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  • Produktbild: Theatre History and Historiography
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Theatre History and Historiography Ethics, Evidence and Truth

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

26.11.2015

Herausgeber

Joanna Robinson

Verlag

Palgrave Macmillan UK

Seitenzahl

205

Maße (L/B/H)

22,2/14,5/1,7 cm

Gewicht

370 g

Auflage

1st ed. 2016

Sprache

Englisch

ISBN

978-1-137-45727-1

Beschreibung

Rezension

“There are well-crafted and provocative essays here, and the foregrounding of ethical questions makes the volume a potentially useful companion to other anthologies … . The collection will be of interest to postgraduate students and scholars of theatre history, and some essays could be assigned to advanced undergraduates.” (David Calder, Contemporary Theatre Review, Vol. 28 (1), 2018)

“The focus of the present collection is, as signaled by the subtitle, squarely on ethics and evidence … . they are held together by an impressively coherent and sustained engagement with a set of ethical challenges posed by the alterity of theatre-historical evidence. This volume firmly establishes ethics on the theatre-historiographical agenda.” (Christopher Balme, Theatre Notebook, Vol. 71 (1), February, 2017)

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

26.11.2015

Herausgeber

Joanna Robinson

Verlag

Palgrave Macmillan UK

Seitenzahl

205

Maße (L/B/H)

22,2/14,5/1,7 cm

Gewicht

370 g

Auflage

1st ed. 2016

Sprache

Englisch

ISBN

978-1-137-45727-1

Herstelleradresse

Springer-Verlag GmbH
Tiergartenstr. 17
69121 Heidelberg
DE

Email: ProductSafety@springernature.com

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  • Produktbild: Theatre History and Historiography
  • Produktbild: Theatre History and Historiography
  • 1. Introduction; Claire Cochrane and Jo Robinson
    PART I: RE-WRITING (MASTER) NARRATIVES
    2. Writing the Ethical Life: Theatrical Biography and the Case of Thomas Betterton; David Roberts
    3. Ethics and Bias: Historiography and Anti-Theatrical Prejudice in Nineteenth-Century America; Rosemarie Bank
    4. In the Eye of the Beholder: Recognising and Renegotiating the Scenario in Writing Performance Histories; Viv Gardner
    PART II: 'OTHER' HISTORIES
    5. Feminist Historiography and Ethics: a Case Study from Victorian Britain; Katherine Newey
    6. Garrison Theatre in Colonial India: Issues of Variation; Poonam Trivedi
    7. Facing the Face of the Other: the Case of the Nia Centre; Claire Cochrane
    PART III: THE ETHICS OF EVIDENCE
    8. Collecting And Re-Collecting: the Challenges and Possibilities of Developing a Social Archive in Post-Conflict Northern Ireland; Alison Jeffers
    9. Mind the Gaps: Evidencing Performance and Performing Evidence in Performance Art History; Heike Roms
    Bibliography
    Index