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Produktbild: Indigeneity and the Decolonizing Gaze

Indigeneity and the Decolonizing Gaze Transnational Imaginaries, Media Aesthetics, and Social Thought

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

23.02.2023

Verlag

Bloomsbury

Seitenzahl

416

Maße (L/B/H)

23,2/15,5/2,1 cm

Gewicht

734 g

Sprache

Englisch

ISBN

978-1-350-28235-3

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

23.02.2023

Verlag

Bloomsbury

Seitenzahl

416

Maße (L/B/H)

23,2/15,5/2,1 cm

Gewicht

734 g

Sprache

Englisch

ISBN

978-1-350-28235-3

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Indigeneity and the Decolonizing Gaze

  • Acknowledgments
    Introduction
    The Terms of Debate
    A 1492 Project: Conquest and Discovery
    The Protocols of Anti-Indigenism
    The Sacred Land
    Native Arts and Aesthetics
    Indigenous Media

    Chapter One: From France Antartique To Shamanic Critique: The Tupinization Of Social Thought
    France Antartique and Tupi Theory
    Filming France Antartique
    Montaigne and Tupi Theory
    From France Antartique to the Carib Revolution
    From the French Philosophes to the American Revolution
    The French Missions, Lévi-Strauss, and the Indian
    Pierre Clastres, the Anarchist Indigene, and the Wari
    The Franco-Brazilian Dialogue and the Politics of The Falling Sky

    Chapter Two: The Indigenous "Cunhã:" The Metamorphosis of a Gendered Trope
    The Tupinization of Manhattan
    The "Cunhã" as Filmmaker
    The Cunhã as Myth: Paraguaçu
    Caramuru: The Invention of Brazil
    The Filmic and Televisual Cunhã
    The Cunhã Degraded
    The Cunhã as Warrior
    The Cunhã as Forest Princess
    The Cunhã as Hyper-Woman
    The Ecological Cunhã
    The "Cunhã" as Activist/Artist
    Myths of Extinction: The Return of the Vanished Indigene

    Chapter Three: The Transnational "Indian"
    Land and the Frontier Western
    Going Native
    Europe's "White Indians"
    The Indian Hobbyists
    Transmedial Indigeneity
    The Strategic Uses of Humor
    Painterly Tricksterism
    Indigeneity and Music
    First Peoples, First Features
    Indigenization of Horror

    Chapter Four: Cross-National Comparabilities: The Indigenization Of Brazilian Media
    Centennial Commemorations and First Contact Films
    Variations on a Westward Theme
    Proto-Indigenist Cinema in Brazil
    Indigenous Media in Brazil
    Video nas Aldeias
    The Archival Turn
    Corumbiara: on the Trail of Massacres
    The Guaraní and Contrapuntal Narration
    The Martyrdom of the Guaraní-Kaiowá
    The Transmediatic Indigene of Popular Culture

    Chapter Five: Triumphs and the Travails of the Yanomami
    Juan Downey and "The Laughing Alligator"
    Crossed Filmic Gazes
    The Poetics of The Falling Sky
    The Cinematic Imaginary of the Yanomami
    Cinematizing Shamanism: Xapiri
    The Last Forest

    Conclusion: The Theoretical Indigene: Becoming Indian, And The Elsewhere Of Capitalism

    Colonial Ambivalence and the Transnational Gaze
    Transformational Becomings
    From Republican Constitutions to the Carib Revolution
    The Theoretical Indigene
    Indigeneity and the Postcolonial Left
    Before and After the Nation-State
    Postcolonialism and the Nurture of Nature
    The Fear of a Red Academe: Indigenous Decoloniality
    The Power of Shamanic Critique
    Capitalism vs. the Planet
    The Transnational Trope of Indigenous Happiness
    Coda

    Index