Vor Ort
Merkzettel Warenkorb
Produktbild: Keorapetse Kgositsile

Keorapetse Kgositsile Collected Poems, 1969-2018

22,99 €

inkl. gesetzl. MwSt., Versandkostenfrei

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.01.2023

Herausgeber

Phillippa Yaa De Villiers + weitere

Verlag

Nebraska

Seitenzahl

298

Maße (L/B/H)

22,7/15/1,8 cm

Gewicht

462 g

Sprache

Englisch

ISBN

978-1-4962-2115-5

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

01.01.2023

Herausgeber

Verlag

Nebraska

Seitenzahl

298

Maße (L/B/H)

22,7/15/1,8 cm

Gewicht

462 g

Sprache

Englisch

ISBN

978-1-4962-2115-5

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

Noch keine Bewertungen vorhanden

Verfassen Sie die erste Bewertung zu diesem Artikel

Helfen Sie anderen Kundinnen und Kunden durch Ihre Meinung.

Kundinnen und Kunden meinen

Bewertungen (0)

Weitere Artikel finden Sie in
Die Leseprobe wird geladen.
  • Produktbild: Keorapetse Kgositsile
  • Editors’ Note: In the Original . . .
    Introduction in Two Movements

    Spirits Unchained (1969)
    To Gloria
    For LeRoi Jones, April, 1965
    When Brown Is Black
    Brother Malcolm’s Echo
    Mandela’s Sermon
    Elegy for David Diop
    Ivory Masks in Orbit
    Lumumba Section
    Spirits Unchained
    To Fanon
    Song for Aimé Césaire
    My Name Is Afrika
    For Spellman at Spelman
    I Am Music People
    Origins

    For Melba (1970)
    And the Long Story
    Song for Melba
    mmabatho: Dakar, 1966
    The Creator
    Indeed in Deed
    For Those Who Love & Care
    True Blue
    Of Death and Lives
    Death Doses
    Death Doses No. 2
    Death Doses No. 3
    My People When Nothing Moves
    Come Duze
    3000 Miles Apart
    Of Us for Us
    In Time
    By A. B. Inspired
    Tropics
    For Melba

    My Name Is Afrika (1971)
    The Air I Hear
    Impulse
    Shotgun
    Mayibuye iAfrika
    Could Be
    Random Notes to My Son
    To Mother
    My People No Longer Sing
    To a Black Woman, Insane
    To My Daughter
    Sift and Shift
    Vector or Legacy
    Bleached Callouses, Africa, 1966
    The Lip Trick
    The Nitty-Gritty
    Time
    New Dawn
    Inherent and Inherited Mistrusts
    Symptoms
    Flirtation
    Conditioned
    Innuendo
    Axiomatic
    Bandung Dance
    For Afroamerica
    No Celebration
    In the Nude
    Of Yesterday’s Tomorrows
    Epitaph
    Like the Tide: Cloudward
    No Tears in the Tide
    Towards a Walk in the Sun
    The Spearhead Wind Strides
    The Gods Wrote
    The Long Reach
    The New Breed
    For Eusi, Ayi Kwei & Gwen Brooks
    Recreation
    Point of Departure: Fire Dance Fire Song
    I. The Elegance of Memory
    II. Lumumba Section
    III. Fire Dance
    IV. Spirits Unchained
    For Sons of Sonless Fathers
    Notes from No Sanctuary

    The Present Is a Dangerous Place to Live (1974, 1993)
    For Ipeleng
    The Present Is a dangerous Place to Live . . . One
    I. In the Mourning
    II. Beware of Dreams
    III. Without Shadow
    IV. Mirrors, without Song
    Mystique
    There Are No Sanctuaries except in Purposeful Action . . . Two
    1.
    2. When Things Fall Apart
    3. Exile
    4. Perception
    5. Logistics
    . . . Three
    Blues for Some Literary Friends & Myself
    Home Is Where the Music Is . . . Four
    For Billie Holiday
    For Art Blakey and the Jazz Messengers
    For B. B. King and Lucille
    Acknowledgement
    Pro/Creation
    For Hughie Masekela

    Places and Bloodstains (1975)
    Requiem for My Mother
    Epitaph for Can Themba
    For Gwigwi
    For TW
    For Otis Redding
    Here We Are Like the Present
    Letter to Skunder
    For Zeke and Dennis
    For Cecil Abrahams
    After Mongane
    Son of Mokae
    Song for Ilva Mackay and Mongane
    For Montshiwa & Phetoe
    Open Letter
    Places and Bloodstains

    Heartprints (1980)
    Letter to Ipeleng on Her Birthday 1976

    When the Clouds Clear (1990)
    The Long Arm of the Blues
    The Same Strip of Land
    Rites of Passage
    Dance
    Morning in Tunis
    Sharper Than Any Blade You Know
    Bleeding Red
    Luthuli Detachment
    When the Clouds Clear
    Red Song
    From Now On. . . .
    For Olinka
    An Injury to One Is an Injury to All
    Every Patriot a Combatant
    Quest
    Kate
    June 16 Year of the Spear
    Chimid: A Memorial
    Seaparankoe
    Here You Almost Started
    A Luta Continua
    New Age
    Manifesto
    South Africa Salutes Uzbekistan

    To the Bitter End (1995)
    Coil of Time
    What Time Is It?
    In the Wheeling and Dealing Time
    Rites of Passage: (1991)
    Dumalisile
    I Am
    Manboy
    When the Deal Goes Down
    Years without Tears
    Strange Rituals
    Grand Papa Dhlomo
    For David Rubadiri
    For Bra Ntemi
    Fidelity
    Montage: Bouctou Lives
    Heart to Heart
    We Are All Involved
    Even Skin Disappears

    If I Could Sing (2002)
    Recollections
    Venceremos
    Affirmation
    Memorial
    If I Could Sing
    Renaissance
    Rejoice

    This Way I Salute You (2004)
    For Johnny Dyani
    Santamaria
    Cassandra Wilson Will Sing
    Where Her Eye Sits
    eThekwini
    For Gloria Bosman
    For Our Mother of the Heavy Names

    Homesoil in My Blood (2018)
    No Boundaries
    No Serenity Here
    Letter from Havana
    In the Naming
    Anguish Longer Than Sorrow
    Wounded Dreams
    I Am No Stranger
    We Are All Involved (2012)
    Of Shadows and Chameleons
    Festive Heart
    I Know a Few Things
    New Day
    For Fernando, Gloria, Eduardo and the 2012 Team
    For Sterling Plumpp
    For Hu Xiancheng

    Uncollected (1971)
    Carbon-Copy Whiteman or Sexual Refugee
    The Awakening
    Manifesto (1971)
    ‘Yes, Mandela, We Shall Be Moved’
    Fruitful Seed (1971)
    Freedom Train, 1965
    Introduction to a Future History Book

    Source Acknowledgments