Produktbild: Global King Lear
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Global King Lear Crisis, Performance, Adaptation

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

20.08.2026

Herausgeber

William R. Rampone + weitere

Verlag

Arden shakespeare

Seitenzahl

248

Maße (L/B/H)

21,6/13,8/2,5 cm

Gewicht

454 g

Sprache

Englisch

ISBN

978-1-350-42149-3

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

20.08.2026

Herausgeber

Verlag

Arden shakespeare

Seitenzahl

248

Maße (L/B/H)

21,6/13,8/2,5 cm

Gewicht

454 g

Sprache

Englisch

ISBN

978-1-350-42149-3

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Global King Lear
  • Introduction by Eric S. Mallin (University of Texas at Austin, USA) and William R. Rampone, Jr. (South Carolina State University, USA)

    I. Social and ethical responsibilities

    1. Leave the Brits, take the Shakespeare: Echoing King Lear, Banishing British Blood, and Indigenizing Shakespeare in 36 Chowringhee Lane
    Melissa Croteau (California Baptist University, USA)

    2. Upon a Wheel of Fire': King Lear and Social Reparation
    Alexa Alice Joubin (George Washington University, USA)

    3. Populism with a distinctly macho flavor: a contemporary King Lear in a Post-Communist context
    Gabriella Reuss (Pázmány Péter Catholic University, Hungary)

    II. Aging, death, and citizenship

    4. Institute of English Studies; "The Spectres of Lear: Shakespeare's Apocalyptic Tragedy in Selected Polish Theatre Productions"
    Malgorzata Grzegorzewska (University of Warsaw, Poland)

    5. Indian Lears, Aging, and Culture
    Paromita Chakravarti (Jadavpur University, India)

    6. Masahiro Kobayashi's Lear on the Beach: Tatsuya Nakadai and the Modern Issue of Aging in Japan
    Hisao Oshima (Kyushu University, Japan)

    III. Lear's theatres and metatheatricality

    7. The Transformation of King Lear in the Process of Huaju Sinicization
    Jing Li (Peking University, China)

    8. Lear's Death-a tragicomedy on the Hungarian Stage
    Agnes Matuska (University of Szeged, Hungary)

    9. The Last Lear: Stagecraft, Cinema, and the Crisis of Representation
    Amrita Sen (University of Calcutta, India)

    10. Continuity in the Floating World: King Lear in King Qi's Dream, a Peking Opera
    Zhang Qiong (Fudan University, China)

    IV. Cross-Cultural encounters and the drama of ideas

    11. Productions of King Lear on German Stages in the late Eighteenth Century
    Claudia Olk (Ludwig Maximilian University of Munich, Germany)

    12. Fathers, Daughters, and Absent Mothers: Power and Gender in Kishida Rio's Lear Colleen Lanki (University of British Columbia, Canada)

    13. Beyond Pragmatism: Apocalypse, Adaptation, and Historicity in King Lear and Some of its Czech Versions
    Martin Procházka (Charles University, Czech Republic)

    Index