Produktbild: British Musical Theatre since 1950

British Musical Theatre since 1950

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

08.09.2016

Verlag

Bloomsbury Academic

Seitenzahl

288

Maße (L/B/H)

21,6/14,2/2,5 cm

Gewicht

412 g

Sprache

Englisch

ISBN

978-1-4725-8436-6

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

08.09.2016

Verlag

Bloomsbury Academic

Seitenzahl

288

Maße (L/B/H)

21,6/14,2/2,5 cm

Gewicht

412 g

Sprache

Englisch

ISBN

978-1-4725-8436-6

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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  • Produktbild: British Musical Theatre since 1950
  • List of Illustrations
    Introduction
    Part I: Musicals and Social Change (Robert Gordon)
    1.1 British Theatre and Society after the Second World War
    1.2 Innovation and Nostalgia: Camp in the Post-War British Musical
    Case Study 1: Salad Days
    1.3 Rock and Roll and the Theatre Revolution
    1.4 The Play with Music: Political Theatre and Working-Class Culture
    Case Study 2: Blood Brothers
    1.5 The Impact of Oliver!
    1.6 After Jesus Christ Superstar: Globalization and Cultural Specificity
    Case Study 3: Billy Elliot
    1.7 Global and Local: The Family Musical
    Case Study 4: Matilda - The Musical

    Part II: British Popular Culture and Musical Theatre (Millie Taylor)
    2.1 Nostalgia in Character and Dramatic Form
    Case Study 5: Oh What a Lovely War!
    2.2 Reflecting Multiculturalism
    Case Study 6: Bombay Dreams
    2.3 Changing Signification in Popular Music
    Case Study 7: Oliver!
    Case Study 8: The Rocky Horror Show
    Conclusion to Part Two

    Part III: Narrative and Story-Telling in the British Musical since 1970 (Olaf Jubin)
    Preamble
    Introduction
    3.1 Concept Recordings: When What You See is What You Have Heard
    Case Study 9: Jesus Christ Superstar
    3.2 Sung-Through Shows: When the Spoken Word is Shunned
    3.3 Stage Adaptations of Novels: When the Written Word Becomes Theatrical Action
    Case Study 10: Les Misérables
    Case Study 11: The Phantom of the Opera
    3.4 Original Stories: When the Content is Unknown
    3.5 Jukebox Musicals: When You Know All the Songs
    Case Study 12: Mamma Mia!
    3.6 Stage Adaptation of Films: When the Cinematic Becomes the Theatrical

    Conclusion
    Timeline
    Notes
    Selective Bibliography
    Discography
    Filmography
    Index