Produktbild: Women and Indian Shakespeares

Women and Indian Shakespeares

112,99 €

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

14.07.2022

Abbildungen

12 bw illus

Herausgeber

Thea Buckley + weitere

Verlag

Arden shakespeare

Seitenzahl

318

Maße (L/B/H)

21,6/14/1,9 cm

Gewicht

516 g

Sprache

Englisch

ISBN

978-1-350-23432-1

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

14.07.2022

Abbildungen

12 bw illus

Herausgeber

Verlag

Arden shakespeare

Seitenzahl

318

Maße (L/B/H)

21,6/14/1,9 cm

Gewicht

516 g

Sprache

Englisch

ISBN

978-1-350-23432-1

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Women and Indian Shakespeares
  • List of Figures
    Notes on Contributors
    Acknowledgements
    A Note on References

    Introduction: Thea Buckley, Mark Thornton Burnett, Sangeeta Datta and Rosa García-Periago

    Chapter One: Poonam Trivedi (University of Delhi), 'The "woman's part": Recovering the Contribution of Women to the Circulation of
    Shakespeare in India'

    Chapter Two: Paromita Chakravarti (Jadavpur University), 'Framing Femininities: Desdemona and Indian Modernities'

    Chapter Three: Priyanka Basu (King's College, London, UK) and Arani Ilankuberan (British Library), 'Indian Shakespeares in the British Library Collections:
    Translation, Indigeneity and Representation'

    Chapter Four: Thea Buckley (Queen's University Belfast), 'Women Translating Shakespeare in South India: Hemanta Katha, or The Winter's Tale'

    Chapter Five: Mark Thornton Burnett (Queen's University Belfast) and Jyotsna Singh (Michigan State University), '"I dare do all that may become a
    man": Martial Desires and Women as Warriors in Veeram, a Film Adaptation of Macbeth'

    Chapter Six: Taarini Mookherjee (Columbia University), '"You should be women": Bengali Femininity and the Supernatural in
    Adaptations of Macbeth'
    Chapter Seven: Nishi Pulugurtha (Brahmananda Keshab Chandra College), 'Romeo and Juliet Meets Rural India: Sairat and the Representation
    of Women'
    Chapter Eight: Jennifer T. Birkett (Notre Dame University), 'Dy(e)ing Hands: The Hennaed Female Agent in Vishal Bhardwaj's Tragedies'
    Chapter Nine: Rosa García-Periago (University of Murcia), 'Embattled Bodies: Women, Land and Contemporary Politics in Arshinagar, a Film
    Adaptation of Romeo and Juliet'
    Chapter Ten: Mark Thornton Burnett (Queen's University Belfast), 'Where the Wild Things are: Shifting Identities in Noblemen, a Film Adaptation of The Merchant of Venice'
    Chapter Eleven: N. P. Ashley (St Stephen's College, Delhi), 'Women Punctuating Shakespeare: Campus Theatrical Experiment, the Shakespeare
    Society and the Insider/Outsider Dialectic'
    Chapter Twelve: Bornila Chatterjee (filmmaker), Sangeeta Datta (filmmaker), Annette Leday (Annette Leday/Keli Company), Sreedevi Nair (NSS
    College for Women), Preti Taneja (University of Newcastle), 'Adapting Shakespeare: Directors and Practitioners in Conversation'
    Appendix: Priyanka Basu (King's College, London) and Arani Ilankuberan (British Library), 'A Selection of Shakespeare Translations/Adaptations from
    the British Library North Indian Languages Collection'
    Index