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Produktbild: The Oxford Handbook of Scottish Theatre

The Oxford Handbook of Scottish Theatre

259,99 €

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

07.05.2025

Verlag

Oxford University Press

Seitenzahl

896

Maße (L/B/H)

24,7/18/5,5 cm

Gewicht

1704 g

Sprache

Englisch

ISBN

978-0-19-285738-5

Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

07.05.2025

Verlag

Oxford University Press

Seitenzahl

896

Maße (L/B/H)

24,7/18/5,5 cm

Gewicht

1704 g

Sprache

Englisch

ISBN

978-0-19-285738-5

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: The Oxford Handbook of Scottish Theatre

    • Preface

    • Introduction

    • SECTION I: HISTORIES

    • Medieval to 1700

    • 1: Sarah Carpenter: The Theatre Scene I: Stages, Performers, Audiences: Medieval to 1700

    • 2: Pamela M. King: The Theatre Scene II: Stages, Performers, Audiences: The Sixteenth and Seventeenth Centuries

    • 3: Greg Walker: Major Play I: Sir David Lyndsay, Ane Satyre of the Thrie Estaitis: Renaissance Scotland's Best Kept Secret?

    • The Eighteenth Century

    • 4: Rebecca Tierney-Hynes: The Theatre Scene III: Stages, Performers, Audiences: The Long Eighteenth Century

    • 5: Brianna Robertson-Kirkland: Major Play II: Allan Ramsay, The Gentle Shepherd (1725 and 1729)

    • 6: Ian Brown: Major Play III: John Home, Douglas (1756)

    • 7: Penelope Cole: The London Scots

    • The Nineteenth Century

    • 8: Barbara Bell: The Theatre Scene IV: Stages, Performers, Audiences in the early Nineteenth Century

    • 9: Alison Lumsden: Major Play IV: Rob Roy

    • 10: Clare Brennan: Major Playwright I: Joanna Baillie

    • 11: Paul Maloney: The Theatre Scene V: Stages, Performers, Audiences in the late Nineteenth Century

    • 12: Penelope Cole: J.M. Barrie and Turn-of-the-Century London

    • 1900 to the Mid-Twentieth Century

    • 13: Ian Brown: The Theatre Scene VI: Stages, Performers, Audiences, 1900-1950

    • 14: David Goldie: Companies and Writers: 1900 to 1940

    • 15: Donald Smith: The 1920s and After: The Scottish National Players

    • 16: Gerard Carruthers: Major Playwright II: James Bridie and His Theatre

    • 17: Linda Mackenney: Popular, Political Theatre in the 1920s, 30s, and 40s

    • 18: Linda Mackenney: Major Play V: Ena Lamont Stewart, Men Should Weep

    • The Mid-Twentieth Century to 2000

    • 19: Ksenija Horvat: The Theatre Scene VII: Stages. Performers, Audiences, c.1950-2000

    • 20: Anne Varty: Scottish Playwrights 1950-1970

    • 21: David Hutchison: 'Citizens and Studios': The Glasgow Citizens, Traverse, and Close Theatres

    • 22: Olga Taxidou: John McGrath and 7:84: 'The Moon Belongs to Everyone'

    • 23: Tom Maguire: The Post-1980 (post-Devolution Bill) Scottish Theatre Renaissance

    • 24: Randall Stevenson: Major Play VI: Liz Lochhead, Mary Queen of Scots Got Her Head Chopped Off

    • The Twenty-First Century

    • 25: David Overend: The Theatre Scene VIII: Stages, Performers, Audiences: The Twenty-First Century

    • 26: Allan Radcliffe: The National Theatre of Scotland: Theatre Without Walls

    • 27: Nicola McCartney: New Playwrights: Plays and Playwriting in Scotland, the 1990s to the 2020s

    • SECTION II: THEMES AND VARIATIONS

    • 28: John Corbett: Scots Language Drama (including Translation/Adaptation)

    • 29: Michelle MacLeod: The Professionalisation of Gaelic Drama

    • 30: Paul Maloney: Popular Theatre, Music Hall, Variety and Pantomime

    • 31: Ben Fletcher-Watson: Theatre for Young Audiences in Scotland

    • 32: Femi Folorunso: Influences from Abroad

    • 33: Gerry Mulgrew: Directing

    • 34: Bruce Young: Radio Drama

    • 35: Brian Hoyle: A Makeshift Bastard . . .': Peter McDougall's Just Your Luck and Just Another Saturday Night and Troy Kennedy Martin's 'New Drama for Television'

    • 36: Mark Fisher: Critics and Reviewers

    • 37: Michael Billington: Afterword

    • Index