Alcohol, Tobacco, and Firearms Stories and Essays
16,04 €
18,18 €
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*befristete Preissenkung des Verlages.
Beschreibung
Produktdetails
Format
ePUB 3
Kopierschutz
Nein
Family Sharing
Nein
Text-to-Speech
Ja
Erscheinungsdatum
01.07.2025
Verlag
Akashic BooksSeitenzahl
189 (Printausgabe)
Dateigröße
1603 KB
Sprache
Englisch
EAN
9781617759956
An enthralling collection of short fiction and nonfiction that draw upon McLoughlin's three-decade career in the criminal justice system.
"A wistful Irish sensibility and memories from a 30-year career as a peace officer in the New York City criminal justice system haunt this solid collection . . . With spare prose, McLoughlin creates memorable vignettes of urban life. Fans of Kent Anderson's Liquor, Guns & Ammowill want to check this out." -Publishers Weekly
"Alcohol, Tobacco, and Firearmscouldn't be more New York. Tim McLoughlin drops a ton of big-city knowledge and wisdom, rich in lived-in detail, with humor that's hard as the sidewalk." -John Strausbaugh, author of City of Sedition
In Alcohol, Tobacco, and Firearms, Tim McLoughlin draws upon his three-decade career in the criminal justice system with his characteristic wit and his fascination with misfits and malfeasance. A lifetime immersed in New York City feeds short stories that evoke a landscape of characters rife with personal arrogance and misjudgment; and nonfiction essays about toeing the line when the line keeps disappearing. An opioid-addicted catsitter electronically eavesdrops on his neighbors only to hear devastating truths. A degenerate gambler stakes his life on a long shot because he sees three lucky numbers on the license plate of a passing car. In the nonfiction essays, we learn that the system plays a role in supporting vice, as long as it gets a cut. Altar boys compete to work weddings and funerals for tips in the shadow of predatory priests. Cops become robbers, and a mob boss just might be a civil rights icon. McLoughlin shines a light on worlds that few have access to. A recurring theme in his urban, often New York-centric work is chronic displacement, people standing still in a city that is always changing. These are McLoughlin's ghosts, these casualties of progress, and he holds them dear and celebrates them.
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