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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

06.10.2022

Abbildungen

XVI, 279 p. 4 illus.

Herausgeber

Dan Disney + weitere

Verlag

Springer

Seitenzahl

279

Maße (L/B/H)

21/14,8/1,7 cm

Gewicht

386 g

Auflage

1st edition 2021

Sprache

Englisch

ISBN

978-3-030-76289-6

Beschreibung

Portrait


Dan Disney
has published four collections of poetry, and his writing appears in 
Angelaki, Kenyon Review, Antipodes, Orbis Litterarum,
and
CounterText
. He is an associate editor with the 
Journal of English Language and Literature
, and a regular reviewer with 
World Literature Today.
He teaches with the English Literature Program at Sogang University, in Seoul, South Korea.


Matthew Hall
holds a doctorate from the University of Western Australia. He is the author of numerous books, including the monograph
On Violence in the work of J.H. Prynne,
and has published scholarship with
Angelaki, Contemporary Women’s Writing,
and
The Journal of British and Irish Innovative Poetry,
among others. He works as a designer and education consultant in Melbourne, Australia.

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

06.10.2022

Abbildungen

XVI, 279 p. 4 illus.

Herausgeber

Verlag

Springer

Seitenzahl

279

Maße (L/B/H)

21/14,8/1,7 cm

Gewicht

386 g

Auflage

1st edition 2021

Sprache

Englisch

ISBN

978-3-030-76289-6

Herstelleradresse

Springer-Verlag GmbH
Tiergartenstr. 17
69121 Heidelberg
DE

Email: GPSR Kontakt

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  • Produktbild: New Directions in Contemporary Australian Poetry
  • Produktbild: New Directions in Contemporary Australian Poetry

  • New directions in contemporary Australian poetry?, 
    Dan Disney & Matthew Hall
    .- Our poetic-justice,
     Natalie Harkin
    .- The intimacy in survival poetics,
     Ellen van Neerven
    .- Response to Natalie Harkin: a labor of love, 
    Jeanine Leane
    .- All the trees, 
    Peter Minter
    .- Just poetry, 
    Alison Whittaker
    .- Bordering, dissolving, meeting, regenerating, 
    Bonny Cassidy
    .- Writing unwriting writing, 
    Anne Elvey
    .- “If You Don’t Mind Me Arsing”: insubordination and land in Marty Hiatt’s the manifold,
    Michael Farrell
    .- Against place (the lyrebird shows the way), 
    Stuart Cooke
    .- Disembodying and re-embodying the poem as act of acknowledgement of land rights and a rejection of “property”: on acts and actioning of environmentally-concerned poetry, 
    John Kinsella
    .- Space, place, materiality in contemporary Australian poetry, 
    Justin Clemens
    .- Archiving the undercommons: an infrastructural reading of contemporary Australian poetry, 
    Kate Lilley
    .- The antipodal avant-gardes: chronometrics, 
    A.J. Carruthers
    .- New Australian poetry: deranged and teeming, 
    Jill Jones
    .- The work of poetry,
    Astrid Lorange
    .- Poets, truths, and Australia,
    Ali Alizadeh
    .- Revising an Australian mythos, 
    Ann Vickery
    .- On machines and metamorphoses: notes toward a future Australian mythos, 
    Bella Li
    .- Revisionist myth cycles and the state of poetry, 
    Louis Armand
    .- Shadowlands, or somewhere in the Australian Odyssey, 
    Michelle Cahill
    .- Afterword: The province of L’Avenir, 
    Philip Mead
    .