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  • Produktbild: Shakespeare Expressed
  • Produktbild: Shakespeare Expressed

Shakespeare Expressed Page, Stage, and Classroom in Shakespeare and His Contemporaries

Aus der Reihe The Fairleigh Dickinson University Press Series on Shakespeare and the Stage

79,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

02.05.2017

Herausgeber

Kathryn M. Moncrief + weitere

Verlag

Fairleigh Dickinson University Press

Seitenzahl

316

Maße (L/B/H)

22,9/15,2/1,7 cm

Gewicht

460 g

Sprache

Englisch

ISBN

978-1-68393-071-6

Beschreibung

Portrait

Kathyrn M. Moncrief is professor and chair of English at Washington College.

Kathryn R. McPherson is professor of English at Utah Valley University.

Sarah Enloe is the Director of Education at the American Shakespeare Center.

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

02.05.2017

Herausgeber

Verlag

Fairleigh Dickinson University Press

Seitenzahl

316

Maße (L/B/H)

22,9/15,2/1,7 cm

Gewicht

460 g

Sprache

Englisch

ISBN

978-1-68393-071-6

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Shakespeare Expressed
  • Produktbild: Shakespeare Expressed

  • Foreword: Lightning in a Bottle
    Ralph Alan Cohen

    Chapter 1: Introduction: Shakespeare Embodied, Expressed, and Enacted
    Kathryn Moncrief and Kathryn McPherson:

    I. The Body of the Actor

    Chapter 2: Speaking in the Silence: Deaf Performance at the Oregon Shakespeare Festival
    Lezlie Cross

    Chapter 3: "I Have Given Suck:" The Maternal Body in Sarah Siddons' Lady Macbeth
    Chelsea Phillips

    Chapter 4: Competing Heights
    Jemma Alix Levy

    Chapter 5: The Mirror and the Monarchs: Suggestive Presences and Shakespeare's Cast-Size
    Brett Gamboa

    Chapter 6: Embodying Shakespeare: In the Classroom
    Miriam Gilbert

    II. Playing the Text

    Chapter 7: Remember the Porter: Knock-Knock Jokes, Tragedy, and Other Unfunny Things
    Chris Barrett

    Chapter 8: Ghost in the Machine: Shakespeare, Stanislavski and Original Practices
    Peter Kanelos

    Chapter 9: "Speake[ing] the speech[es]:" Reassessing the Playability of the Earliest Printings of Hamlet
    Matthew Vadnais

    Chapter 10: A "Ha" in Shakespeare: The Soliloquy as Excuse and Challenge to the Audience
    Bill Gelber

    Chapter 11: A Knave to Know a Knock: Exploring Character Function in Scenic Structure
    Symmonie Preston

    III. Staging Choices

    Chapter 12: Behind Closed Doors: Perspective and Painterly Technique on the Early Modern English Stage
    Jennifer Low

    Chapter 13: Shticky Shakespeare: Exploring Action as Eloquence
    Sid Ray

    Chapter 14: Seeing Ghosts: Hamlet and Modern Original Practices
    Fiona Harris-Ramsby & Kathryn McPherson

    Chapter 15: Remembrances of yours': Properties, Performance, and Memory in Shakespeare's Hamlet 3.1
    Kathryn Moncrief

    Chapter 16: The Mirror of All Christian Kings: Choral Medievalism in the Henry V Folio
    Christina Gutierrez

    Chapter 17: Playing with Character-Audience Members in Early Modern Playhouses
    Sarah Enloe

    IV. Playhouse and Playing Conditions

    Chapter 18: Blackfriars Stage-Sitters and the Staging of The Tempest, The Maid's Tragedy and The Two Noble Kinsmen
    Leslie Thomson

    Chapter 19: "The Concourse of People on the Stage": An Alternative Proposal for Onstage Seating at the Second Blackfriars
    Nova Myhill

    Chapter 20: The Two Blackfriars Theatres: Discontinuity or Contiguity?
    Jeanne McCarthy

    Chapter 21: "Here sit we down.": The Location of Andrea and Revenge in The Spanish Tragedy
    Annalisa Castaldo

    Chapter 22: Thomas Middleton's Use of the Gallery Space
    Christine Parker

    Chapter 23: Performing Space: Playing the Architecture
    Doreen Bechtol

    V. Technical and Material Matters

    Chapter 24: Light and Heat in the Playhouses
    Ann Jennalie Cook

    Chapter 25: Lighting Effects in the Early Modern Private Playhouses
    Lauren Shell

    Chapter 26: Sound Trumpets
    Alisha Huber

    Chapter 27: Play it again, Hal: The 1605 Revival of Henry V
    Melissa Aaron

    Chapter 28: Playing with Early Modern Special Effects
    Cass Morris