Beschreibung
Produktdetails
Einband
Gebundene Ausgabe
Book Tropes
Opposites Attract + weitere
Altersempfehlung
ab 12 Jahr(e)
Erscheinungsdatum
10.06.2025
Verlag
Random House N.Y.Seitenzahl
224
Maße (L/B/H)
21,4/14,3/2,5 cm
Gewicht
312 g
Sprache
Englisch
ISBN
978-0-593-62478-4
A queer YA romance about two solo concertgoers and unwitting seatmates who, when the show is abruptly cut short, embark on an unforgettable North Carolina summer night together, for fans of Nick and Nora's Infinite Playlist.
“These two boys will have your entire heart.”
—Sonora Reyes, , bestselling author of the National Book Award Finalist The Lesbiana's Guide to Catholic School
Dakarai (Kai) Barbier was supposed to be at CYPHR’s sold-out show with his best friends. Instead, he finds himself going solo, reeling from the news that they’ve decided to accelerate the next chapter of their lives, leaving him alone the summer after high school graduation.
Meanwhile, Elias Davis has just been sent from New York City to North Carolina to live with his uncle after a last-straw fistfight. Stuck in a town he doesn’t want to be in, and without knowing a soul his own age, he buys a single ticket to CYPHR’s Raleigh show.
When a sudden blackout ends the show early, forcing these unwitting seatmates back onto the streets of Raleigh, they are faced with a choice: get on the bus and head home or take a chance on each other.
They might have arrived alone, but will they be leaving together?
“These two boys will have your entire heart.”
—Sonora Reyes, , bestselling author of the National Book Award Finalist The Lesbiana's Guide to Catholic School
Dakarai (Kai) Barbier was supposed to be at CYPHR’s sold-out show with his best friends. Instead, he finds himself going solo, reeling from the news that they’ve decided to accelerate the next chapter of their lives, leaving him alone the summer after high school graduation.
Meanwhile, Elias Davis has just been sent from New York City to North Carolina to live with his uncle after a last-straw fistfight. Stuck in a town he doesn’t want to be in, and without knowing a soul his own age, he buys a single ticket to CYPHR’s Raleigh show.
When a sudden blackout ends the show early, forcing these unwitting seatmates back onto the streets of Raleigh, they are faced with a choice: get on the bus and head home or take a chance on each other.
They might have arrived alone, but will they be leaving together?
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