitenzahl

272

Maße (L/B/H)

23,1/15/1,8 cm

Gewicht

454 g

Sprache

Englisch

ISBN

978-1-119-15486-0

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

01.05.2017

Verlag

Wiley

Seitenzahl

272

Maße (L/B/H)

23,1/15/1,8 cm

Gewicht

454 g

Sprache

Englisch

ISBN

978-1-119-15486-0

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Critical Reading Across the Curriculum, Volume 1
  • Notes on contributors ix

    Preface xiii

    Acknowledgments xvii

    Part I Frameworks and Approaches 1

    1 Reading Responsively, Reading Responsibly: An Approach to Critical Reading 3
    Robert DiYanni

    Being Critical 4

    Responsible Reading, Responsive Reading 6

    A Framework for Critical Reading 7

    Demonstration - E. B. White on the Moonwalk 12

    Application - Lincoln's Gettysburg Address 17

    Reflective Reading - Reading and Living 21

    References 23

    2 Reciprocal Acts: Reading and Writing 24
    Pat C. Hoy ii

    AStoryofNecessity 24

    Acts of Conception 25

    Working from Images 26

    Remembering Spontaneity 31

    Getting More Systematic 34

    Merging What and How 41

    Writing as Representation, Writing as Composition 47

    References 48

    3 A Shared Horizon: Critical Reading and Digital Natives 49
    Anton Borst

    Critically Reading the Digital Native 51

    Responding to the Digital Native 53

    A Shared Horizon 55

    Devices, Screens, and Digital Native Reading Practices 56

    Conclusion 59

    References 60

    Part II Critical Reading in the Disciplines 63

    4 Critical Reading and Thinking: Rhetoric and Reality 65
    Lawrence Scanlon

    Rhetorical Challenges 67

    Ways of Reading 70

    Logos, Ethos, Pathos 70

    Demonstration: Annotating a Speech 71

    Everything's an Argument: No It's Not! Yes It Is! 74

    A Suite of Exercises 77

    Conclusion 81

    Notes 82

    References 82

    5 The Community of Literature: Teaching Critical Reading and Creative Reflection 85
    Adrian Barlow

    Ways of Reading 85

    Textual Conversations - Critical Dialogue 88

    Re-reading and Creative Reflection 91

    Demonstration - Hardy's "In a Museum" 93

    Broadening Context 95

    Application - Middlemarch, Chapter XXIX 96

    Contemporary Contexts 99

    Notes 102

    References 102

    6 Approaching Intellectual Emancipation: Critical Reading in Art, Art History, and Wikipedia 104
    Amy K. Hamlin

    Reconsidering Wikipedia 104

    Reading Art: The Visual Analysis 109

    Reading Art History: The Annotated Bibliography 113

    Reading Wikipedia: The Comparative Analysis 119

    Chain Reactions 121

    Notes 121

    References 122

    7 Teaching Critical Reading of Historical Texts 123
    Michael Hogan

    Basic Matters 123

    Challenges for Teachers 124

    Three Kinds of Reading 125

    Selecting Historical Documents for Analysis 126

    Marking and Preparing Historical Documents 128

    Reading Abraham Lincoln's House Resolutions December 22, 1847 131

    Reading Martin Luther King, Jr.'s Speech Opposing the Vietnam War 136

    Conclusion 138

    Some Useful Sources for Critical Reading in History 139

    References 140

    8 Philosophy and the Practice of Questioning 141
    Matt Statler

    Questioning Toward Truth 141

    How Do We Come to Know Anything at All? 142

    Toward Practical Wisdom 149

    So What? The Effects of Reading Philosophy Critically 155

    Notes 156

    References 157

    9 Engaging Religious Texts 158
    Thomas Petriano

    "Pay Attention!" 158

    Reading as an Embodied and Dialogic Act 159

    Insights from the Religions 161

    The Three Worlds of Religious Texts 166

    Practices for Engaging Religious and Theological Texts 168

    Conclusion 171

    References 172

    10 Gender Studies as a Model for Critical Reading 174
    Pamela Burger

    Gender Studies and Critical Reading 175

    Deconstructing Gender 177

    Documentary Project 178

    Staging the Documentary Project 180

    Aesthetic Distance and Ironic Images of Gender 183

    Melanie Pullen's High Fashion Crime Scenes and Cindy Sherman's Centerfolds, 1981185

    References 189

    11 Reading and Teaching Films 190
    William V. Costanzo

    Personal Response 191

    Analyzing Story 192

    Basic Film Terms 194

    Formal Analysis 197

    Genre Analysis 199

    Cultural Analysis 201

    Historical Analysis 203

    Representation in Film 205

    Film Theory 205

    Exercises 206

    References 209

    12 Thinking Through Drama 210
    Louis Scheeder

    Drama and Argument 210

    The Classical Studio 214

    The Structure of Verse 215

    Following the Verse 217

    Exercises 220

    Conclusion 221

    References 222

    13 Approaches to Reading and Teaching Pop Songs 223
    Thomas M. Kitts

    Popular Music and Its Contexts 223

    Reading a Pop Song 224

    Writing about Music 228

    Critical Reading: Theodor Adorno's Criticism of Pop Music 231

    Socially Conscious Music 232

    Additional Writing Assignments 235

    Conclusion 236

    References 237

    Index 239