• Produktbild: Music Sociology
  • Produktbild: Music Sociology
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Music Sociology Value, Technology, and Identity

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

25.05.2022

Verlag

Taylor & Francis

Seitenzahl

194

Maße (L/B/H)

22,9/15,2/1,1 cm

Gewicht

272 g

Sprache

Englisch

ISBN

978-0-367-21019-9

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

25.05.2022

Verlag

Taylor & Francis

Seitenzahl

194

Maße (L/B/H)

22,9/15,2/1,1 cm

Gewicht

272 g

Sprache

Englisch

ISBN

978-0-367-21019-9

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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Die Leseprobe wird geladen.
  • Produktbild: Music Sociology
  • Produktbild: Music Sociology
  • Acknowledgements

    Introduction: Music in (the Context of ) Sociology
    What we mean by music sociology
    The focus of this book
    References

    Chapter 1 Situating the Sociology of Music
    1.1 A brief perspective on the discipline
    1.2 The constructivist sociological approach to music
    1.3 The structuralist sociological approach to music
    1.4 Where do we go from here? Music as a cultural object
    Conclusion
    Note
    References

    Chapter 2 The Techno-Cultural Transformations of Music in the Digital Age
    2.1 Key trends of the ‘digital age’ of music
    2.2 Framing musical experiences: from participation to branding
    2.3 Streaming services and the datafication of music
    2.4 Streaming services, listening, and the economy of attention
    Conclusion
    References

    Chapter 3 Aesthetics and Value in Music Sociology
    3.1 The problems with aesthetics
    3.2 Sociology and aesthetics – identifying the mediators and mediations of value
    3.3 Music, genres, and the ‘social’
    Conclusion
    References

    Chapter 4 Sound Environments and Everyday Music Listening Practices
    4.1 Accounting for the sounds of everyday life
    4.2 Technologies of manipulation and/or of control?
    4.3 A dynamic system for mediated music listening practices
    4.4 Listening and the search for adequate music
    Conclusion
    References

    Chapter 5 Music Taste: What Is Liking Music?
    5.1 The social distribution of music taste – structural homology, omnivorousness, or eclecticism?
    5.2 Social expressions of music taste: distinction or differentiation?
    5.3 Taste as activity
    Conclusion
    References

    Chapter 6 Music, Identity, and Ageing
    6.1 From youth to post-youth
    6.2 Music and ageing identity
    6.3 Music, ageing, and lifestyle
    Conclusion
    References

    Chapter 7 Popular Music Heritage and the Obsession with Preservation
    7.1 What is popular music heritage and what is it for?
    7.2 How does popular music heritage change the value of music?
    Conclusion
    References

    Conclusion
    References
    Index