Vor Ort
Merkzettel Warenkorb
  • Produktbild: Domestic Noir
  • Produktbild: Domestic Noir

Domestic Noir The New Face of 21st Century Crime Fiction

Aus der Reihe Crime Files

117,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

21.12.2018

Abbildungen

XVIII, 2 illus., schwarz-weiss Illustrationen

Herausgeber

Laura Joyce + weitere

Verlag

Springer

Seitenzahl

292

Maße (L/B/H)

21/14,8/1,7 cm

Gewicht

406 g

Auflage

Softcover reprint of the original 1st ed. 2018

Sprache

Englisch

ISBN

978-3-030-09884-1

Beschreibung

Portrait

Laura Joyce is Lecturer in Creative Writing at the University of East Anglia, UK. Her research focuses on representations of gendered, sexual and intimate violence. She has published two crime novels: The Museum of Atheism (2012) and The Luminol Reels (2014). Her forthcoming critical books are Luminol Theory  and Deadly Landscapes .

Henry Sutton is Senior Lecturer in Creative Writing at the University of East Anglia, UK, and Director of the new Creative Writing MA in Crime Fiction. He is the author of 10 novels, most recently Time to Win (2017) under the pseudonym Harry Brett. Previous novels include My Criminal World (2013), Get Me Out of Here (2010) and Kids’ Stuff (2003). 

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

21.12.2018

Abbildungen

XVIII, 2 illus., schwarz-weiss Illustrationen

Herausgeber

Verlag

Springer

Seitenzahl

292

Maße (L/B/H)

21/14,8/1,7 cm

Gewicht

406 g

Auflage

Softcover reprint of the original 1st ed. 2018

Sprache

Englisch

ISBN

978-3-030-09884-1

Herstelleradresse

Springer-Verlag GmbH
Tiergartenstr. 17
69121 Heidelberg
DE

Email: ProductSafety@springernature.com

Noch keine Bewertungen vorhanden

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kundinnen und Kunden durch Ihre Meinung.

Kundinnen und Kunden meinen

Bewertungen (0)
  • Produktbild: Domestic Noir
  • Produktbild: Domestic Noir
  • 1 Introduction to Domestic Noir Laura Joyce.- Part I The Origins of Domestic Noir .- 2 The Literary Antecedents of Domestic Noir Fiona Peters.- 3 Hollywood and the Trailblazers of Domestic Noir: The Case of Vera Caspary’s Laura (1943) Stefania Ciocia.- Part II The Influences of Gillian Flynn’s Gone Girl .- 4 Gone Genre: How The Academy Came Running And Discovered Nothing Was As It Seemed Henry Sutton.- 5 From Cool Girl to Dead Girl: Gone Girl and the Allure of Female Victimhood  Eva Burke.- Part III Gendered, Sexual, and Intimate Violence in Domestic Noir .- 6 “How Much Do You Want to Pay for This Beauty?” Domestic Noir and the Active Turn in Feminist Crime Fiction  Emma V. Miller.- 7 Teenage Kicks: Performance and Postfeminism in Domestic Noir  Leigh Redhead.- 8 The Violent Mother in Fact and Fiction Nicoletta Di Ciolla and Anna Pasolini.- Part IV Home as a Site of Violence .- 9 “[T]he People that Should Have Lived Here”: Haunting,the Economy, and Home in Tana French’s Broken Harbour Shelley Ingram and Willow G. Mullins.- 10 The Subversion of the Male Tradition in Crime Fiction: Liane Moriarty’s Little Lies  Elena Avanzas Álvarez.- 11 Domestic Noir and the US Cozy as Responses to the Threatened Home Diane Waters and Heather Worthington.- 12 The House and the Hallucination in Tana French’s New Irish Gothic Rosemary Erickson Johnsen 13 Crime, the Domestic, and Social Commentary in Pierre Lemaitre’s Thriller Andrea Hynynen.- 14 Carmen’s Final Problem: Contesting Crime Fiction and Gender Roles in Marcela Serrano’s Nuestra Señora de la Soledad Patricia Catoira