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  • Produktbild: The Routledge Companion to Women and Musical Leadership
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The Routledge Companion to Women and Musical Leadership The Nineteenth Century and Beyond

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

13.08.2024

Abbildungen

52 SW-Abb., 27 SW-Fotos, 25 SW-Zeichn., 12 Tabellen

Herausgeber

Laura Hamer + weitere

Verlag

Taylor & Francis

Seitenzahl

700

Maße (L/B/H)

26/18,3/4,2 cm

Gewicht

1489 g

Sprache

Englisch

ISBN

978-0-367-45676-4

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

13.08.2024

Abbildungen

52 SW-Abb., 27 SW-Fotos, 25 SW-Zeichn., 12 Tabellen

Herausgeber

Verlag

Taylor & Francis

Seitenzahl

700

Maße (L/B/H)

26/18,3/4,2 cm

Gewicht

1489 g

Sprache

Englisch

ISBN

978-0-367-45676-4

EU-Ansprechpartner

Taylor & Francis Verlag GmbH
Kaufingerstraße 24
80331 München
DE
GPSR@taylorandfrancis.com

Herstelleradresse

Taylor & Francis Group
5 Howick Place
SW1P 1WG London
UK
GPSR@taylorandfrancis.com

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  • Produktbild: The Routledge Companion to Women and Musical Leadership
  • Produktbild: The Routledge Companion to Women and Musical Leadership

