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Inarticulacy in Creative Writing Practice and Translation Where Language Thickens

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Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

26.11.2026

Abbildungen

7 bw illus

Herausgeber

Jen Webb + weitere

Verlag

Bloomsbury Academic

Seitenzahl

240

Maße (L/B/H)

23,4/15,6/2,5 cm

Gewicht

454 g

Sprache

Englisch

ISBN

978-1-350-50239-0

Beschreibung

Produktdetails

Einband

Taschenbuch

Erscheinungsdatum

26.11.2026

Abbildungen

7 bw illus

Herausgeber

Verlag

Bloomsbury Academic

Seitenzahl

240

Maße (L/B/H)

23,4/15,6/2,5 cm

Gewicht

454 g

Sprache

Englisch

ISBN

978-1-350-50239-0

Herstelleradresse

Libri GmbH
Europaallee 1
36244 Bad Hersfeld
DE

Email: gpsr@libri.de

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  • Produktbild: Inarticulacy in Creative Writing Practice and Translation

  • Introduction to Where Language Thickens
    Preamble;
    A Thickening Approach;
    The Thick of Geertz;
    Threshold;
    The Discomfort of Breaking from the Default;
    Visual;
    Chinese Character Analogy;
    Sendak and 'Where';
    Shakespeare and 'thickens';
    Thickening Old English and twenty-first century Physics;
    Geertz and the Physical

    1. Thickness in Creative and Translation Processes
    Introduction;
    The Thick in Appiah's Translation Approach;
    Hermans Widens the Compass;
    Spiralling into Mailloux' Creative Essay Practice;
    Bryant's Fluid Text;
    Scott's Ongoing Encounters;
    Wright's Interstitial Translation-with-commentary;
    The Visual and the Spatial;
    Translating the Reader: Bill Griffiths and 'Y Gododdin';
    Visual Text in Old English Riddles;
    Tactical Misrecognition;
    Where Visual Text Thickens Critical Thought;
    The Themersons' Semantic Poetry Translations

    2. The Moment of Code-switching
    Introduction;
    Tutuola's Innovations;
    Okara's Near-literal Approach;
    Achebe's Translatory Code-switching;
    Stages of Code-switch;
    The Journey of Obi; Inside the Switch;
    Mid-word Code-switching;
    Creative Proverb Use;
    Proverbs without Gloss;
    Fascinating conversations

    3. Made-up Englishes
    Made-up Englishes and Code-switching;
    The Development of Made-up English in Saro-Wiwa's Sozaboy;
    More Stable Englishes: Shadow Tongue and Riddleyspeak;
    The Mechanics of Reading;
    Non-deliberate Construction Processes;
    Synthetic Sampling: Terry and Bergvall

    4. Sourcing Tolkien and Le Guin
    Made-up Languages as Source
    Tolkien's Employment of Racial and Colonial Stereotypes;
    Tolkien's Linguistic Aesthetic;
    Predictive Processing;
    Effects of Limited Agency in Tolkien's Work;
    Where Thickening Occurs: Ingoldian Wayfaring;
    Where Thickening Occurs: Tolkien's Maps;
    The Inaccessible and the Untranslated in Tolkien and Le Guin;
    The Anthropological Novel;
    Writing from the Future: Time-travelling;
    Writing from the Future: Physical Embodiment

    5. The Paratextual, the Visual and the Thing
    Inter-modal - Composing between;
    The Visual and the Typographical;
    Not-quite Translation;
    Textual-Visual Shimmers;
    Material Translation and Composition

    6. The Thick Moment of Now
    Composition and Translation as Felt Sensation: Unworded, Unbound;
    Unworded Thought and Not-quite Translation in The Skriker;
    The Kakekotoba Stutter;
    Quantum Translation;
    Vital Materiality;
    Chamoiseau: Resisting Singular Dominance;
    Fuzzy Beginnendings;
    World-in-Formation;
    Dipping into Un-clarity;
    The Material-Discursive Dynamic;
    From Zorg to Zong!;
    Notes on and in Zong!;
    Not-telling - Against the Reductive Dominance of Language;
    Athematic Intention and Physical Translation;
    Thick Moments of Now;

    Acknowledging, Not a Coda

    Bibliography

    Index