No Sweetness Here And Other Stories
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- Taschenbuch
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Form:Einzelkauf Download
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Sprache:Englisch
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Verlag:The Feminist Press at CUNY
14,97 €
inkl. gesetzl. MwSt.Beschreibung
Produktdetails
Format
ePUB
Kopierschutz
Nein
Family Sharing
Nein
Text-to-Speech
Ja
Erscheinungsdatum
06.12.2018
Verlag
The Feminist Press at CUNYSeitenzahl
172 (Printausgabe)
Dateigröße
797 KB
Sprache
Englisch
EAN
9781558619166
From the author of
Changes: these stories "of post-independence Ghana in the late 1960s are written beautifully and wisely and with great subtlety" (Chimamanda Ngozi Adichi).
In this short story collection, the award-winning poet and author of
Changes and
Our Sister Killjoy explores postcolonial life in Ghana with her characteristic honesty, humor, and insight. A house servant wonders what independence means in a country where indoor plumbing is still reserved for bosses. A brother tracks down his runaway sister only to find she has become a prostitute. In the title story, a bitter divorce turns tragic when the couple's only child dies of a snake bite.
In these and other stories, tradition wrestles with new urban influences as Africans try to sort out their identity in a changing culture, and "even at her gravest, Miss Aidoo writes with a sunny charm" (
The New York Times).
Changes: these stories "of post-independence Ghana in the late 1960s are written beautifully and wisely and with great subtlety" (Chimamanda Ngozi Adichi).
In this short story collection, the award-winning poet and author of
Changes and
Our Sister Killjoy explores postcolonial life in Ghana with her characteristic honesty, humor, and insight. A house servant wonders what independence means in a country where indoor plumbing is still reserved for bosses. A brother tracks down his runaway sister only to find she has become a prostitute. In the title story, a bitter divorce turns tragic when the couple's only child dies of a snake bite.
In these and other stories, tradition wrestles with new urban influences as Africans try to sort out their identity in a changing culture, and "even at her gravest, Miss Aidoo writes with a sunny charm" (
The New York Times).
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