Acknowledgements
List of Illustrations
Contributors
Introduction: Towards a Decolonisation of Cult Film Studies
Iain Robert Smith (Kings College London, UK), Dolores Tierney (University of Sussex, UK) and Shruti Narayanswamy (St Andrews University, UK)
Part I - Reconsidering the Cult Paradigm: Race/Gender/Postcoloniality
1. The Whiteness of Cult
Iain Robert Smith (Kings College London, UK)
2. Alejandro Jodorowsky in the era of #MeToo
Victoria Ruétalo (University of Alberta, Canada)
3. De- and anti-colonial pathways: Reframing methodologies in the analysis of Latin American horror
Valeria Villegas Lindvall (Independent Scholar, UK)
4. Running Free? Aesthetics and Receptions of First Nations Cult Cinema Utopias
Ernest Mathijs (University of British Columbia, Canada)
Part II - Cult Audiences and Reception
5. Re-Imagining the Origins of Cult Cinema: Spanish-Language Theatres and Their Audiences in 1969-1970 New York City
Dolores Tierney (University of Sussex, UK)
6. Cine de culto / Cine bizarro: Cult Cinema and Its Divergences in Argentina
Jonathan Risner (Indiana University Bloomington, USA)
7. Between Anarchy and Conformity: Czechoslovakia's 'Crazy Comedy' Genre
Jonathan Owen (Independent Scholar, UK)
8. Cult Cinema and Cinephilia in 1970s Pakistan
Syeda Momina Masood (University of Pittsburgh, USA)
9. Beyond 'Crazy Indonesia': Reframing Cult Cinema from an Indonesian Perspective
Ekky Imanjaya (Bina Nusantara University, Indonesia)
Part III - Cult Auteurs, Stars and Genres
10. Opportunism, Precarity, and a Stroke of Luck: Raffaele Rossi and Cult Cinema in Brazil
Stephanie Dennison (University of Leeds, UK) and Laura Loguercio Cánepa (Universidade Paulista, Brazil)
11. Roger Corman in Ireland: The Cult Auteur, the Celtic Tiger, and the Nascent Irish Cult Cinema Canon
Nessa Johnston (University of Liverpool, UK)
12. Cult Genealogies of El Santo Films
Antonio Lázaro-Reboll (University of Kent, UK)
13. Tales of Entrails: animist cult horror in Southeast Asia
Rosalind Galt (King's College London, UK)
Index
