Produktbild: Selected Writings on Visual Arts and Culture

Selected Writings on Visual Arts and Culture Detour to the Imaginary

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Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

02.08.2024

Herausgeber

Gilane Tawadros

Verlag

Duke University Press

Seitenzahl

392

Maße (L/B/H)

15,7/23,6/2,5 cm

Gewicht

839 g

Sprache

Englisch

ISBN

978-1-4780-2610-5

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

02.08.2024

Herausgeber

Gilane Tawadros

Verlag

Duke University Press

Seitenzahl

392

Maße (L/B/H)

15,7/23,6/2,5 cm

Gewicht

839 g

Sprache

Englisch

ISBN

978-1-4780-2610-5

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Selected Writings on Visual Arts and Culture
  • Acknowledgments  xi
    Introduction. Detour to the Imaginary: Stuart Hall’s Writings on the Visual Arts and Culture / Gilane Tawadros  1
    Prologue. Subjects in History: Making Diasporic Identities [1998]  19
    Part I. Thinking-With/In the Image
    1. Isaac Julien’s Workshop [2013]  31
    2. Democracy, Globalization, and Difference [2001]  39
    3. The Way We Live Now [2004]  55
    Part II. The New Politics of Representation: Black Film/British Cinema
    4. New Ethnicities [1988]  65
    5. Threatening Pleasures: A Conversation between Homi Bhabha, Paul Gilrory, and Stuart Hall [1991]  77
    6. A Rage in Harlesden [1998]  86
    7. Cultural Identity and Cinematic Representation [1992]  93
    Part III. Fanon, Creolization, and Diaspora
    8. The After-Life of Frantz-Fanon: Why Fanon? Why Now? Why Black Skins, White Masks? [1996]  111
    9. CrÉolitÉ and the Process of Creolization [2003]  132
    10. Legacies of Anglo-Caribbean Culture: A Diasporic Perspective [2007]  148
    Part IV. Assembling the 1980s
    11. Minimal Selves [1988]  173
    12. Assembling the 1980s: The Deluge-and After [2005]  180
    Part V. Photography, Representation, and Black Identity
    13. The Vertigo of Displacement: Shifts within Black Documentary Practices [1992] / David A. Bailey and Stuart Hall  203
    14. Preface to Different [2001]  213
    15. “Speak Easy”: Black in the Seventies [2012]  223
    Part VI. Reconstruction Work: Histories, Archives, and Diaspora
    16. Reconstruction Work: Images of Post-war Black Settlement [1984]  239
    17. The “West Indian” Front Room [2009]  250
    18. Constituting the Archive [2001]  260
    19. Whose Heritage: Unsettling “The Heritage,” Reimagining the Post-Nation [1999]  268
    20. Modernity and Its Others: Three “Moments” in the Post-war History of the Black Diaspora Arts [2006]  283
    Part VII. Museums, Modernity, and Difference
    21. Museums of Modern Art and the End of History [2001]  309
    22. Modernity and Difference: A Conversation between Stuart Hall and Sarat Maharaj [2004] 322
    Part VIII. Dreaming in Afro
    23. Chris Ofili in Paradise: Dreaming in Afro [2003]  341
    24. Maps of Emergency: Fault Lines and Tectonic Plates [2003]  349
    Place of First Publication  367
    Index