Produktbild: Revisiting the Poetics and Politics of Modernism
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Revisiting the Poetics and Politics of Modernism The Women of 1922

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

02.11.2025

Abbildungen

XIII, 8 illus., schwarz-weiss Illustrationen

Herausgeber

Tamlyn Avery + weitere

Verlag

Springer

Seitenzahl

297

Maße (L/B/H)

21,6/15,3/2,2 cm

Gewicht

516 g

Sprache

Englisch

ISBN

978-3-031-95243-2

Beschreibung

Portrait

Tamlyn Avery is Senior Lecturer in English Literature at Adelaide University, Australia, and a senior research fellow in American Studies at the University of Queensland.Specializing in nineteenth and twentieth-century U.S. literature and modernism, she is author of The Regional Development of the American Bildungsroman, 1900–1960  (2023), and an editor of the Australasian Modernist Studies Association’s journal,  Affirmations: of the Modern . She has published extensively on American and African American Literature, modernism, and modern women’s writing and poetry in  PMLA ,  Modernism/modernity ,  American Literature,  the  African American Review , and elsewhere.

Sascha Morrell  is Lecturer in Literary Studies at Monash University, Australia. She has published widely on U.S. and modernist literatures, including chapters in  The Cambridge History of the Australian Novel  (2023) and  The Oxford Handbook of George Orwell  (2025). Sascha’s research has also examined Australian literature in transnational contexts, the overlap between competing constructions of “the south” globally, and the appropriation of Haitian history and cultural motifs (including the zombie) in modern U.S. fiction, theatre, and film.  

 

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

02.11.2025

Abbildungen

XIII, 8 illus., schwarz-weiss Illustrationen

Herausgeber

Verlag

Springer

Seitenzahl

297

Maße (L/B/H)

21,6/15,3/2,2 cm

Gewicht

516 g

Sprache

Englisch

ISBN

978-3-031-95243-2

Herstelleradresse

Springer-Verlag GmbH
Tiergartenstr. 17
69121 Heidelberg
DE

Email: GPSR Kontakt

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  • Produktbild: Revisiting the Poetics and Politics of Modernism
  • Editor’s Introduction. Revisiting the Women of 1922

    Dr Tamlyn Avery (University of Queensland) and Dr Sascha Morrell (Monash University)

     

    SECTION 1. Transnational Networks, Trajectories, & Translations

     

    Chapter 1. 1922 Internationals: The Work of Mina Loy and Rose Macaulay

    Professor Rachel Potter (University of East Anglia)

     

    Chapter 2. The Migrations and Filiations of Djuna Barnes, Mina Loy, and the Baroness Elsa von Freitag-Loringhoven in 1922

    Professor Mark Byron (University of Sydney)

     

    Chapter 3. Newness, Memory, and Tradition in Karin Boye’s ‘Moln’

    Dr Karin Sellberg (The University of Queensland)

     

    SECTION 2. Curations, Experiments, & Reinventions of the Self

     

    Chapter 4. Gertrude Stein’s Geography and Plays as a Modernist Text

     Professor Julian Murphet (University of Adelaide)

     

    Chapter 5. Lu Yin and Chinese New Culture Literary Experiments

    Professor Yi Zheng (UNSW Sydney)

     

    Chapter 6. Willa Cather’s Poetic Ambivalence: The April Twilights Revisions

    Dr Tamlyn Avery (University of Queensland) and Ms Clare Charlesworth (University of Adelaide)

     

     

    SECTION 3. Gender & the Politics of Genre

     

    Chapter 7. “A flower blooming in the prison yard:” Love, Sex, and Respectability in Harlem Renaissance Women’s Poetry

    Associate Professor Michelle Pinkard (Tennessee State University)

     

    Chapter 8. Face Off: Finding Critical Difference in the Satire of Amy Lowell and Mina Loy

    Professor Ann Vickery (Deakin University)

     

    Chapter 9. Nora’s Sisters: Korean Women Writers of 1922

     Dr Jung Ja Choi (Harvard University)

     

    SECTION 4. Reinterpretations & Critical Receptions

     

    Chapter 10. Gabriela Mistral’s Modern Refusal of Modernism

    Professor Claudia Cabello-Hutt (University of North Carolina) and Professor Emilia Phillips (University of North Carolina)

     

    Chapter 11. Revisiting Edith Wharton’s Remaking as a Modernist

    Dr Sascha Morrell (Monash University)

     

    Chapter 12. “[N]ot … an unexpected contingency”: Sarah Gertrude Millin’s Adam’s Rest (1922), Colonial Envy, and Modernism’s Racism

    Professor Andrew van der Vlies (University of Adelaide)

     

    Chapter 13. Katherine Mansfield, Heresy, Critique

    Professor Simon During (University of Melbourne)