Produktbild: Style and Form in the Slasher Film II
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Style and Form in the Slasher Film II Beyond Hollywood

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Beschreibung

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

28.10.2026

Abbildungen

XXVI, 319 p. 19 illus., 16 illus. in color.

Herausgeber

Wickham Clayton

Verlag

Springer

Seitenzahl

319

Maße (L/B)

21/14,8 cm

Sprache

Englisch

ISBN

978-3-032-22836-9

Beschreibung

Portrait

Wickham Clayton is a UK-based author, filmmaker, and scholar. He is author of the BFI Film Classics  volume on The Wicker Man and  SEE! HEAR! CUT! KILL!: Experiencing Friday the 13th  (2020). Wickham is editor of The Bible Onscreen in the New Millennium: New Heart and New Spirit  (2020) and Style and Form in the Hollywood Slasher Film  (2015) as well as co-editor of Horror That Haunts Us: Nostalgia, Revisionism, and Trauma in Contemporary American Horror Film and Television  (2024) and Screening Twilight: Critical Approaches to a Cinematic Phenomenon  (2014). He is the director, writer and producer of the award-winning short film A Possible History of Ghosts  (2020) and writer of the award-winning screenplay Bloody Men (2021).

Produktdetails

Einband

Gebundene Ausgabe

Erscheinungsdatum

28.10.2026

Abbildungen

XXVI, 319 p. 19 illus., 16 illus. in color.

Herausgeber

Wickham Clayton

Verlag

Springer

Seitenzahl

319

Maße (L/B)

21/14,8 cm

Sprache

Englisch

ISBN

978-3-032-22836-9

Herstelleradresse

Springer Nature Customer Service Center GmbH
Europaplatz 3
69115 Heidelberg
DE
ProductSafety@springernature.com

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  • Produktbild: Style and Form in the Slasher Film II
  • .- Introduction.- Part I: SLASHER AESTHETICS AND STYLE.- 1. Slasher aesthetics: a formal evaluation of Tobe Hooper’s The Texas Chain Saw Massacre (1974) 2. Kiyoshi Kurosawa’s  Cure : A Formalist interpretation of Japanese Slasher Film. 3. SHOCK! – Slasher Film on the Agony of Brazilian Exploitation.- Part II: NATIONAL SLASHERS AND INDUSTRIES.- 4. The first French slasher: a close reading of Promenons-nous dans les bois – Reece Goodall.- 5. Historical Developments in Nollywood Slasher Cycles – Ucheyamere Nkwam-Uwaoma.- 6. The Slasher Film in Ireland: Searching for Irish Slasher Films – Karen Smith.- 7. The masked killer as a guardian of traditional identity. Contemporary Spanish rural slasher – Víctor Hernández-Santaolalla.- Part III: TERROR TROPES.- 8. Creepy Telephone Voices in the Slasher Film. A Psychological Explanation of a Longstanding Device – Emilio Audissino.- 9. “She felt she was living in a video clip”: Deterritorialization in Sotto il vestito niente I and II – Fernando Gabriel Pagnoni Berns.- 10. The Fantasy of Whiteness and Masks in the Slasher Film – Michaela Wünsch.- 11. “First Girls” First: Feminist-Formalist Approaches to the Overlooked Women of Slasher Films – David Scott Diffrient.- 12. Be My Baby and Be My Witness: Black Final Girls Becoming Afrofuturist Survivors – Nicole Huff.- 13. “I've said goodbye to my boogeyman, but the truth is, evil doesn't die. It changes shape” – How the prototypical slasher no longer needs to perform a slash to make a splash – David Edwards.- Part IV: SLASHING ON A SHOESTRING.- 14. The ‘Digital Underground’ of Low-Budget, Retro-Slashers: Angelica De Alba and Paul Ragsdale’s Streets of Vengeance (2016), Slashlorette Party (2020) and Murdercise (2023) – Alex Symons.- 15. “I Could Just Kill a Man!”: Sarah Jacobson’s I Was a Teenage Serial Killer (1993) and Underground Horror – Erica Tortolani.