• Produktbild: Critical Approaches to the Production of Music and Sound
  • Produktbild: Critical Approaches to the Production of Music and Sound

Critical Approaches to the Production of Music and Sound

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

11.01.2018

Abbildungen

10 bw illus

Herausgeber

Samantha Bennett + weitere

Verlag

Bloomsbury USA

Seitenzahl

290

Maße (L/B/H)

23,8/15,4/2,5 cm

Gewicht

601 g

Sprache

Englisch

ISBN

978-1-5013-3205-0

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

11.01.2018

Abbildungen

10 bw illus

Herausgeber

Verlag

Bloomsbury USA

Seitenzahl

290

Maße (L/B/H)

23,8/15,4/2,5 cm

Gewicht

601 g

Sprache

Englisch

ISBN

978-1-5013-3205-0

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Critical Approaches to the Production of Music and Sound
  • Produktbild: Critical Approaches to the Production of Music and Sound
  • List of Figures
    List of Tables
    List of Contributors

    Chapter 1: The Production of Music and Sound: A Multidisciplinary Critique
    Eliot Bates and Samantha Bennett

    Section 1: Situating Production: Place, Space and Gender

    Chapter 2: Field Recording and the Production of Place
    Tom Western (University of Edinburgh, Scotland)

    Chapter 3: The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music Production
    Damon Minchella (University of Birmingham, England)

    Chapter 4: "An Indestructible Sound": Locating Gender in Genres Using Different Music Production Approaches
    Paula Wolfe (Sib Records, England)

    Section 2: Beyond Representation

    Chapter 5: Producing TV Series Music in Istanbul
    Eliot Bates (City University of New York, USA)

    Chapter 6: Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous Music
    Karl Neuenfeldt (Queensland Conservatorium, Griffith University, Australia)

    Section 3: Electronic Music

    Chapter 7: "All Sounds Are Created Equal": Mediating Democracy in Acousmatic Education
    Patrick Valiquet (University of Edinburgh, UK)

    Chapter 8: Technologies of Play in Hip-Hop and Electronic Dance Music Production and Performance
    Mike D'Errico (UCLA, USA)

    Section 4: Technology and Technique

    Chapter 9: Weapons of Mass Deception: The Invention and Re-invention of Recording Studio Mythology
    Alan Williams (UMASS, Lowell, USA)

    Chapter 10: Auto-Tune In Situ: Digital Vocal Correction And Conversational Repair
    Owen Marshall (Cornell University, USA)

    Section 5: Mediating Sound and Silence

    Chapter 11: Listening To or Through Technology: Opaque and Transparent Mediation
    Ragnhild Brøvig-Hanssen (University of Oslo, Norway)

    Chapter 12: Six Types of Silence
    Richard Osborne (Middlesex University, England)

    Section 6: Virtuality and Online Production

    Chapter 13: Intermixtuality: Case Studies in Online Music [Re]Production
    Samantha Bennett (Australian National University, Australia)

    Chapter 14: Crowdfunding and Alternative Modes of Production
    Mark Thorley (Coventry University, England)

    Index