Produktbild: Transnational Korean Cinema

Transnational Korean Cinema Cultural Politics, Film Genres, and Digital Technologies

33,99 €

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

30.12.2019

Abbildungen

15 illustrations

Verlag

Rutgers University Press

Seitenzahl

206

Maße (L/B/H)

22,8/15,1/1,7 cm

Gewicht

301 g

Sprache

Englisch

ISBN

978-1-978807-88-4

Beschreibung

Rezension

"The most comprehensive book available on South Korean Cinema, covering the complexities of the Korean film industry from 1919 onwards, both as an art form and as a business. It is destined to become required reading for anyone interested in Korean cinema especially in relation to the link between politics, economics and cultural expression." - Colette Balmain (author of Introduction to Japanese Horror Film) "An ambitious, well-researched book that details how the complex interplay between cultural policy, socioeconomic development, competition with Hollywood and technological change led to the remarkable growth and increasing global reach of Korean cinema."
- Darcy Paquet (author of "New Korean Cinema: Breaking the Waves") "Recommended." (Choice) "Although Transnational Korean Cinema: Cultural Politics, Film Genres, and Digital Technologies is concise, it contains a vast amount of information...a comprehensive review of various historical and social factors influencing [the] evolution [of South Korea films." (Asiascape: Digitial Asia)

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

30.12.2019

Abbildungen

15 illustrations

Verlag

Rutgers University Press

Seitenzahl

206

Maße (L/B/H)

22,8/15,1/1,7 cm

Gewicht

301 g

Sprache

Englisch

ISBN

978-1-978807-88-4

Herstelleradresse

Mare Nostrum Group B.V.
Doelen 72
4831 GR Breda
NL
gpsr@mare-nostrum.co.uk

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Die Leseprobe wird geladen.
  • Produktbild: Transnational Korean Cinema
  • Preface
    Chapter 1. The Emergence of Contemporary Korean Cinema
    Chapter 2. State Film Policy and the Politicization of Censorship
    Chapter 3. Screen Quotas in the Era of the U.S.-Korea FTA
    Chapter 4. Conglomeration, Screen Oligopolu, and Cultural Diversity
    Chapter 5. Public Film Funding and Transnational Production
    Chapter 6. Coproduction and Transnationalization of Korean Cinema
    Chapter 7. Transnationalization of Film Genres
    Chapter 8. Transmedia Storytelling of Webtoons in Films in the Digital Era
    Chapter 9. Conclusion: Korean Cinema's Future in Digital Technologies
    Notes
    References
    Index
    About the Author