Produktbild: Movie Minorities

Movie Minorities Transnational Rights Advocacy and South Korean Cinema

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

13.08.2021

Verlag

Rutgers University Press

Seitenzahl

316

Maße (L/B/H)

23,2/15,4/2 cm

Gewicht

458 g

Sprache

Englisch

ISBN

978-1-978809-64-2

Beschreibung

Rezension

"Movie Minorities addresses a gaping hole in the literature and offers an original contribution to Korean film studies. This book is groundbreaking in multiple ways."- Dong Hoon Kim, University of Oregon, author of Eclipsed Cinema: The Film Culture of Colonial Korea
"Movie Minorities is a pleasure to read. I am thrilled that this work will introduce a number of key political, ethical, and historical categories into our understanding of contemporary Korean cinema."- Steve Choe, author of Sovereign Violence: Ethics and South Korean Cinema in the New Millennium

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

13.08.2021

Verlag

Rutgers University Press

Seitenzahl

316

Maße (L/B/H)

23,2/15,4/2 cm

Gewicht

458 g

Sprache

Englisch

ISBN

978-1-978809-64-2

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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Die Leseprobe wird geladen.
  • Produktbild: Movie Minorities
  • A Note on the Text 
    Introduction: “I Am a Human Being”: The Question of Rights in South Korean Cinema 

    Part I Institutional Foundations and Formal Structures
    1 The Rise of Rights-Advocacy Cinema in Postauthoritarian South Korea
    2 If You Were Me: Transnational Crossings and South Korean Omnibus Films 

    Part II Movie Minors and Minor Cinemas
    3 Hell Is Other High Schoolers: Bigots, Bullies, and Teenage “Villainy” in South Korean Cinema 
    4 Indie Filmmaking and Queer Advocacy: Converging Identities in Leesong Hee-il’s Films and Writings 

    Part III Disability Rights in Mainstream and Minoritarian Filmmaking
    5 Always, Blind, and Silenced: Disability Discourses in Contemporary South Korean Cinema 
    6 Barrier-Free Cinema: Caring for People with Disabilities and Touching the Other in Planet of Snail 

    Part IV Representing Prisoners of the North and South
    7 Beyond Torture Epistephilia: The Ethics of Encounter and Separation in Kim Dong-won’s Repatriation 
    8 Story as Freedom or Prison? Narrative Invention and Human Rights Interventions in Camp 14: Total Control Zone 

    Part V Migrant Worker Rights in Hybrid Documentaries
    9 Between Scenery and Scenario: Landscape, Narrative, and Structured Absence in a Korean Migrant Workers Documentary 
    10 “Powers of the False” and “Real Fiction”: Migrant Workers in The City of Cranes and Other Mockumentaries 

    Part VI Nonhuman Rights in a Posthuman World
    11 Animal Rights Advocacy, Holocaustal Imagery, and Interspecies Empathy in An Omnivorous Family’s Dilemma and Okja 

    Coda: “I Am (Not) a Human Being”: The Question of Robot Rights in South Korean Cinema 
    Acknowledgments
    Notes
    Index