Produktbild: The Colour Fantastic

The Colour Fantastic Chromatic Worlds of Silent Cinema

59,99 €

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

18.04.2018

Herausgeber

Giovanna Fossati + weitere

Verlag

Taylor & Francis

Seitenzahl

312

Maße (L/B/H)

23,3/15,6/2,7 cm

Gewicht

684 g

Sprache

Englisch

ISBN

978-94-6298-301-4

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

18.04.2018

Herausgeber

Verlag

Taylor & Francis

Seitenzahl

312

Maße (L/B/H)

23,3/15,6/2,7 cm

Gewicht

684 g

Sprache

Englisch

ISBN

978-94-6298-301-4

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

Noch keine Bewertungen vorhanden

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kundinnen und Kunden durch Ihre Meinung.

Kundinnen und Kunden meinen

Bewertungen (0)

  • Produktbild: The Colour Fantastic
  • Introduction Giovanna Fossati, Victoria Jackson, Bregt Lameris, Elif Rongen-Kaynakci, Sarah Street and Joshua Yumibe, Prologue Questions of Colours: Taking Sides Peter Delpeut Non-Fiction and Amateur Cinema Fireworks and Carnivals: Natural Colour Processes in Italian Amateur Cinema Elena Gipponi Liminal Perceptions: Intermediality and the Exhibition of Non-fiction Film Liz Watkins Rough Seas and Waterfalls: Lyrical Colors in Silent-Era Nonfiction Film Jennifer Peterson Natural Colour Processes: Theory and Practice 'Taking the color out of color': Two-Colour Technicolor, The Black Pirate, and Blackened Dyes John Belton Why Additive? Problems of Colour and Epistemological Networks in Early (Film) Technology Benôit Turquety The Comedy of Colours: The slapstick potential of natural colour in Mack Sennett shorts Hilde D'haeyere Additive and Subtractive: Two Paths Towards Colour Frank Gray Intermediality and Advertising Rainbow Ravine: Color and Animated Advertising in Times Square, 1891- 1915 Kirsten Thompson Negotiating A World Of Color: Films Experiments And Intermedial Practices Natalie Snoyman Foregrounding objects: Advertising, moving images, and the role of colour in French 1920s visual culture Federico Pierotti Archiving and Restoration: Early Debates and Current Practices La Ligue du Noir et Blanc: French Debates on Natural Colour Film and Art Cinema 1926-1927 Bregt Lameris A Material-Based Approach to the Digitisation of Early Film Colours Barbara Flueckiger, Claudy Op den Kamp and David Pfluger Archival Panels (edited transcripts) Preservation, Restoration, Presentation and Policy Sonia Genaitay (BFI), Ulrich Ruedel (BFI and HTW / University of Applied Sciences, Berlin), Bryony Dixon (BFI), Annike Kross (EYE), Tina Anckarman and Tone Føreland (National Library of Norway), Thierry Delannoy and Benjamin Alimi (Digimage-Classics), Fumiko Tsuneishi (Austrian Film Archive), moderated by Giovanna Fossati Digital Restoration' with Michelle Carlos (National Academy of Fine Arts in Stuttgart), Barbara Flueckiger, Claudy Op den Kamp and David Pfluger (DIASTOR project, University of Zurich), moderated by Giovanna Fossati. Authors' Biographies, Bibliography,Acknowledgements