Beschreibung
Produktdetails
Einband
Gebundene Ausgabe
Erscheinungsdatum
07.09.2021
Abbildungen
mit 200 Abbildungen
Verlag
Thames & HudsonSeitenzahl
414
Maße (L/B/H)
37,2/26,8/4,5 cm
Gewicht
3336 g
Sprache
Englisch
ISBN
978-2-86925-159-5
Damien Hirst's new series of paintings, published here for the very first time to accompany their exhibition at the Fondation Carter pour l'art contemporain, Paris.
In Spring 2021 the Fondation Cartier pour l’art contemporain will open an exhibition dedicated to Damien Hirst and his latest painting series, Cherry Blossoms. The series is a continuation of Hirst’s career-long exploration into the power of painting and the relationship between artist and the canvas, demonstrated in the Spot Paintings (1986–2011), Visual Candy (1993–1995), Colour Space Paintings (2016), and Veil Paintings (2017). Both an appropriation and a tribute to the pictorial art of the nineteenth and twentieth centuries, this new series marks the return of the artist in his own studio. Using a conceptual approach, Damien Hirst explores in Cherry Blossoms the questions of beauty, colour, and excess in painting.
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Includes texts by Emanuele Coccia (Italian philosopher), Philippe Costamagna (French art historian), Michio Hayashi (Japanese art historian), Gilda Williams (American art historian), and an anthology of literary texts brought together by Alberto Manguel.
In Spring 2021 the Fondation Cartier pour l’art contemporain will open an exhibition dedicated to Damien Hirst and his latest painting series, Cherry Blossoms. The series is a continuation of Hirst’s career-long exploration into the power of painting and the relationship between artist and the canvas, demonstrated in the Spot Paintings (1986–2011), Visual Candy (1993–1995), Colour Space Paintings (2016), and Veil Paintings (2017). Both an appropriation and a tribute to the pictorial art of the nineteenth and twentieth centuries, this new series marks the return of the artist in his own studio. Using a conceptual approach, Damien Hirst explores in Cherry Blossoms the questions of beauty, colour, and excess in painting.
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Includes texts by Emanuele Coccia (Italian philosopher), Philippe Costamagna (French art historian), Michio Hayashi (Japanese art historian), Gilda Williams (American art historian), and an anthology of literary texts brought together by Alberto Manguel.
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