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  • Produktbild: Cultures of Work, the Neoliberal Environment and Music in Higher Education
  • Produktbild: Cultures of Work, the Neoliberal Environment and Music in Higher Education
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Cultures of Work, the Neoliberal Environment and Music in Higher Education

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

30.03.2024

Abbildungen

XV, 275 p.

Herausgeber

Sally Macarthur + weitere

Verlag

Springer

Seitenzahl

275

Maße (L/B/H)

21,6/15,3/2,1 cm

Gewicht

493 g

Auflage

2024

Sprache

Englisch

ISBN

978-3-031-50387-0

Beschreibung

Portrait


Sally Macarthur
is an Adjunct Professor of Musicology at the Elder Conservatorium, University of Adelaide, Australia


Julja Szuster
is a musicologist and Visiting Research Fellow at the Elder Conservatorium, University of Adelaide, Australia.


Paul Watt
is an Adjunct Professor of Musicology at the Elder Conservatorium, University of Adelaide, Australia.

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

30.03.2024

Abbildungen

XV, 275 p.

Herausgeber

Verlag

Springer

Seitenzahl

275

Maße (L/B/H)

21,6/15,3/2,1 cm

Gewicht

493 g

Auflage

2024

Sprache

Englisch

ISBN

978-3-031-50387-0

Herstelleradresse

Springer-Verlag GmbH
Tiergartenstr. 17
69121 Heidelberg
DE

Email: ProductSafety@springernature.com

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  • Produktbild: Cultures of Work, the Neoliberal Environment and Music in Higher Education
  • Produktbild: Cultures of Work, the Neoliberal Environment and Music in Higher Education

  • 1. Introduction: Music in the Neoliberal University Sally Macarthur, Julja Szuster and Paul Watt.- Part 1. Behaviours and Bureaucracies.- 2. Incivility and Music in Higher Education Sally Macarthur.- 3. Reconfiguring Gender, Sexuality, Music and Higher Education Sally Macarthur, with Susan McClary, Elizabeth Wood, Judith Lochhead, Jennifer Shaw, and Gillian Rodger.- 4. Shaping of Music Research in Australian Universities 1990s–2020s: ERA, Quality, Value, Impact and Workplace Pressure Jane Davidson.- 5. Recovering Musicology as a Public Service in the Neoliberal University: Obstacles, Obligations and Opportunities Peter Tregear.- Part 2. Teaching, Research and Scholarship: Forging New Pathways and Partners.- 6. Historical Performance in Early Opera: A Brown Female Artist-Scholar’s Autoethnography Charulatha Mani.- 7. Decoloniality and the Disappearance of Ethnomusicology in Australian Universities: Where are we Now? Elizabeth Mackinlay and Katelyn Barney.- 8. To Sound the Drum: A Dialogue on Value and Change in Relation to First Nations Music and Research in the Academy; Tiriki Onus and Sally Treloyn.- Part 3. Higher Degrees, Research Practice and New Materialism.- 9. The Music Practice PhD: Where is it Headed? ;Julja Szuster and Paul Watt.- 10. Interdisciplinarity and Musicology in Higher Degree Research ;Joseph Williams,- 11. Sensual Encounters with the Materiality of Rachmaninoff’s Piano Concerto No. 2; Bronwyn Davies and Sally Macarthur.