Dr. Mario-Paul Martínez and Dr. Fran Mateu: Questions From the Screen: Manifestations and Reflections of Art and Audiovisual Post-Production in Contemporaneity - Part I: Fundamentals and Technologies in the Audiovisual Arts - Dr. Francisco Cuéllar Santiago and Dr. Vicente Javier Pérez Valero: Cinematography as a Transmitter of Pictorial Imagery in Filmmaking - Dr. Hernando Gómez Gómez and Dr. Valeria Levratto: From Analog Photography to Digital Construction: A Journey from Kindel to Post-Photography - Francisco Manuel Poveda Baeza:
Tron
: Art and Technology at the Dawn of the Computer-Generated Image - Roberto Català Nacher: The Digital Sinister: The Revolution of Emerging Technologies in Hyperrealist Sculpture and the Fantastic Genre - Part II: Techniques, Creative Processes and Audiovisual Narratives - Dr. Damià Jordà Bou: Art and Aesthetics in the Post-Production Workflow of an Indie Fantasy Film - Ben Manzanera: Rotoscoping and Other Animation Techniques: Audiovisual Hybrids for Storytelling - Dr. Elisa Martínez: Sex, Death and Magic: Metamorphoses in the Sand Animation Films of GiseÌle Ansorge - Dr. Clara López Cantos: Evolution of the Classic Script Structure in Interactive Cinema:
Black Mirror: Bandersnatch
- Alfonso Freire-Sánchez and Swen Seebach: Liminality and the Epistemological Boundaries Within the Series
Attack on Titan
from a Mythoanalytical and Existentialist Perspective - Part III: Genders, Representation and Identity - Dr. Diego Mollá Furió:
Pulp
and Science Fiction Press Comics: Buck Rogers and Flash Gordon - Dr. Ricardo González-García: The Fantastic and the Influence of Science Fiction Cinema in the Audiovisual Work of Marina Núñez - Dr. Marta Miquel-Baldellou: Filmic Ekphrases: Artistic Portrayals of Old Age in Contemporary Art Horror Films - Carmen Sáez González: Dying of Laughter: The Awakening of Hope in Post-Apocalyptic Cinema Through
Warm Bodies
- Fernando Fernández Torres: Queer Reveal: Anagnorisis and Post-Production in Music Videos - Sílvia Catarina Pereira Diogo: The Model Is Galatea but Which of the Two Male Leads Is Pygmalion? Calcifying Galatea and Referencing the Pygmalion Myth in
The Song of Songs
(Mamoulian, 1933) - Part IV: History and Education - Silvia Casolari and Davide Monopoli: The TV Fanta-Horror of the 1970s. An Example of Italian Media "Folklore" - Kevin Díaz Alché: Mythmaking and Oblivion: The Construction of Spanish History in Video Games - Dr. Amparo Alepuz Rostoll: The Art of Horror Movie Posters: A Study Through Analysis, Research, and Innovation in Teaching - Marina Díaz-Caneja Alepuz: Education in Children’s and Youth Classrooms Through Folklore, Audiovisual Media, and the Fantasy Genre
