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Produktbild: Stanislavsky in the World

Stanislavsky in the World The System and its Transformations Across Continents

48,99 €

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

18.05.2017

Herausgeber

Jonathan Pitches + weitere

Verlag

Methuen Drama

Seitenzahl

476

Maße (L/B/H)

23,3/16,1/2,7 cm

Gewicht

711 g

Sprache

Englisch

ISBN

978-1-4725-8788-6

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

18.05.2017

Herausgeber

Verlag

Methuen Drama

Seitenzahl

476

Maße (L/B/H)

23,3/16,1/2,7 cm

Gewicht

711 g

Sprache

Englisch

ISBN

978-1-4725-8788-6

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: GPSR Kontakt

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  • Produktbild: Stanislavsky in the World

  • Contents
    Acknowledgements
    Notes on transliteration
    Figures

    INTRODUCTIONS AND CONTEXT 1 AND 2
    'Well-trodden Paths: US, UK, Russian and Soviet Perspectives on Stanislavsky's Transmission' by Stefan Aquilina
    'A System for all Nations? Stanislavsky in the World' by Jonathan Pitches

    PART 1: EUROPE
    Introduction by Stefan Aquilina
    'Three Periods of Stanislavsky in Italy' by Franco Ruffini
    'Stanislavsky and French Theatre: Selected Affinities' by Marie-Christine Autant-Mathieu
    'Between Nationalism and Ideology: Stanislavsky in Lithuania' by Ina Pukelyte
    'An Amateur Processing of the System: Stanislavsky in Malta' by Stefan Aquilina
    'Moments of Transition: Stanislavsky in Greece' by Maria Gaitanidi

    PART 2: CHINA AND JAPAN
    Introduction by Jonathan Pitches
    'Towards a Chinese School of Performance and Directing: Jiao Juyin' by Siyuan Liu
    'Stanislavsky with Chinese Characteristics: How the System was introduced into China' by Jonathan Pitches and Ruru Li
    'A Producer's Perspective: Stanislavsky in Contemporary Japan' by Kaori Nakayama

    PART 3: LATIN AMERICA
    Introduction by Stefan Aquilina
    'Stanislavsky in Brazil: Territories and Frontiers' by Arlete Cavaliere
    'Stanislavsky's Legacy in Cuba' by Yana Elsa Brugal
    'A Teacher's Perspective: Stanislavsky at the Escuela de Teatro de Buenos Aires in Argentina' by Raul Serrano

    PART 4: AFRICA
    Introduction by Stefan Aquilina
    'Stanislavsky in Nigeria: Convergences and Counterpoints in Actor Training and Practice' by Kene Igweonu
    'Stanislavsky in Tunisian Theatre: a Heritage in Progress' by Moez Mrabet
    'A Director's Perspective: Stanislavsky in South Africa' by David Peimer

    PART 5: AUSTRALASIA
    Introduction by Jonathan Pitches
    'Theatrical Bowerbirds: Received Stanislavsky and the Tyranny of Distance in Australian Actor Training' by Ian Maxwell
    'Acting Idealism and Emotions: Hayes Gordon, The Ensemble Theatre and Acting Studios in Australia' by Peta Tait
    'Stanislavsky in Aotearoa: The System Experienced through the Maori World' by Hilary Halba

    PART 6: INDIA AND BANGLADESH
    Introduction by Jonathan Pitches
    'Between Stanislavsky and Bharata: Actor training at the National School of Drama in New Delhi' by Jooyeoul Ryu
    'Stanislavsky in the Modern Theatre of Bangladesh: A Mapping of Postcolonial Appropriation and Assimilation' by Syed Jamil Ahmed

    Notes on Contributors
    Index