Produktbild: Ottoman Empire and European Theatre Vol. III
Band 5

Ottoman Empire and European Theatre Vol. III Images of the Harem in Literature and Theatre.

Aus der Reihe Ottomania

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

30.06.2015

Herausgeber

Michael Hüttler + weitere

Verlag

Hollitzer Wissenschaftsverlag

Seitenzahl

488

Maße (L/B/H)

24,6/17,4/3,5 cm

Gewicht

973 g

Auflage

1. Auflage

Sprache

Englisch

ISBN

978-3-99012-071-2

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

30.06.2015

Herausgeber

Verlag

Hollitzer Wissenschaftsverlag

Seitenzahl

488

Maße (L/B/H)

24,6/17,4/3,5 cm

Gewicht

973 g

Auflage

1. Auflage

Sprache

Englisch

ISBN

978-3-99012-071-2

Herstelleradresse

Hollitzer Wissenschaftsverlag
Trautsongasse 6/6
1080 Wien
AT
kontakt@hollitzer.at

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  • Produktbild: Ottoman Empire and European Theatre Vol. III
  • Contents Ouverture

    Michael Hüttler (Vienna), Emily M. N. Kugler (Washington/DC) and Hans Ernst Weidinger (Vienna/Florence): Editorial

    Forewords

    Prologue:

    Stefanie Steiner (Karlsruhe): Enchantment / Disenchantment: Conceptions of Harem and Seraglio in Selected Literary Sources from 1608 to 1852

    Act I: English Authors of the Late Seventeenth and Eighteenth Centuries

    Anne Greenfield (Valdosta/GA): Veiled in the Seraglio: Whig Messaging in Mary Pix’s Tragedy Ibrahim (1696)

    Hans-Peter Kellner (Copenhagen/Vienna): The Capturing of the Seraglio: From the Life and Work of Aaron Hill (1685–1750)

    Emily M. N. Kugler (Washington/DC): Playing the Sultana: Erotic Capital and Commerce in Daniel Defoe’s Roxana (1724)

    Michael J. Chappell (Danbury/CT): The Pleasures of Friendship and Society: Pekuah and the Arab’s Seraglio in Samuel Johnson’s Rasselas (1759)

    Act II: Britain in the Late Eighteenth and Nineteenth Centuries

    Jennifer L. Airey (Tulsa/OK): Justice and the Bashaw of Merryland: Harem Fantasy, Rape Narrative, and the Trial of Lord Baltimore (1768)

    Isobel Grundy (Edmonton, Alberta, Canada): English Women’s Various Harems

    Gönül Bakay (Istanbul): Is it possible to have freedom in a prison? Emmeline Lott’s The Governess in Egypt (1865)

    Act III: Byron: The Youth

    Käthe Springer-Dissmann (Vienna): “Now at length we’re off for Turkey, Lord knows when we shall come back!” Byron’s Grand Tour to the Bosphorus 1809–1811

    Mi Zhou (Hong Kong): The Monster Within: Ali Pasha’s Seraglio in Childe Harold’s Pilgrimage

    Walter Puchner (Athens): The Reception of Lord Byron in Greek Theatre and Drama in the Nineteenth Century

    Act IV: Byron: The Sultana

    Laura Tunbridge (Oxford/UK): “The soft hours of Sardanapalus”: Music and Effeminacy in Stagings of Byron’s Seraglios

    Marian Gilbart Read (Hampshire): “SCHIAVA SON IO, CORSARO!”: does the escape from the harem dramatize the Risorgimento struggle in Verdi’s adaptation of Byron’s The Corsair (1814)?

    Himmet Umunç (Ankara): In Search of Exoticism: Byron’s Reveries of the Ottoman Orient

    Isabelle Moindrot (Tours): Tamerlan: A ‘Turkish’ Opera by Peter von Winter for the Paris Opera (1802)

    Act V: French Influences

    Domenica Newell-Amato (Utica, NY): Of African Monsters and Eunuchs: Colonial Fashioning within the Harem of Jean Racine’s Bajazet (1672)

    Michael Hüttler (Vienna): “[F]ive hundred very happy women!”: The Harem as a Locus of Social and National Identities in Eighteenth-Century German-Language Theatre

    Bent Holm (Copenhagen): The Ambiguous Harem: Moralism and Exoticism in Danish Harem Images of the eighteenth and nineteenth Centuries

    Andreas Münzmay (Frankfurt/Main): Musical Representations of the Seraglio in Eugène Scribe’s Vaudeville L’ours et le pacha and in its Adaptations in Nineteenth-Century European Theatre

    Appendix

    Index

    Curricula Vitae