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Produktbild: 1616

1616 Shakespeare and Tang Xianzu's China

184,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

25.02.2016

Herausgeber

Tian Yuan Tan + weitere

Verlag

Bloomsbury 3PL

Seitenzahl

352

Maße (L/B/H)

20,9/13,2/2,2 cm

Gewicht

470 g

Sprache

Englisch

ISBN

978-1-4725-8342-0

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

25.02.2016

Herausgeber

Verlag

Bloomsbury 3PL

Seitenzahl

352

Maße (L/B/H)

20,9/13,2/2,2 cm

Gewicht

470 g

Sprache

Englisch

ISBN

978-1-4725-8342-0

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: 1616

  • Foreword by Wilt L. Idema, Harvard University

    Introduction by Tian Yuan Tan, Paul Edmondson, Shih-pe Wang

    1) Setting the Scene: Playwrights and Localities
    - Yongming Xu, 'The Backdrop of Regional Theatre to Tang Xianzu's Drama'
    - Paul Edmondson, 'Stratford-upon-Avon: 1616'

    2) Classics, Tastes, and Popularity
    - Wei Hua, 'The "Popular Turn"in the Elite Theatre of the Ming after Tang Xianzu: Love, Dream, and Deaths in The Tale of the West Loft'
    - Nick Walton, 'Blockbusters and Popular Stories'

    3) Making History
    - Ayling Wang, 'Shishiju as Public Forum: The Crying Phoenix and the Dramatization of Current Political Affairs in Late Ming China'
    - Helen Cooper, 'Dramatizing the Tudors'

    4) The State and the Theatre
    - Tian Yuan Tan, 'Sixty Plays from the Ming Palace, 1615-1618'
    - Janet Clare, 'Licensing the King's Men: From Court Revels to Public Performance'

    5) The Transmission of Dramatic Texts and Printing
    - Stephen H. West, 'Tired, Sick, and Looking for Money: Zang Maoxun in 1616'
    - Jason Scott-Warren, 'Status Anxiety: Arguing about Plays and Print in Early Modern London'

    6) Dramatic Authorship and Collaboration
    - Patricia Sieber, 'Is There a Playwright in This Text? The 1610s and the Consolidation of Dramatic Authorship in Late Ming Print Culture'
    - Peter Kirwan, '"May I subscribe a name?": Terms of Collaboration in 1616'

    7) Audiences, Critics, and Reception
    - Shih-pe Wang, 'Revising Peony Pavilion: Audience Reception in Presenting Tang Xianzu's Text'
    - Anjna Chouhan, '"No epilogue, I pray you": Audience Reception in Shakespearian Theatre'

    8) Music and Performance
    - Mei Sun, 'Seeking the Relics of Music and Performance: An Investigation of Chinese Theatrical Scenes Published in the Early Seventeenth Century (1606-1616)'
    - David Lindley, 'Music in the English theatre of 1616'

    9) Theatre in Theory and Practice
    - Regina Llamas, 'Xu Wei's A Record of Southern Drama: The Idea of a Theatre at the Turn of Seventeenth-Century China'
    - Will Tosh, 'Taking Cover: 1616 and the Move Indoors'

    10) Theatre across Genres and Cultures
    - Xiaoqiao Ling, 'Elite Drama Readership Staged in Vernacular Fiction: The Western Wing and The Retrieved History of Hailing'
    - Kate McLuskie, '"There be salmons in both": Models of Connection for Seventeenth-Century English and Chinese Drama'

    Afterword by Stanley Wells, CBE, Shakespeare Birthplace Trust

    Notes on Contributors

    List of Cited Works