• Produktbild: Swedish Children’s Cinema
  • Produktbild: Swedish Children’s Cinema

Swedish Children’s Cinema History, Ideology and Aesthetics

162,99 €

inkl. gesetzl. MwSt., Versandkostenfrei


Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

10.08.2024

Abbildungen

XXII, 301 p. 31 illus., 28 illus. in color.

Herausgeber

Malena Janson

Verlag

Springer

Seitenzahl

301

Maße (L/B/H)

21,6/15,3/2,3 cm

Gewicht

533 g

Sprache

Englisch

ISBN

978-3-031-57000-1

Beschreibung

Portrait


Malena Janson
is a senior lecturer in child culture at Stockholm University. Her research comprises the ideology and aesthetics of children’s cinema, representations of children in audiovisual media, and film education. She has also published extensively on the subjects of film and child culture in national Swedish newspapers and journals.


 




Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

10.08.2024

Abbildungen

XXII, 301 p. 31 illus., 28 illus. in color.

Herausgeber

Malena Janson

Verlag

Springer

Seitenzahl

301

Maße (L/B/H)

21,6/15,3/2,3 cm

Gewicht

533 g

Sprache

Englisch

ISBN

978-3-031-57000-1

Herstelleradresse

Springer-Verlag GmbH
Tiergartenstr. 17
69121 Heidelberg
DE

Email: ProductSafety@springernature.com

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  • Produktbild: Swedish Children’s Cinema
  • Produktbild: Swedish Children’s Cinema

  • Chapter 1-Introduction: On the history, ideology, and aesthetics of Swedish children’s cinema.-
    Part I: Histories Of a Nation.- 
    Chapter 2. ‘D’ya know where they’re from?’: Migrants in Swedish children’s film.- Chapter 3. Beauties and beasts: On the child-nature relationship in Swedish children’s film. -Chapter 4. Like other kids, yet different: Sámi children in Swedish children’s film.- Chapter 5. Beyond subjugation and stereotype: The representation of girls in 
    Comedy Queen.-
    Part II: Ideologies of Childhoods.-
    Chapter 6. The prankster, the funster, and the overhelper: The comedy of mischief in the Swedish 
    folkhem.-
    Chapter 7. Foolish fathers in Swedish family film: Involved fatherhood and middle-class masculinity as spectacle.- Chapter 8. A relationship revolution: Child-centred parenthood in contemporary children’s cinema.- Chapter 9. ‘The movie ended quite well, but not that well, and I liked that because that’s how it is in reality’: Reception of and debates on Suzanne Osten’s films for children.- Chapter 10. We’ll never be those kids again: Queer perspectives on children’s cinema.-
    Part III: Aesthetics And Methods of Children’s Cinema.- 
    Chapter 11. Audiovisual empathy: Adopting a child’s perspective in children’s cinema.- Chapter 12. Astrid Lindgren’s early filmmaking: Transmediations across radio, books, and moving images.- Chapter 13. Per Åhlin: The master of Swedish animation.- Chapter 14. Freedom captured: Film adaptations of Maria Gripe’s children’s books.- Chapter 15. ‘We just don’t know!’: A metamodal method for learning through film.