Produktbild: God of Endings

God of Endings A Novel

Aus der Reihe Flatiron Books
1

17,99 €

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

26.03.2024

Verlag

Macmillan US

Seitenzahl

480

Maße (L/B/H)

20,7/13,4/3,4 cm

Gewicht

409 g

Sprache

Englisch

ISBN

978-1-250-85678-4

Beschreibung

Rezension

A Most Anticipated Book of 2023 by Book Riot, LitHub, Polygon, Library Journal, E! and more!

"What begins as a traditional vampire tale, satisfyingly taking in both New England and Eastern European lore, soon morphs into a wartime romance, and then again into a psychological thriller in the modern, 80s-set story strand, in which Collette runs a preschool for privileged children... Holland has been praised for her lush prose, but ornamentation never gets in the way of a propulsive story, nor obscures the truly terrible possibilities of existence without end."
-Esquire

"With her debut, Holland has carved her name on the wall of authors whose work obliterates any discussion of literary fiction versus genre fiction because it is both. To produce a first novel that joins the ranks of writers such as Carmen Maria Machado, Silvia Moreno-Garcia, Brian Evenson, and Stephen Graham Jones, to name a few, is a superb accomplishment-and one that should make everyone excited about whatever Holland publishes next."
-NPR

"An atmospheric vampire tale that wrestles with existential questions of being and philosophy rather than bloodlust and gore, The God of Endings is a dark, beautifully written story about what it means to live forever, and the grief and loneliness that walk hand in hand with immortality. Slow-moving and occasionally quite grisly, Jacquelin Holland's debut weaves elements of Slavic folklore throughout her thoroughly modern exploration of the search for meaning in a world where, for central character Collette, everything inevitably fades away."
-Paste Magazine

"Holland challenges the ways that we tell stories about ourselves. In doing so, she has infused the vampire novel with new blood. The God of Endings becomes a meditation on the ways that eternal life requires a constant reckoning with the sins of the mortal."
-Minneapolis Star Tribune

"A reflective and poetic take on the nature of immortality... Holland's refreshing vampires lean philosophical as they struggle with immense grief and loneliness."
-Publishers Weekly (starred review)

"Through decadently vivid prose... this hefty novel meditates on major themes such as life, love, and death with exceptional acumen. A new and contemplative take on the vampire novel."
-Kirkus Reviews

"Atmospheric prose and excellent character development. Great for fans of Anne Rice's Interview with a Vampire and V. E. Schwab's The Invisible Life of Addie LaRue."
-Library Journal

"A masterful debut novel... Holland proves herself to be the god of endings as she ties everything together and delivers a multi- layered emotional punch at the end of the novel that both questions and affirms the nature of life and human existence.... Let's hope that [this] is just the beginning for Jacqueline Holland."
-Grimdark Magazine

"Sweeping and evocative, this novel is a beautiful journey through the centuries of a wholly unique life. It explores the savagery of loss and grief and the paradoxical fragility and endurance of love. It raises powerful and thought-provoking questions about motherhood, and how to live, and the ending will stay with me for a long time in the best possible way."
-Jennifer Saint, author of Elektra and Ariadne

"Holland's lush prose welcomes the reader into a new kind of vampire story, and the result is a surprising and spellbinding tale of struggle and love and protection that leaves you wondering who the real monsters are."
-Laura Moriarty, New York Times bestselling author of The Chaperone

"The God of Endings is propulsive, a compelling rumination on what makes a life worth living. Spanning centuries and continents, an immortal narrator grapples with her own humanity-or lack thereof-in this dazzling debut."
-Lily Brooks-Dalton, author of Good Morning, Midnight

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

26.03.2024

Verlag

Macmillan US

Seitenzahl

480

Maße (L/B/H)

20,7/13,4/3,4 cm

Gewicht

409 g

Sprache

Englisch

ISBN

978-1-250-85678-4

EU-Ansprechpartner

Macmillan Publishers International Limited
1st Floor The Liffey Trust Centre 117-126 Sheriff Street Upper
D01 YC43 Dublin
IE
MLProductSafety@macmillan.com

Herstelleradresse

Macmillan US
120 Broadway 22nd floor
10271 New York
US
productsafety@macmillan.com

Kundinnen und Kunden meinen

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A powerful novel about morality, motherhood and loneliness

Bewertung am 30.05.2023

Bewertungsnummer: 1951479

Bewertet: Buch (Gebundene Ausgabe)

Anna, who is now known as Collette, runs a little school in upstate New York, teaching the children how to paint, all while avoiding (or trying to, at least) any kind of deeper relationships and hiding her secret - she has been alive since the 1800s. While a little blood has been enough to sustain her all these years, things are changing and she finds herself hungrier and more afraid of the God of Endings than ever before... I have seen that people have been comparing this to 'The Invisible Life of Addie LaRue' and I certainly think that this book will appeal to readers who have enjoyed the former. However, I found myself liking this story even more. The pain that comes with being forced to live forever leaps off the page constantly and in a very intense way - it is sad and it is bittersweet, especially in the moments the protagonist remembers her father and other people she has loved and lost over time. The story jumps between the present in the 1980s and the past. This is very well done, as the chapters are short and stay engaging throughout the whole book. The writing is beautiful as well, it effortlessly conjures images, emotions and an eerie atmosphere. Even though it's more than 400 pages long, I could have easily stayed within this story for a little while longer!

A powerful novel about morality, motherhood and loneliness

Bewertung am 30.05.2023
Bewertungsnummer: 1951479
Bewertet: Buch (Gebundene Ausgabe)

Anna, who is now known as Collette, runs a little school in upstate New York, teaching the children how to paint, all while avoiding (or trying to, at least) any kind of deeper relationships and hiding her secret - she has been alive since the 1800s. While a little blood has been enough to sustain her all these years, things are changing and she finds herself hungrier and more afraid of the God of Endings than ever before... I have seen that people have been comparing this to 'The Invisible Life of Addie LaRue' and I certainly think that this book will appeal to readers who have enjoyed the former. However, I found myself liking this story even more. The pain that comes with being forced to live forever leaps off the page constantly and in a very intense way - it is sad and it is bittersweet, especially in the moments the protagonist remembers her father and other people she has loved and lost over time. The story jumps between the present in the 1980s and the past. This is very well done, as the chapters are short and stay engaging throughout the whole book. The writing is beautiful as well, it effortlessly conjures images, emotions and an eerie atmosphere. Even though it's more than 400 pages long, I could have easily stayed within this story for a little while longer!

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The God of Endings

von Jacqueline Holland

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  • Produktbild: God of Endings