• Produktbild: Women Writers and Experimental Narratives
  • Produktbild: Women Writers and Experimental Narratives

Women Writers and Experimental Narratives Early Modern to Contemporary

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

24.01.2021

Abbildungen

XV, 272 p. 2 illus.

Herausgeber

Kate Aughterson + weitere

Verlag

Springer

Seitenzahl

272

Maße (L/B/H)

21,6/15,3/2,1 cm

Gewicht

488 g

Auflage

21001 Auflage 1st edition 2021

Sprache

Englisch

ISBN

978-3-030-49650-0

Beschreibung

Portrait


Kate Aughterson is Principal Lecturer in English Literature at the University of Brighton, UK, specializing in women’s writing and early modern drama. Her books include
Renaissance Woman
(1995),
Webster: The Tragedies
(2001),
Aphra Behn: 
The Comedies
(2003),
Shakespeare: The Late Plays
(2013) and she is co-author of
Jim Crace
:
Into the Wilderness
(2018) and
Shakespeare and Gender
(2020).






Deborah Philips is Professor of Literature and Cultural History at the University of Brighton, UK. Her books include:
Writing Romance: Women’s Fiction 1945–
present
(2006),
Fairground Attractions (2012)

The Trojan 
Horse 
(with Garry Whannel, 2015) and 
Brave New Causes
(with Ian Haywood, 1999). Her study of Sandy Wilson,
And this is My Friend Sandy
, will be published in 2020.

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

24.01.2021

Abbildungen

XV, 272 p. 2 illus.

Herausgeber

Verlag

Springer

Seitenzahl

272

Maße (L/B/H)

21,6/15,3/2,1 cm

Gewicht

488 g

Auflage

21001 Auflage 1st edition 2021

Sprache

Englisch

ISBN

978-3-030-49650-0

Herstelleradresse

Springer-Verlag GmbH
Tiergartenstr. 17
69121 Heidelberg
DE

Email: ProductSafety@springernature.com

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  • Produktbild: Women Writers and Experimental Narratives
  • Produktbild: Women Writers and Experimental Narratives

  • 1.  Introduction.- 2. ‘Unlink the Chain’: Experiment in Aphra Behn’s Novels.- 3. Experiment in Prose: Authority and Experience in Lady Mary Wortley Montagu’s Letters.- 4. Experiments, Experimentalists, Experimentation: Dissecting
    Frankenstein.- 
    5. Genre-Bending and Experimentation in Sensation Fiction; The Case of Mary Braddon and Ellen Wood.- 6. The Ironic Strategies of Kate Chopin’s
    The Awakening.- 
    7. Realms of Resemblance: Virginia Woolf, Simone de Beauvoir and Maï Zetterling.- 8. Neo-Victorian Experimental Narrative:  Writing the Absent Objects of History in
    Affinity
    and
    In the Red Kitchen.- 
    9. 1966 and
    Wide Sargasso
    Sea: The Climate that Made Jean Rhys Legible.- 10.  Troublesome reading: story and speculation in African American and African originated women’s writing. Resurrecting the past, re-imagining the future.- 11. 'She’s a Fine Girl': An Autotheoretical Examination of Early Experiences of Sexuality and Selfhood in Eimear McBride’s
    A Girl is a Half-Formed Thing
    and Charlotte Roche’s
    Wetlands.- 
    12. Helen Oyeyemi at the Vanguard of Innovation in Contemporary Black British Women’s Literature.- 13. 'Daring to tilt worlds': the fiction of Irenosen Okojie.- 14. Working from the Wound: Trauma, memory and experimental writing praxis in Jeanette Winterson’s
    Why Be Happy When You Could Be Normal?.