  • 1 Defining, Surveying and Interrogating Women in Musical Leadership
    Laura Hamer and Helen Julia MinorsPART I
    Historical Perspectives: Historical Perspectives: An Introduction
    Laura Hamer and Helen Julia Minors
    2 Augusta Hervey: Lady of 'The Ladies' Guitar and Mandoline Band'
    Sarah Clarke3 Examining the Birth of Guitar Societies in America: From Women Guitarists' Advocacy to Philanthropy
    Kathy Acosta Zavala4 'Scatter[ing] All Prejudices to the Winds': Wilma Norman-Neruda and Camilla Urso as Leaders of the Nineteenth-Century String Quartet
    Bella Powell5 Surviving the Everyday: Gendered Violence, Patriarchal Power Structures, and Strategies of Resistance in Late Nineteenth-Century Ladies' Orchestras
    Nuppu Koivisto-Kaasik6 Sites of Empowerment: Fin-de-Siècle Salon Culture and the Music of Cécile Chaminade
    Ann Grindley'7 Une Belle Manifestation Féministe': The Formation of the Union des Femmes Professeurs et Compositeurs de Musique
    Laura Hamer8 The Forgotten Woman: Joan Trimble (1915-2000) and the Canon of Twentieth-Century Irish Art Song
    Orla Shannon9 'There is No Gate, No Lock, No Bolt That You Can Set Upon the Freedom of My Mind': Being a Woman in Franco's Prisons: A Glimpse Through Music
    Elsa Calero-CarramolinoPART II
    Conductors and Impresarios: Conductors and Impresarios: An Introduction
    Laura Hamer and Helen Julia Minors
    10 Lilian Baylis: The Visionary Impresario
    Kenneth Baird, with Laura Hamer11 Musical Ghosts: Re-Instating Elsie April in Historical Narratives of the British Musical
    Arianne Johnson Quinn and Sarah K. Whitfield12 'She is a Degenerate Cocaine Addict': Emma Carelli, A Diva- Impresario Facing Her Opponents
    Matteo Paoletti
    13 Henriette Renié as a Harp Ensemble Leader, Choral and Orchestral Conductor, and Impresario in the Light of Archival Sources
    Temina Cadi Sulumuna14 An American Female Violinist and Conductor in Paris: "La Kazanova et Ses Tziganes" (1933-1938)
    Jean-Christophe Brange. Translation: Kiefer Oakley15 Edis de Philippe, the Israel National Opera (INO), and the Politics of Music
    Kira Alvarez16 Odaline de la Martinez - Conductor, Composer, Entrepreneur, Leader
    Carola DarwinPART III
    Women's Practices in Music Education: Women's Practices in Music Education: An Introduction    Laura Hamer and Helen Julia Minors17 Embodying the Rhythm of Self in Leadership
    Judith Francois18 Learning to Coach, Coaching to Lead
    Jane Booth and Jane Cook19 The Work that (Irish) Women Do: Reframing Leadership in a British University Ceílí Band
    Anne-Marie Beaumont20 'It's Not About Me!': The Life a nd Leadership of Cathi Leibinger
    Margaret J. Flood21 Addressing Cyclic Gender Constructs in Music and Music Education in the UK
    Abigail Bruce and Chamari Wedamulla22 Pipeline to the Podium: Can Gender Differentiated Pedagogical Approaches: Address the Underrepresentation of Women Conductors?
    Katherine Hanckel
    23 Women Leading Change in Assessment Calibration
    Michelle Phillips24 Innovation and Leadership in Group Teaching Across the Lifespan: Three Case Studies
    Cynthia Stephens-Himonides, Margaret Young, and Melanie Bowes25 Training Early Career Women Teachers in Choral Leadership: Building a Community of Practice
    Rebecca BerkleyPART IV
    Performance and the Music Industries: Performance and the Music Industries: An Introduction
    Laura Hamer and Helen Julia Minors
    26 Women's Musical Leadership in Music Industries and Education
    Laura Hamer and Helen Julia Minors, with Alice Farnham, Katy Hamilton, Emma Haughton, Jessy McCabe, Sarah MacDonald, Davina Vencatasamy and Eleanor Wilson27 Preparing Women for Musical Leadership: Student and Faculty Voices
    Allison Gurland, Elizabeth Markow, Rebekah E. Moore, and Shannon Pires28 Women Leading Opera in the UK: An Ethnographic Study of Innovation
    Elizabeth Etches Jones29 Diversity in Italian Music Programming: Symphonic and Chamber Music Programming in Milan
    Valentina Bertolani and Luisa Santacesaria30 Beyond Music Workshops: A Composer and a Community
    Jenni RoditiPART V
    Faith and Spirituality: Worship and Sacred Musical Practices: Faith and Spirituality: Worship and Sacred Musical Practices: An Introduction
    Laura Hamer and Helen Julia Minors    31 Leading the Way: Victorian Premonitions for the Female Voice in Anglo-Jewish Music
    Danielle Padley
    32 Sisters in Song: Women Cantors and Musical Creativity in Progressive Jewish Worship
    Rachel Adelstein33 Maruja Hinestrosa: Faith and Introspection in a Colombian Composer
    Luis Gabriel Mesa Martínez34 Undoing Sanctity: Imee Ooi's Popular Contemporary Buddhist Music
    Fung Ying Loo and Fung Chiat Loo35 The Female Role in Sacred Musical Practices in Sh¿¿ah Rituals in Iraq
    Ahmed Al-Badr36 A Muslim in a Baptist Church: Discovering My Calling as a Sacred Musician
    Theresa Parvin Steward37 Power, Pop, and Performance
    Major John Martin38 'No Lady Need Apply': Women and Girls in Cathedral Musical Leadership
    Enya HL Doyle and Katherine Dienes-Williams39 Unsuitable for Evensong: Examining Exclusion and Diversity in the Repertoire of Oxford Collegiate Anglican Choirs
    Caroline Lesemann-ElliottPART VI
    Advocacy: Advocacy: Collectives, and Grassroots Activism: An Introduction
    Laura Hamer and Helen Julia Minors
    40 Power, Care and the Paradox of Leadership: A Kabbalistic Enquiry
    Nicky Gluch41 Toppling Systemic Exclusion: Women's Roles in a Century of Jazz
    Tahira Clayton, Amanda Ekery, and Hannah Grantham42 Mapping the Boundaries: Encountering Women's Creativity in the Salon602
    Briony Cox-Williams43 Women's Leadership Within Latin American Musicians' Unions: Opportunities and Challenges
    Ananay Aguilar44 From 'Women's Revolutions Per Minute', Through 'Taking Race Live' to Co-Founding 'Equality, Diversity and Inclusion in Music Studies Network': Supporting, Developing and Establishing Collaborative Networks for Change
    Helen Julia Minors45 Women's Revolutions Per Minute: Access to, Distribution, and Recognition of Music by Women
    Hilary Friend with Helen Julia Minors46 Gender Relations in New Music (GRiNM) and Yorkshire Sound Women Network (YSWN): Case Studies in Activism and Organisation for Change
    Stellan Veloce, Brandon Farnsworth, Rosanna Lovell, Heidi Johnson, Abi Bliss, and Eddie Dobson47 Sounding the Feminists: Campaigning for Institutional Change to Support Women in Music in Contemporary Ireland1
    Laura Watson